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b22-design:  Escada principal da residência Fernando Millan  Paulo Mendes da Rocha - 1970-1974 - photo: Jorge Hirata

b22-design: Escada principal da residência Fernando Millan  Paulo Mendes da Rocha - 1970-1974 - photo: Jorge Hirata

eireeckah:

eireeckah:

uvre:  Untitled, Josh Tonsfeldt, 2011.

uvre: Untitled, Josh Tonsfeldt, 2011.

facepalminmovies:  Coeur fidèle (Jean Epstein, 1923)

facepalminmovies: Coeur fidèle (Jean Epstein, 1923)

 Yves Klein, Le Vide, Iris Clert Gallery, Paris 1958  “Il peint en blanc une pièce qu’il a préalablement entièrement vidée. Dans ce temple monochrome, le spectateur, contraint à une attitude contemplative, se trouve comme immergé dans la

Yves Klein, Le Vide, Iris Clert Gallery, Paris 1958  “Il peint en blanc une pièce qu’il a préalablement entièrement vidée. Dans ce temple monochrome, le spectateur, contraint à une attitude contemplative, se trouve comme immergé dans la

fiore-rosso:  christian coigny | still life series.

fiore-rosso: christian coigny | still life series.

 Csilla Klenyánszki

Csilla Klenyánszki

stoneponi:  Lloyd Cole // Bad Vibes - photograph - David Sims

stoneponi: Lloyd Cole // Bad Vibes - photograph - David Sims

nyctaeus:  Olafur Eliasson, ‘Your Sun Machine’, 1997 “Many of Eliasson’s works explore the relationship between the spectator and object. In Your Sun Machine 1997 viewers entered a room which was empty apart from a large circular hole punctured

nyctaeus: Olafur Eliasson, ‘Your Sun Machine’, 1997 “Many of Eliasson’s works explore the relationship between the spectator and object. In Your Sun Machine 1997 viewers entered a room which was empty apart from a large circular hole punctured

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