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Blog: The gilded shell


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missfolly: The Temptation of Saint Anthony Master of Girard (last half of the 1400s)  Note the woman’s feet. A hint the devil is disguised as a lovely woman. 

missfolly: The Temptation of Saint Anthony Master of Girard (last half of the 1400s)  Note the woman’s feet. A hint the devil is disguised as a lovely woman. 

Hans Baldung (called Hans Baldung ‘Grien’, German, ca. 1484-1545), Madonna with Child and parrots, 1533; oil or tempera on lime panel, 91.5 x 63.3;  Germanisches Nationalmuseum, Nuremberg

Hans Baldung (called Hans Baldung ‘Grien’, German, ca. 1484-1545), Madonna with Child and parrots, 1533; oil or tempera on lime panel, 91.5 x 63.3;  Germanisches Nationalmuseum, Nuremberg

massmoca:“The Secret Lives of Books” by Jena Priebe. Bibliothecaphilia now on view at MASS MoCA.

massmoca:“The Secret Lives of Books” by Jena Priebe. Bibliothecaphilia now on view at MASS MoCA.

thunderstruck9:Patrick Heron (English, 1920-1999), Harbour window in mirror, St. Ives, 1952. Pencil, watercolour, wash and gouache, 14½ x 11 in.

thunderstruck9:Patrick Heron (English, 1920-1999), Harbour window in mirror, St. Ives, 1952. Pencil, watercolour, wash and gouache, 14½ x 11 in.

Gerrit (also Gerard) van Honthorst (Dutch, 1592-1656),  Venus and Cupid, 1625; oil on canvas, 114 x 94 cm; Frans Hals Museum, Haarlem

Gerrit (also Gerard) van Honthorst (Dutch, 1592-1656),  Venus and Cupid, 1625; oil on canvas, 114 x 94 cm; Frans Hals Museum, Haarlem

Lavinia Fontana (1552-1614), Portrait of a Lady with a dog, 1690s; oil on canvas, 89.5 x 62 cm; private collection“The present picture was painted when Fontana was at the height of her success in Bologna. The women of Bologna’s ruling elite, a collection

Lavinia Fontana (1552-1614), Portrait of a Lady with a dog, 1690s; oil on canvas, 89.5 x 62 cm; private collection“The present picture was painted when Fontana was at the height of her success in Bologna. The women of Bologna’s ruling elite, a collection

emeticanemesi:Keith Haring (American, 1958-1990), Apocalypse: one plate (1988), screenprint in colours, 96.5 x 96.5 cm

emeticanemesi:Keith Haring (American, 1958-1990), Apocalypse: one plate (1988), screenprint in colours, 96.5 x 96.5 cm

Edward Bawden (English, 1903-1989), The Bird’s Nest, 1951; watercolour and ink on paper

Edward Bawden (English, 1903-1989), The Bird’s Nest, 1951; watercolour and ink on paper

thunderstruck9:Romare Bearden (American, 1911-1988), Empress of the Blues, 1974. Acrylic and pencil on paper and printed paper on paperboard, 36 x 48 in.

thunderstruck9:Romare Bearden (American, 1911-1988), Empress of the Blues, 1974. Acrylic and pencil on paper and printed paper on paperboard, 36 x 48 in.

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