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villettess: William Orpen - Portrait of a Girl Wearing a Green Dress, 1899

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Blog: The gilded shell


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original: https://climacus.tumblr.com/post/180982949445

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theories-of:Max Ernst The Immaculate Conception. 1929

theories-of:Max Ernst The Immaculate Conception. 1929

renaissance-art: Verrocchio c. 1472-1475 Baptism of Christ

renaissance-art: Verrocchio c. 1472-1475 Baptism of Christ

urgetocreate:Vincent van Gogh, Landscape Under a Stormy Sky, 1888

urgetocreate:Vincent van Gogh, Landscape Under a Stormy Sky, 1888

poboh:Footprints, ca 1950, Saul Leiter. American, born in 1923.

poboh:Footprints, ca 1950, Saul Leiter. American, born in 1923.

blastedheath: Malcolm Bray (American, born England, 1958), Verrazano, 2013. Oil on canvas, 80 x 80 in.

blastedheath: Malcolm Bray (American, born England, 1958), Verrazano, 2013. Oil on canvas, 80 x 80 in.

urgetocreate:canvasobsession-deactivated2013: Vilhelm Hammershøi (Danish, 1864-1916), From a Farm, Refsnaes, 1900. Oil on canvas. David Collection, Copenhagen.

urgetocreate:canvasobsession-deactivated2013: Vilhelm Hammershøi (Danish, 1864-1916), From a Farm, Refsnaes, 1900. Oil on canvas. David Collection, Copenhagen.

lyghtmylife: Raphaelle Peale  [American Painter, 1774-1825]Venus Rising from the Sea—A Deception  c. 1822 Oil on canvas  29 x 24 in The Nelson-Atkins Museum of Art, Kansas City, Missouri A painting which famously comments on the fact that depictions

lyghtmylife: Raphaelle Peale  [American Painter, 1774-1825]Venus Rising from the Sea—A Deception  c. 1822 Oil on canvas  29 x 24 in The Nelson-Atkins Museum of Art, Kansas City, Missouri A painting which famously comments on the fact that depictions

tripstothemuseum: Celebes, Max Ernst, 1921 Oil paint on canvas.Tate Modern “The central rotund shape in this painting derives from a photograph of a Sudanese corn-bin, which Ernst has transformed into a sinister mechanical monster. Ernst often re-used

tripstothemuseum: Celebes, Max Ernst, 1921 Oil paint on canvas.Tate Modern “The central rotund shape in this painting derives from a photograph of a Sudanese corn-bin, which Ernst has transformed into a sinister mechanical monster. Ernst often re-used

deadpaint:Valentin Serov, Children (1899)

deadpaint:Valentin Serov, Children (1899)

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