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xmayuu: It’s been an ok year I guess in terms of art, I have no idea if I have improved.. but I really like how colourful this all looks c: Here is my 2O14 one if anyone is curious ~ http://sta.sh/01roz56eaxtf
punqakes: my part of an art trade with @noctyy ! hope you like it !! qq
knifeandlighter: Houston rocks. art.
vincentvillella: As an art student, you’re hit over the head repeatedly with Renaissance art, so I’ve gotten a little tired of it, but something I’m not tired of is the seemingly impossible naturalistic detail attained from stone and a chisel back
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fyeahwomenartists: Turner prize wining artist Laure Prouvost graduated with a Fine Art degree from renowned British art college Central Saint Martins in 2001. ’Signs’ was shown at EASTinternational 2009 for which Prouvost won the EAST award.
hipsterinatardis: electricalice: mrsbeefheart: I fukin love 14th century art art because everyone looks so shady and suspicious of ppl around them its AMAZING or just like they know something u dont and oh my gdfuck i cant I believe the highest
shoobidoo: I started the 30 Day Monster Girl Challenge last year… I only did 5 out of 30 monster gurls, but I’ll continue the challenge soon. Go visit my Art Blog for more! I just created it, so there’s not much art yet, but I’ll upload more
voidbug: My newest finished piece! This one was a contest entry and one of my largest art projects. I’ve learned a whole lot doing this one - the day following its completion, I kept having so many crazy art epiphanies and ideas I literally could not
a) Apollo Sauroktonos, bronze, Cleveland Museum of art b) Apollo Sauroktonos (lizard-killer), 1st - 2nd century AD, roman marble copy of a bronze sculpture attributed to Praxiteles, Louvre From Wikipedia: “The bronze original of this sculpture is
kecobe: Laure Garcin (French; 1896–1978)Marins = SailorsOil on canvas, 1931Musée des Beaux-Arts, Bordeaux, France; © Musée des Beaux-Arts – Mairie de Bordeaux; photo: L. Deval / F. Gauthier
Andrea del Verrocchio (Firenze, 1436 - Venezia, 1488), San Girolamo (Saint Jerome), c. 1465 via Atlante dell'arte italiana http://www.atlantedellarteitaliana.it/artwork-11760.html
Carlo Carrà (1881 - 1966), Meriggio (Noon), 1927 via Atlante dell'arte italiana http://www.atlantedellarteitaliana.it/artwork-15911.html
lyghtmylife: TIFFANY, Louis Comfort [American Art Nouveau Stained Glass Artist, 1848-1933] Au nouveaux cirque, Papa Chrysanthème1894-95Favrile glass, leaded, 120 x 85 cmMusée d’Orsay, Paris In 1894, in cooperation with the eminent Parisian art
Annibale Carracci (Bologna 1560 - Roma 1609), Trittico della Deposizione (Deposition’s Triptych), 1604-05, oil on copper and panel; Galleria nazionale d'arte antica, Roma
Paula Rego (b. 1935, Lisbon; naturalised british citizen), Bride, 1994 via Tate http://www.tate.org.uk/art/artists/paula-rego-1823
the-paintrist: art-mirrors-art: Joaquín Sorolla - My Family (c.1900) In 1888, Sorolla returned to Valencia to marry Clotilde García del Castillo, whom he had first met in 1879, while working in her father’s studio. By 1895, they would have three
the-paintrist: Arthur Bowen Davies - Interwoven - 1916 Arthur Bowen Davies (September 26, 1863 – October 24, 1928) was an avant-garde American artist and influential advocate of modern art in the United States circa 1910-1928. Davies was born in Utica,
Charles Demuth (Lancaster, Pennsylvania 1883 - 1935), Aucassin and Nicolette, oil on canvas, 1921; Columbus Museum of Art
Georges Braque (Argenteuil 1882 - Paris 1963), Le Billard (the billiard table), 1945, oil and sand on canvas, Tate Galleries (www.tate.org.uk) about the artwork: http://www.tate.org.uk/art/artworks/braque-the-billiard-table-t07992/text-summary
Abraham A. Manievich (Mstsislaw, Russia, 1881 - Bronx 1942); Bronx I (c. 1923-24), oil on canvas (via The Athenaeum) full size: http://www.the-athenaeum.org/art/full.php?ID=112344
Joseph Stella (Muro Lucano [Italy] 1887 - New York City 1946), Children’s Toys (Marionettes), c. 1930, oil on canvas, 65 cm x 82 cm; Museum of Fine Arts, Boston
Valentin de Boulogne (Coulommiers c. 1490 - Roma 1632), The Judgement of Solomon, c. 1620; oil on canvas, 174 cm x 213 cm; Galleria Nazionale d'Arte Antica, Roma
Yuzo Saeki (Osaka 1898 - Paris 1928), Garage, 1927-28, oil on canvas; Bridgestone Museum of Art, Tokyo
Lambert Sustris (Amsterdam c. 1515 - Venezia [?] c. 1584), Noli me tangere, n/d (second half of 16th century); oil on canvas; Palais des Beaux-Arts de Lille
Edvard Munch (Løten 1863 - Oslo 1944), Summer night’s dream (The Voice), 1893, oil on canvas, 88 x 108 cm; Museum of Fine Arts, Boston
Fernand Khnopff (Grembergen 1858 - Brussels 1921); Memories (Lawn Tennis), 1889; pastel on paper, 127 cm x 200 cm; Royal Museum of Fine Arts of Belgium, Brussels
Anton Mauve (Zaandam 1838 - Arnhem 1888), A Dutch Road, c. 1880; oil on canvas, 50 x 36 cm; Toledo Museum of Art, Ohio
renaissance-art: Francesco Melzi c. 1517-1520 Pomona and Vertumnus It was not until the 1990’s that this painting achieved any sort of recognition. It was in need of restoration of and no one could prove who the original artist was. An 18th century
Mattia Preti (Taverna, Calabria, 1613 - Valletta, Malta, 1699); Morte di Sofonisba or Sofonisba riceve il calice (Death of Sophonisba or Sophonisba receiving the goblet), not dated (after 1630); oil on canvas, 178 x 202 cm; Musée des Beaux-Arts, Lyon
Alexej von Jawlensky (Toržok, