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Childe Hassam (1859 - 1935), A back road, n/d

Childe Hassam (1859 - 1935), A back road, n/d

lyghtmylife: Kitaj, R.B. [American Pop Artist, 1932-2007] The Autumn of Central Paris (after Walter Benjamin) - 1972-3Oil on canvasCollection Mrs. Susan Lloyd, New York

lyghtmylife: Kitaj, R.B. [American Pop Artist, 1932-2007] The Autumn of Central Paris (after Walter Benjamin) - 1972-3Oil on canvasCollection Mrs. Susan Lloyd, New York

hellenismo: Red-figure lekythos with the representation of a winged Eros in an idyllic landscape. From a cemetery of Akraifnio, last third of the 4th cent.BC. Museum of Thebes.

hellenismo: Red-figure lekythos with the representation of a winged Eros in an idyllic landscape. From a cemetery of Akraifnio, last third of the 4th cent.BC. Museum of Thebes.

hellenismo: Δευτέρα Ἱσταμένου, II day From today’s sunset: second day of Metageitnion. The second day is always sacred to the Agathos Daimon, to all the Heroes and Heroines and to the Chthonian Deities. It is also a day sacred to Poseidon.

hellenismo: Δευτέρα Ἱσταμένου, II day From today’s sunset: second day of Metageitnion. The second day is always sacred to the Agathos Daimon, to all the Heroes and Heroines and to the Chthonian Deities. It is also a day sacred to Poseidon.

proustitute: Federico Fellini, 8½, 1963

proustitute: Federico Fellini, 8½, 1963

lyghtmylife: MORONI, Giovanni Battista [Italian Mannerist Painter, ca.1520-1578] The Tailorc. 1570Oil on canvas, 97 x 74 cmNational Gallery, London

lyghtmylife: MORONI, Giovanni Battista [Italian Mannerist Painter, ca.1520-1578] The Tailorc. 1570Oil on canvas, 97 x 74 cmNational Gallery, London

bestiario: Winslow Homer

bestiario: Winslow Homer

mpdrolet: Crushed cars #2, Tacoma 2004 from Intolerable Beauty: Portraits of American Mass Consumption (2003-2005) Chris Jordan

mpdrolet: Crushed cars #2, Tacoma 2004 from Intolerable Beauty: Portraits of American Mass Consumption (2003-2005) Chris Jordan

artmastered: Gino Severini, Dynamic Hieroglyphic of the Bal Tabarin, 1912

artmastered: Gino Severini, Dynamic Hieroglyphic of the Bal Tabarin, 1912

regardintemporel: Daido Moriyama - Sans Titre, 1995

regardintemporel: Daido Moriyama - Sans Titre, 1995

angrywhistler: Richard Diebenkorn

angrywhistler: Richard Diebenkorn

André Derain (1880 - 1954), Ball of Soldiers in Suresnes (1903)

André Derain (1880 - 1954), Ball of Soldiers in Suresnes (1903)

renaissance-art: Giotto c. 1320s Scenes from the Life of Mary Magdalene (detail)

renaissance-art: Giotto c. 1320s Scenes from the Life of Mary Magdalene (detail)

centuriespast: George Inness American, 1825-1894 Early Morning, Tarpon Springs, 1892 Art Institute Chicago

centuriespast: George Inness American, 1825-1894 Early Morning, Tarpon Springs, 1892 Art Institute Chicago

artmastered: Edward Burra, The Snack Bar, 1930 An odd tension exists between the barman, the customer and the slicing of the ham in Burra’s painting. The woman eats distractedly, while the man cuts with enjoyment and a sideways glance at her. Violence

artmastered: Edward Burra, The Snack Bar, 1930 An odd tension exists between the barman, the customer and the slicing of the ham in Burra’s painting. The woman eats distractedly, while the man cuts with enjoyment and a sideways glance at her. Violence

artandopinion: View of Haarlem 1670 Jacob van Ruysdael

artandopinion: View of Haarlem 1670 Jacob van Ruysdael

Carlo Carrà (1881 - 1966), Meriggio (Noon), 1927 via Atlante dell'arte italiana http://www.atlantedellarteitaliana.it/artwork-15911.html

Carlo Carrà (1881 - 1966), Meriggio (Noon), 1927 via Atlante dell'arte italiana http://www.atlantedellarteitaliana.it/artwork-15911.html

peira: Odilon Redon:  Silver Birches at Biévres (c.1909) via The Athenaeum

peira: Odilon Redon:  Silver Birches at Biévres (c.1909) via The Athenaeum

centuriespast: Jean Léon Gérôme French, 1824-1904 Portrait of a Woman, 1851 Art Institute Chicago

centuriespast: Jean Léon Gérôme French, 1824-1904 Portrait of a Woman, 1851 Art Institute Chicago

nocttis: George Grosz

nocttis: George Grosz

kecobe: Gustave Le Gray (French; 1820–1882)Un effet de soleil = An Effect of the Sun, Normandy Albumen print from wet collodion negative, ca. 1856 The Cleveland Museum of Art, Cleveland, Ohio

