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Blog: The gilded shell


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koredzas: Correggio - Noli Me Tangere. 1525

koredzas: Correggio - Noli Me Tangere. 1525

neurosciencestuff: (Image caption: Multiple synapse heads send out filopodia (green) converging on one microglia (red), as seen by focused ion beam scanning electron microscopy (FIBSEM). Credit: L. Weinhard, EMBL Rome) Captured on film for the first time:

neurosciencestuff: (Image caption: Multiple synapse heads send out filopodia (green) converging on one microglia (red), as seen by focused ion beam scanning electron microscopy (FIBSEM). Credit: L. Weinhard, EMBL Rome) Captured on film for the first time:

nemfrog:Crowd eating free barbeque dinner at the Pie Town, New Mexico Fair. Lee Russell. October 1940. Farm Security Administration. LOC. 

nemfrog:Crowd eating free barbeque dinner at the Pie Town, New Mexico Fair. Lee Russell. October 1940. Farm Security Administration. LOC. 

lionofchaeronea:The Stream of Plaisir-Fontaine in the Valley of Puits-Noir, Gustave Courbet, 1864

lionofchaeronea:The Stream of Plaisir-Fontaine in the Valley of Puits-Noir, Gustave Courbet, 1864

bienenkiste: “Learning Curves”. Photographed by Tim Walker for Allure June 1998

bienenkiste: “Learning Curves”. Photographed by Tim Walker for Allure June 1998

amare-habeo: Felice Casorati (Italian, 1883-1963) Santina, 1939 Oil on canvas, 76 x 54,5 cm

amare-habeo: Felice Casorati (Italian, 1883-1963) Santina, 1939 Oil on canvas, 76 x 54,5 cm

thunderstruck9:Alfred Reth (Hungarian, 1884-1966), Les baigneuses [Bathers], c.1920. Oil on panel, 37 x 44 cm.

thunderstruck9:Alfred Reth (Hungarian, 1884-1966), Les baigneuses [Bathers], c.1920. Oil on panel, 37 x 44 cm.

westside-historic: A very noirish shot of the Sanderson Hosiery Company in West Los Angeles in 1949, at the corner of Barrington and Olympic. That leg was 35 feet high. Photo: Max Yavno

westside-historic: A very noirish shot of the Sanderson Hosiery Company in West Los Angeles in 1949, at the corner of Barrington and Olympic. That leg was 35 feet high. Photo: Max Yavno

moma: Toward a Concrete Utopia: K67 Kiosk  A 1966 K67 Kiosk welcomes visitors to our #ConcreteUtopia exhibition. It was launched by Slovenian designer Saša J. Mächtig as a shape-shifting modular system of street furniture that became ubiquitous

moma: Toward a Concrete Utopia: K67 Kiosk  A 1966 K67 Kiosk welcomes visitors to our #ConcreteUtopia exhibition. It was launched by Slovenian designer Saša J. Mächtig as a shape-shifting modular system of street furniture that became ubiquitous

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