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heavensickness:Oh, don’t try and take his suffering away from him; he’s be lost without it.Look Back In Anger, John Osborne

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crastinating: “My God, my God, whose performance am I watching? How many people am I? Who am I? What is this space between myself and myself?” — Fernando Pessoa, from The Book of Disquiet (via luthienne)

crastinating: “My God, my God, whose performance am I watching? How many people am I? Who am I? What is this space between myself and myself?” — Fernando Pessoa, from The Book of Disquiet (via luthienne)

365filmsbyauroranocte: A Streetcar Named Desire (Elia Kazan, 1951)

365filmsbyauroranocte: A Streetcar Named Desire (Elia Kazan, 1951)

thursdaysatthecafe: “Worry is a way to pretend that you have knowledge or control over what you don't―and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown.” — Rebecca Solnit, A Field Guide to Getting Lost

thursdaysatthecafe: “Worry is a way to pretend that you have knowledge or control over what you don't―and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown.” — Rebecca Solnit, A Field Guide to Getting Lost

bandtshirt: Comme des Garçons F/W 1988 campaign

bandtshirt: Comme des Garçons F/W 1988 campaign

heavensickness:Look Back In Anger, John Osborne

heavensickness:Look Back In Anger, John Osborne

writingsforwinter: “Nothing ever ends poetically. It ends and we turn it into poetry. All that blood was never once beautiful. It was just red.” — Kait Rokowski

writingsforwinter: “Nothing ever ends poetically. It ends and we turn it into poetry. All that blood was never once beautiful. It was just red.” — Kait Rokowski

https://64.media.tumblr.com/tumblr_m4b6ueJ2DP1qc2yhso1_500.png

https://64.media.tumblr.com/tumblr_m4b6ueJ2DP1qc2yhso1_500.png

bymessy: Sam Casper outtake for “Red as Love” shot by Cybelle Corwin

bymessy: Sam Casper outtake for “Red as Love” shot by Cybelle Corwin

(via griznar, substrom)

(via griznar, substrom)

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