kecobe: Gustave Le Gray (French; 1820–1882)Un effet de soleil = An Effect of the Sun, Normandy Albumen print from wet collodion negative, ca. 1856 The Cleveland Museum of Art, Cleveland, Ohio

tierradentro: “Café Scene”, c.1946, Raphael Soyer. (via)

tierradentro: “Café Scene”, c.1946, Raphael Soyer. (via)

peira: Carel Weight (1908-1997):  Cup Tie (not dated)

peira: Carel Weight (1908-1997):  Cup Tie (not dated)

snowce: Kishin Shinoyama, Shinorama Tokyo pool, 1986 (via melisaki)

snowce: Kishin Shinoyama, Shinorama Tokyo pool, 1986 (via melisaki)

artmastered: Tintoretto, The Miracle of St Augustine, c.1549

artmastered: Tintoretto, The Miracle of St Augustine, c.1549

Richard Bunkall (1953 - 1999), Resting Train (1997)  Brevis oratio penetrat caelum: a short prayer seeps into the sky

Richard Bunkall (1953 - 1999), Resting Train (1997)  Brevis oratio penetrat caelum: a short prayer seeps into the sky

Church of the Gesù  ~Giovanni Battista Gaulli  1672 to 1675 Rome, Latium / Lazio, Italy 

Church of the Gesù  ~Giovanni Battista Gaulli  1672 to 1675 Rome, Latium / Lazio, Italy 

peira: Sir Stanley Spencer:  The Roundabout (1923) via Tate

peira: Sir Stanley Spencer:  The Roundabout (1923) via Tate

amare-habeo: Olivier Debré (1920-1999)Blue (Bleu), N/D

amare-habeo: Olivier Debré (1920-1999)Blue (Bleu), N/D

k-a-t-i-e-: Venice, Italy 1949 Elliott Erwitt

k-a-t-i-e-: Venice, Italy 1949 Elliott Erwitt

currentsinbiology: Bacteria biofilm Fernan Federici, Tim Rudge, PJ Steiner and Jim Haseloff This confocal micrograph, taken as part of a synthetic biology project, shows Bacillus subtilis, a Gram-positive, rod-shaped bacterium that is commonly found

currentsinbiology: Bacteria biofilm Fernan Federici, Tim Rudge, PJ Steiner and Jim Haseloff This confocal micrograph, taken as part of a synthetic biology project, shows Bacillus subtilis, a Gram-positive, rod-shaped bacterium that is commonly found

Dosso Dossi (Giovanni Luteri detto Dosso Dossi, c. 1490 - 1542); Giove, Mercurio e la Virtù (1523-24)

Dosso Dossi (Giovanni Luteri detto Dosso Dossi, c. 1490 - 1542); Giove, Mercurio e la Virtù (1523-24)

endlessquestion: Elise Ansel - Moveable Feast

endlessquestion: Elise Ansel - Moveable Feast

heathwest: Benjamin Bohnsack (Born in Münster (DE) in 1975)Untitled (Luftbahn 02), 2010Tempera on canvas180 x 200 cm

heathwest: Benjamin Bohnsack (Born in Münster (DE) in 1975)Untitled (Luftbahn 02), 2010Tempera on canvas180 x 200 cm

regardintemporel: Sanne Sannes - Sans Titre, 1959-1964

regardintemporel: Sanne Sannes - Sans Titre, 1959-1964

snowce: Eugène Delacroix, Louis d’Orléans Showing His Mistress. 1825-26

snowce: Eugène Delacroix, Louis d’Orléans Showing His Mistress. 1825-26

worldpaintings: Carla Maria Maggi The Look of Judith, 1940, oil on canvas, 75 x 45 cm, private collection. The artistic career of Carla Maria Maggi (Italian, 1913 - 2004) lasted only a few years. A pupil of Giuseppe Palanti, her talent for drawing

worldpaintings: Carla Maria Maggi The Look of Judith, 1940, oil on canvas, 75 x 45 cm, private collection. The artistic career of Carla Maria Maggi (Italian, 1913 - 2004) lasted only a few years. A pupil of Giuseppe Palanti, her talent for drawing

endlessquestion: Paul Cezanne - The House of the Hanged in Auvers-sur-Oise

endlessquestion: Paul Cezanne - The House of the Hanged in Auvers-sur-Oise

foudre: “Come as you are”W, September 2013Guinevere van Seenus by Mert & Marcusstyling by Edward Enninful

foudre: “Come as you are”W, September 2013Guinevere van Seenus by Mert & Marcusstyling by Edward Enninful

frozenwarnings:  Paul Delvaux: La nuit de Noël (1956).

frozenwarnings:  Paul Delvaux: La nuit de Noël (1956).

