vito acconci
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Undertone Vito Acconci , 1972
gallowhill: Personal Island, 1992 by Vito Acconci The round island is unattached to the land, so you can sit on the boat and go sailing away with your “personal island”
an-itinerant-poet: Vito Acconci, Untitled Project for Pier, 1971. For a month, Vito Acconci went each night between 1 and 2 am to the edge of Pier 17 at the New York harbor, giving strangers the opportunity to tell him their secrets. (Picture from
s-kulls: Vito Acconci- Trademarks 1970
raveneuse: Vito Acconci Shadow-Play, 1970
artistsspace: Vito Acconci arranging cushions for PersonA, curated by Edit deAk, April 1974
blueblackdream: Vito Acconci, Combination, 1971
grupaok: Vito Acconci, Cross-Fronts, performance at documenta 5, 1972 [with thanks to Marie Martraire for finding the image]
cazzopalazzo: Face of the Earth III, 1988, Vito Acconci.
gallowhill:Vito Acconci - Digging Piece, 1970
oxide-joyride:Vito Acconci - Still from Pornography in the Classroom, 1975.
standingatthefence: Vito Acconci | Cross-Fronts (Fitting Room 2), 1972
gallowhill: Vito Acconci - Digging Piece, 1970
perfectcircle23:vito acconci face of the earth
cornpaper: Vito Acconci, Trademarks, 1970.
katfranceska: Vito Acconci Seedbed 1972
rudygodinez: Vito Acconci, Drifts, (November 1970) I. Rolling toward the waves as the waves roll toward me; rolling away fro the waves as the waves roll away from me. II. Lying on the beach in one position, as the waves come up in varying positions around
patchworkquiltedbutterflychair: Vito Acconci, Garden Installation (Displaced Person) (1987) at MCASD La Jolla
s-o-r-i-s-a: performativerelics:Vito Acconci - Trademarks (1970) Vito Acconci was one of the first to experiment with performance art, in which the artist’s own body was treated like clay—a material to be manipulated, altered, posed, punished,
cavetocanvas: Vito Acconci, Tonight We Escape From New York, 1977
penisprocess: Skin DepthMarch 29, 2016 “The body is the place where things happen.” – Vito Acconci–Series by Flesh Mag
greatwhiteheat: VITO ACCONCI STEPPING-OFF PIECE 102 Christopher St, NYC, Apt 6B, 4 months 1969, 35 x 23 inches
grupaok: Vito Acconci, Conversions II: Insistence, Adaptation, Groundwork, Display, 1971
transgirlsonic:horrorofthebeast:girlhaggard:Vito Acconci, Adjustable Wall Bra, 1990-91Yo mamaYou can’t just leave this in the tags. Goddamn.
bloomplague: Vito Acconci.
mudwerks: fiore-rosso: It’s not the bullet that kills you, it’s the hole. — Vito Acconci it’s always the hole…
gallowhill: Vito Acconci, Ready-to-wear music box, 1994
cavetocanvas: Vito Acconci, Seedbed, 1972 In this piece, Acconci sat underneath the gallery floorboards and masturbated while making erotic noises into a microphone that were then broadcasted through speakers into the gallery space as patrons walked
![grupaok: Vito Acconci, Cross-Fronts, performance at documenta 5, 1972 [with thanks to Marie Martraire for finding the image]](https://64.media.tumblr.com/tumblr_mebrkcBmB01r70t2xo1_250.jpg)
