1811
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Pelo d’Autore n° 1811 Femmina esemplare…. canthaveitathome: lawyerinlace: Natural beauty for us to play with. .
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blackcoffeecinnamon: Utagawa Toyokuni I (1769-1825) 歌川豊国 Beauty under Maple and Ginkgo Leaves, 1811
tom-muc-69: female-breeding-farm: Subject 1811 being feed. Female 36 yo. Free Stay Farm duration : 2 y 98 days. 1 male baby delivered. Male code 178. Sperm quality 100% watch it with sound 8-)
thorsteinulf: John Constable - Flatford Mill from a Lock on the Stour (c.1811)
boysnmenart: Benjamin Gibson (1811-1851) after John Gibson (1790-1866) - Psyche and the Zephyrs, 1837, front right - Walker Art Gallery, Liverpool, May 2012 by ketrin1407, via Flickr
fravery:Illustration. Samuel Howitt. c.1811.
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gaelissfelin: fattyatomicmutant: champagnemanagement: kicky-wicky (1602) long plum (1613) bald-pate friar (1656) silent flute (1720) gaying instrument (1811) liver-disturber (1888) (yikes) master of ceremonies (1890) father confessor (1890) quimstick
dusty-musty-obsolete: An untitled daguerreotype c. 1851-1854 by Albert Sands Southworth (1811 - 1894) Seems wonderfully modern for the first half of the 1850s.
lookingbackatfashionhistory: • Wedding Dress.Worn by: Mrs. Isaac Paschall Morris (Rebecca Thompson; Philadelphia, 1811-1881)Place of origin: Philadelphia, Pennsylvania, United StatesDate: 1841Medium: Ivory figured silk
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sublimecock: How we fuck/1811.
supersolesuniverse: Beautiful girl tasting own foot odour #1811
fujiwara57: e-hon 絵本 - Livre illustré d’estampes, encre sur papier “The Story of Aoto Fujitsuna 青砥藤綱“, 1811, de Katsushika Hokusai 葛飾北斎 (1760 - 1849).
art-and-dream: Artist painter English . John Constable 1776 – 1837 Romantic painter landscape Barges on the Stour with Dedham Church in the Distance, 1811
herzogtum-sachsen-weissenfels:John Constable (English, 1776-1837), Boats on the Stour, 1811. Oil on canvas, 26 x 31.1 cm.
artishardgr:Jules Dupre - Small Floodplain Jules Dupré (1811-1889), Small Floodplain (Petite plain inondable), around 1870-80; oil on panel, 22 x 15 cm
ir-dr: Day 1811 - 4 January 2016 WHO’S READY FOR STEVENBOMB IM READY FOR STEVENBOMB .//projectTiGER
freystupid:Bal paré of May 29, 1770 in the ballroom built for the Count de Mercy-ArgenteauPen and black ink, with gouache and watercolor on paperParis - Louvre MuseumJean-François-Thérèse Chalgrin (1739-1811)
clawmarks:An Examination of the mineralized remains of the vegetables and animals of the antediluvian world : generally termed extraneous fossils - James Parkinson - 1811 - via e-rara
art-and-things-of-beauty: Attributed to Leopold Zinnögger (Austrian, 1811-1872).- Flower still lifes with fruits, gouache on paper; 78 x 61 cm
royaltyandpomp: THE KING H.M. Napoleon II, King of Rome and Duke of Reichstadt (1811-1832)
art-of-swords: Yatagan Sword with Gold Inscription & Walrus Ivory Handle Culture: Ottoman, Turkey Dated: 1811 Measurements: length 69cm This yatagan (or yataghan) sword with a steel blade richly overlaid with gold and with a large walrus ivory handle
did-you-kno: There’s an interactive ‘murder map’ that pinpoints all the homicide locations in London since 1811. Each pin is colored to indicate the method of killing, and clicking on a pin also reveals the victim’s profile and links you
hipsteroscopy: Portrait of François-René de Chateaubriand, 1811. Anne-Louise Girodet de Roussy-Trioson.
rhaegartargaryen: Socrates teaching a youth (1811). José Aparicio.
peira: Jean-Auguste-Dominique Ingres: Portrait of Charles Joseph Laurent Cordier (1811)
peira: Jean-Auguste-Dominique Ingres: Portrait of Edme Francois Joseph Bochet (1811)
hadrian6: portrait. Anne Louis Girodet. 1811 http://hadrian6.tumblr.com
blastedheath: William Bradley (English, 1801-1857), Charles Swain, 1811-1837. Oil on canvas. Manchester Art Gallery. Charles Swain (1801-1874), was a Manchester poet and engraver.
zenfancy: Franken, Theodore (1811-1876) Reclining on a Sofa
blastedheath: alvanleysfatfriend Constantin Hansen (Danish, 1804-1880), Portrait of Martin Hammerich (1811-1881) later Professor, three-quarter length portrait, en face, 1835. Oil on canvas. 36 x 27 cm.
hadrian6: Portrait of a young man as a hunter. 1811. Anne Louis Girodet de Roucy-Trioson.
hadrian6: Death of a gladiator. 1773. Jean Simon Berthelemy. French. 1743-1811.
heracliteanfire: James Nevay, 1755-1811 (via British Museum)
Study for the Guards in the First Trial by Jury. 1842-43. Charles West Cope. British. 1811- 1890. black chalk and charcoal on wove paper.
Study of the Accused for the First Trial by Jury. 1841. Charles West Hope. British. 1811-1890. black chalk and charcoal on wove paper.
Apollo and Sarpedon. 1781. Jean Simon Berthelemy. French 1743-1811. oil/canvas.
Melchior-Paul von Deschwanden (Swiss, 1811 – 1881) The Study of a Young Man (Studie eines jungen Mannes), 1829/1881
Boy Painting a Tragic Mask. 1863. Jules Joseph Lefebvre. French 1836-1811. oil/canvas.
Anne-Louis Girodet also known as Anne-Louis Girodet de Roucy-Trioson, Anne-Louis Girodet-Trioson (1767-1824) Portrait of a young man as a hunter c.1811
Samuel de Wilde (British 1748-1832) Portrait of Samuel Thomas Russell (1811)
beyond-the-pale: Charles West Cope RA (1811-1890) Head of a ManThe Maas Gallery
detailedart: Detail, part III; Morpheus and Iris, 1811, by Pierre-Narcisse Guérin.
portraituresque: Charles West Cope (British, 1811- 1890) - self portrait
klassizismus:Details: Death of a Gladiator, 1773, Jean Simon Berthélemy (French, 1743-1811)
portraituresque: John Smart (1741-1811), Self-Portrait, 1783.- Watercolour and bodycolour on ivory, 3.8 x 2.9 cm.
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massivestarfishkingdom:1811
colibrette:ganymedesrocks: Richard Westmacott (1775-1856) - Jupiter and Ganymede, 1811 Jupiter et Ganymede 1811
art-of-swords: AN XI Light Cavalry Trooper’s Sword Dated: 1809 - 1811 Culture: French Measurements: weight 2.53 kg (with scabbard) and 1.21 kg (without scabbard) Inscription(s): marked “M" from Claude Marion, Inspector from 1808-1811; “B”
