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baby dust

baby dust

vuls:  colin-vian:  Joan Miró (1893-1983)  i have a print of this hanging up in my room and its always so weird to see it outside the context of my bedroom wall. its odd to encounter something in passing that you’re so used to seeing on a daily basis. 

vuls: colin-vian: Joan Miró (1893-1983) i have a print of this hanging up in my room and its always so weird to see it outside the context of my bedroom wall. its odd to encounter something in passing that you’re so used to seeing on a daily basis. 

willigula:  Marthe Chenal at the wheel of her motor car by René Lelong, 1919

willigula: Marthe Chenal at the wheel of her motor car by René Lelong, 1919

tiled:  ‘Sunday Best’ Adwoa Aboah by Vicky Trombetta - Wonderland Magazine

tiled: ‘Sunday Best’ Adwoa Aboah by Vicky Trombetta - Wonderland Magazine

My fav shorts are much too big on me

My fav shorts are much too big on me

kecobe:  The Haunt of the HeronA. B. Webb (Australian; 1887–1944)ca.1920 Paper woodcut, printed in color in the Japanese manner, from five blocks, on thin cream paper (no. 13 from an edition of 50) National Gallery of Australia, Canberra, Australia

kecobe: The Haunt of the HeronA. B. Webb (Australian; 1887–1944)ca.1920 Paper woodcut, printed in color in the Japanese manner, from five blocks, on thin cream paper (no. 13 from an edition of 50) National Gallery of Australia, Canberra, Australia

casadabiqueira:   Workmen’s Dwellings, Leipzig  E.O. Hoppé, 1938  Via Un regard oblique

casadabiqueira: Workmen’s Dwellings, Leipzig E.O. Hoppé, 1938 Via Un regard oblique

mananangggal:  Liu Wen and Liya Kebede for Giorgio Armani New Normal Fall 2016 Campaign Photographed by Peter Lindbergh 

mananangggal: Liu Wen and Liya Kebede for Giorgio Armani New Normal Fall 2016 Campaign Photographed by Peter Lindbergh 

THE COLD OF ANXIETY IS VERY REAL

THE COLD OF ANXIETY IS VERY REAL

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