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The Quatermass Experiment, by Nigel Kneale, Penguin 1959. From a charity shop in Nottingham. “Cut to Quatermass. He presses the master switch. An indicator light flashes. Cut to the rocket…very, very slowly, the hatch begins moving outwards.

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Blog: everything second-hand


tags: quatermass, nigel kneale, the quatermass experiment

original: http://everythingsecondhand.tumblr.com/post/44537328804

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Illustration by Ray Bradbury, from an interview with him in Sight and Sound, Spring 1974. From a collection of magazines given away free by Broadway Cinema. “Stage is fantasy; film is reality. The stage should never be real. That’s why the

Illustration by Ray Bradbury, from an interview with him in Sight and Sound, Spring 1974. From a collection of magazines given away free by Broadway Cinema. “Stage is fantasy; film is reality. The stage should never be real. That’s why the

Movie People, At Work In The Business of Film - Fred Baker with Ross Firestone, Lancer Contempora Books, 1973. Bought from a second-hand book stall, Charing Cross Rd. London. “Terry Southern on The Screenwriter. ’Would you say that writing

Movie People, At Work In The Business of Film - Fred Baker with Ross Firestone, Lancer Contempora Books, 1973. Bought from a second-hand book stall, Charing Cross Rd. London. “Terry Southern on The Screenwriter. ’Would you say that writing

The Friends of Eddie Coyle, by George V. Higgins, Pan Books 1973. From a second-hand book stall, Charing Cross Road, London. “‘Look at this.’ The stocky man extended the fingers of his left hand over the gold-speckled formica tabletop.

The Friends of Eddie Coyle, by George V. Higgins, Pan Books 1973. From a second-hand book stall, Charing Cross Road, London. “‘Look at this.’ The stocky man extended the fingers of his left hand over the gold-speckled formica tabletop.

Interview with Nicolas Roeg, from Sight and Sound, Winter 1973/4. Free from Broadway Cinema, Nottingham. “In all three films [Walkabout, Performance, Don’t Look Now], the impression is of people who at the end are more or less willing themselv

Interview with Nicolas Roeg, from Sight and Sound, Winter 1973/4. Free from Broadway Cinema, Nottingham. “In all three films [Walkabout, Performance, Don’t Look Now], the impression is of people who at the end are more or less willing themselv

Rabid, directed by David Cronenberg (1986, Empire Video), VHS tape. From a car boot sale in Nottingham. “You can’t trust your mother, your best friend, your next door neighbour… one minute they’re  perfectly normal THE NEXT&hellip

Rabid, directed by David Cronenberg (1986, Empire Video), VHS tape. From a car boot sale in Nottingham. “You can’t trust your mother, your best friend, your next door neighbour… one minute they’re  perfectly normal THE NEXT&hellip

Book Of The Damned, by Charles Fort (John Brown Publishing, 1995) From a charity shop in Nottingham. “It is our expression that nothing can attempt to be, except by attempting to exclude something else: that which is commonly called ‘being&rsq

Book Of The Damned, by Charles Fort (John Brown Publishing, 1995) From a charity shop in Nottingham. “It is our expression that nothing can attempt to be, except by attempting to exclude something else: that which is commonly called ‘being&rsq

Photographs from The Cinema of John Frankenheimer by Gerald Pratley, International Film Guide Series, 1969 Bought from a charity shop, Nottingham. John Frankenheimer on Seconds (1966)  “I think with every film before you even start to make it,

Photographs from The Cinema of John Frankenheimer by Gerald Pratley, International Film Guide Series, 1969 Bought from a charity shop, Nottingham. John Frankenheimer on Seconds (1966)  “I think with every film before you even start to make it,

Montana Gothic, by Dirck Van Sickle Bought from a charity shop, London. “He put on the same clothes he’d worn since last summer; the shirt stiffly wrinkled with nose wipings, the top three buttons gone. His cowboy boots, a struggle to put

Montana Gothic, by Dirck Van Sickle Bought from a charity shop, London. “He put on the same clothes he’d worn since last summer; the shirt stiffly wrinkled with nose wipings, the top three buttons gone. His cowboy boots, a struggle to put

Collection of old photos from various East Midlands portrait photographers (including Roberts & Son, Derby; G. Caldwell, Nottingham; Phillips and Freckleton, Nottingham). From a junk shop, Mansfield Road, Nottingham.

Collection of old photos from various East Midlands portrait photographers (including Roberts & Son, Derby; G. Caldwell, Nottingham; Phillips and Freckleton, Nottingham). From a junk shop, Mansfield Road, Nottingham.

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