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colin-vian:  Max Ernst e Dorothea Tanning a Sedona, Arizona, 1948

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Blog: The gilded shell


tags: photography, max ernst, dorothea tanning

original: https://climacus.tumblr.com/post/107499090260

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blastedheath: Serge Poliakoff (Russian-French, 1900-1969), Composition abstraite, 1964. Oil on canvas, 100 x 81 cm.

blastedheath: Serge Poliakoff (Russian-French, 1900-1969), Composition abstraite, 1964. Oil on canvas, 100 x 81 cm.

thisblueboy: Johannes Vermeer, Diana and her Companions, 1655 - 1656, Gallery of The Hague

thisblueboy: Johannes Vermeer, Diana and her Companions, 1655 - 1656, Gallery of The Hague

elegantiaearbiter: The Lomellini Family, by Antoon van Dyck, Scottish National Gallery, Edinburgh.

elegantiaearbiter: The Lomellini Family, by Antoon van Dyck, Scottish National Gallery, Edinburgh.

artmastered: Adolphe-Félix Cals, Fisherman, 1874, oil on canvas, 25 x 31 cm, Musée d’Orsay, Paris. Source Cals is a lesser-known exponent of the realism movement in 19th-century France. This piece was painted after the artist permanently moved from

artmastered: Adolphe-Félix Cals, Fisherman, 1874, oil on canvas, 25 x 31 cm, Musée d’Orsay, Paris. Source Cals is a lesser-known exponent of the realism movement in 19th-century France. This piece was painted after the artist permanently moved from

thunderstruck9: Keith Vaughan (English, 1912-1977), Still life with pears, 1951. Oil on canvas, 40.9 x 50.9 cm.

thunderstruck9: Keith Vaughan (English, 1912-1977), Still life with pears, 1951. Oil on canvas, 40.9 x 50.9 cm.

philamuseum: This panel shows the Virgin Mary lowering her belt to Thomas from Heaven to convince him that she has been lifted there after her death. Discover why this story was chosen for the altarpiece, during our Spotlight Gallery Conversations this

philamuseum: This panel shows the Virgin Mary lowering her belt to Thomas from Heaven to convince him that she has been lifted there after her death. Discover why this story was chosen for the altarpiece, during our Spotlight Gallery Conversations this

thunderstruck9: Robert Motherwell (American, 1915-1991), Black Figuration No. 2, 1976. Acrylic on canvas, 48 x 48 in.

thunderstruck9: Robert Motherwell (American, 1915-1991), Black Figuration No. 2, 1976. Acrylic on canvas, 48 x 48 in.

athousandwinds:  Mountain Torrent after the Storm, 1891, oil on canvas by Robert Russ, Austrian, 1847-1922. Residenzgalerie, Salzburg, Austria.   The strength of the storm can be seen in the washed out bridge and its capriciousness is seen in the leaving

athousandwinds:  Mountain Torrent after the Storm, 1891, oil on canvas by Robert Russ, Austrian, 1847-1922. Residenzgalerie, Salzburg, Austria.   The strength of the storm can be seen in the washed out bridge and its capriciousness is seen in the leaving

Marcus Gheeraerts the Younger (Bruges 1561/62 - London 1636); Portrait of Captain Thomas Lee in Irish dress, 1594; oil on canvas, 150 x 230 cm; Tate British Collection

Marcus Gheeraerts the Younger (Bruges 1561/62 - London 1636); Portrait of Captain Thomas Lee in Irish dress, 1594; oil on canvas, 150 x 230 cm; Tate British Collection

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