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tamburina: Steve McCurry, Children playing on East Sixth Street at Avenue C in the East Village, New York City, 1984

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Blog: The gilded shell


tags: photography, steve mccurry, children, new york

original: https://climacus.tumblr.com/post/80501600280

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Jacob Maris (The Hague 1837 - Karlsbad 1899); The five windmills, 1878; oil on canvas; Cetraal Museum, Utrecht

Jacob Maris (The Hague 1837 - Karlsbad 1899); The five windmills, 1878; oil on canvas; Cetraal Museum, Utrecht

colourthysoul: Frank Forward - Floods at Southwold, Suffolk (1953)

colourthysoul: Frank Forward - Floods at Southwold, Suffolk (1953)

blastedheath: Frank Dobson (British, 1888-1963), Bastard Child, c.1915. Oil on panel, 15 x 12 in.

blastedheath: Frank Dobson (British, 1888-1963), Bastard Child, c.1915. Oil on panel, 15 x 12 in.

thorsteinulf: John Michael Wishart - Landscape, Hérault

thorsteinulf: John Michael Wishart - Landscape, Hérault

Brett Whiteley (Sydney 1939 - Thirroul 1992); Self Portrait in the Studio, 1976

Brett Whiteley (Sydney 1939 - Thirroul 1992); Self Portrait in the Studio, 1976

lawrenceleemagnuson: Paysage Méditerranée 1954    Nicolas de Staël    oil on canvas 60 x 81 cm.

lawrenceleemagnuson: Paysage Méditerranée 1954    Nicolas de Staël    oil on canvas 60 x 81 cm.

Leon Wyczólkowski (1852, Huta Miastowska near Garwolin – 1936, Warsaw); Widok Grenady, 1905; pastel on paper, 61 x 51 cm; Muzeum Narodowe, Kraków

Leon Wyczólkowski (1852, Huta Miastowska near Garwolin – 1936, Warsaw); Widok Grenady, 1905; pastel on paper, 61 x 51 cm; Muzeum Narodowe, Kraków

Gustave Moreau (Paris, 1826 - 1898); Le Christ au Jardin des Oliviers (Christ in the Garden of Olives), c. 1880; oil on canvas, 70 x 85 cm; Musée Gustave Moreau, Paris

Gustave Moreau (Paris, 1826 - 1898); Le Christ au Jardin des Oliviers (Christ in the Garden of Olives), c. 1880; oil on canvas, 70 x 85 cm; Musée Gustave Moreau, Paris

neurosciencestuff: Nanopores underlie our ability to tune in to a single voice Inner-ear membrane uses tiny pores to mechanically separate sounds, researchers find. Even in a crowded room full of background noise, the human ear is remarkably adept at

neurosciencestuff: Nanopores underlie our ability to tune in to a single voice Inner-ear membrane uses tiny pores to mechanically separate sounds, researchers find. Even in a crowded room full of background noise, the human ear is remarkably adept at

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