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Brett Whiteley (Sydney 1939 - Thirroul 1992); Self Portrait in the Studio, 1976

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Blog: The gilded shell


tags: art, modern art, painting, australian artists, avant-garde, self portrait, interior, nude, Brett Whiteley, studio

original: https://climacus.tumblr.com/post/80504703459

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blastedheath: Frank Dobson (British, 1888-1963), Bastard Child, c.1915. Oil on panel, 15 x 12 in.

blastedheath: Frank Dobson (British, 1888-1963), Bastard Child, c.1915. Oil on panel, 15 x 12 in.

tamburina: Steve McCurry, Children playing on East Sixth Street at Avenue C in the East Village, New York City, 1984

tamburina: Steve McCurry, Children playing on East Sixth Street at Avenue C in the East Village, New York City, 1984

thorsteinulf: John Michael Wishart - Landscape, Hérault

thorsteinulf: John Michael Wishart - Landscape, Hérault

lawrenceleemagnuson: Paysage Méditerranée 1954    Nicolas de Staël    oil on canvas 60 x 81 cm.

lawrenceleemagnuson: Paysage Méditerranée 1954    Nicolas de Staël    oil on canvas 60 x 81 cm.

Leon Wyczólkowski (1852, Huta Miastowska near Garwolin – 1936, Warsaw); Widok Grenady, 1905; pastel on paper, 61 x 51 cm; Muzeum Narodowe, Kraków

Leon Wyczólkowski (1852, Huta Miastowska near Garwolin – 1936, Warsaw); Widok Grenady, 1905; pastel on paper, 61 x 51 cm; Muzeum Narodowe, Kraków

Gustave Moreau (Paris, 1826 - 1898); Le Christ au Jardin des Oliviers (Christ in the Garden of Olives), c. 1880; oil on canvas, 70 x 85 cm; Musée Gustave Moreau, Paris

Gustave Moreau (Paris, 1826 - 1898); Le Christ au Jardin des Oliviers (Christ in the Garden of Olives), c. 1880; oil on canvas, 70 x 85 cm; Musée Gustave Moreau, Paris

neurosciencestuff: Nanopores underlie our ability to tune in to a single voice Inner-ear membrane uses tiny pores to mechanically separate sounds, researchers find. Even in a crowded room full of background noise, the human ear is remarkably adept at

neurosciencestuff: Nanopores underlie our ability to tune in to a single voice Inner-ear membrane uses tiny pores to mechanically separate sounds, researchers find. Even in a crowded room full of background noise, the human ear is remarkably adept at

kafkasapartment: Woman at the Piano, 1914. Albert Gleizes. Oil on canvas

kafkasapartment: Woman at the Piano, 1914. Albert Gleizes. Oil on canvas

erudite-eye: André Kertész. Bowl with Sugar Cubes, 1928.

erudite-eye: André Kertész. Bowl with Sugar Cubes, 1928.

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