renaissance-art: Botticelli c. 1480s Dante: Divina Commedia

renaissance-art: Botticelli c. 1480s Dante: Divina Commedia

Théo van Rysselberghe (1862 - 1926), The burnished hour (1897)

Théo van Rysselberghe (1862 - 1926), The burnished hour (1897)

paperimages: Alina Lebedeva

paperimages: Alina Lebedeva

hadrian6: Phidias chiselling the bust of Zeus. 1802. Jozsef Dorffmeister. Hungarian. 1764-1807. oil on canvas. http://hadrian6.tumblr.com

hadrian6: Phidias chiselling the bust of Zeus. 1802. Jozsef Dorffmeister. Hungarian. 1764-1807. oil on canvas. http://hadrian6.tumblr.com

snowce: Mario Dilitz

snowce: Mario Dilitz

Hans von Marées (1837 - 1887, Roma), Hesperiden (1884), triptychon, oil on wood, 341 cm x 482  “He […] developed a complex and individual technique, overpainting tempera with layers of oil and creating a depth of colour quite unlike the

Hans von Marées (1837 - 1887, Roma), Hesperiden (1884), triptychon, oil on wood, 341 cm x 482  “He […] developed a complex and individual technique, overpainting tempera with layers of oil and creating a depth of colour quite unlike the

artpropelled: Ruth Stage

artpropelled: Ruth Stage

regardintemporel: Roman Joachimowski -  Kurtyna, Photomontage, ca. 1970

regardintemporel: Roman Joachimowski -  Kurtyna, Photomontage, ca. 1970

blackpaint20: One of my favorite Self Portraits Theodore Gericault’s Last Self Portrait as a Dying Man, 1824 Gericault’s riveting self portrait foreshadows his physical disintegration coming through the skin as reddish glow combined with the deathly.

blackpaint20: One of my favorite Self Portraits Theodore Gericault’s Last Self Portrait as a Dying Man, 1824 Gericault’s riveting self portrait foreshadows his physical disintegration coming through the skin as reddish glow combined with the deathly.

centuriespast: Jean Louis André Théodore Géricault French, 1791-1824 The Tempest, c. 1821–1823 Watercolor Art Institute Chicago

centuriespast: Jean Louis André Théodore Géricault French, 1791-1824 The Tempest, c. 1821–1823 Watercolor Art Institute Chicago

hadrian6: Detail : Torso in profile of a male nude. 1774 [sic]. Jean Louis Theodore Gericault. French. 1791-1824. oil on canvas. http;//hadrian6.tumblr.com According to hadrian6, this nude was painted almost 20 years before the author’s birth.

hadrian6: Detail : Torso in profile of a male nude. 1774 [sic]. Jean Louis Theodore Gericault. French. 1791-1824. oil on canvas. http;//hadrian6.tumblr.com According to hadrian6, this nude was painted almost 20 years before the author’s birth.

loftcultural: Fernando Botero - Madonna with a Child (1965)

loftcultural: Fernando Botero - Madonna with a Child (1965)

artmastered: Alexej von Jawlensky, Variation, c.1916

artmastered: Alexej von Jawlensky, Variation, c.1916

gedankenanflug: Toltec-Chac Mool

gedankenanflug: Toltec-Chac Mool

Anita Malfatti (1889 - 1964), La Rentrée (1927)

Anita Malfatti (1889 - 1964), La Rentrée (1927)

robotcosmonaut: Solimar Beach, California - January 30, 1998

robotcosmonaut: Solimar Beach, California - January 30, 1998

ilovetocollectart: Joan Miró - Figures at Night Guided by the Phosphorescent Tracks of Snail, 1940, watercolor and gouache on paper, Philadelphia Museum of Art, The Louis E. Stern Collection, 1963 © 2012 Successió Miró/Artists Rights Society (ARS),

ilovetocollectart: Joan Miró - Figures at Night Guided by the Phosphorescent Tracks of Snail, 1940, watercolor and gouache on paper, Philadelphia Museum of Art, The Louis E. Stern Collection, 1963 © 2012 Successió Miró/Artists Rights Society (ARS),

urgetocreate: Paul Gauguin, Les Alyscamps, Arles, 1888

urgetocreate: Paul Gauguin, Les Alyscamps, Arles, 1888

lyghtmylife: Frankenthaler, Helen [American Abstract Expressionist Painter, 1928-2011]Seeing the Moon on a Hot Summer Day1987Acrylic on canvas8’ 7 3/8” x 5’ 4 1/4”Private collection

lyghtmylife: Frankenthaler, Helen [American Abstract Expressionist Painter, 1928-2011]Seeing the Moon on a Hot Summer Day1987Acrylic on canvas8’ 7 3/8” x 5’ 4 1/4”Private collection

hadrian6: The Piebald Horse. Paulus Potter. Dutch.1625-1654. oil on canvas. http://hadrian6.tumblr.com

hadrian6: The Piebald Horse. Paulus Potter. Dutch.1625-1654. oil on canvas. http://hadrian6.tumblr.com

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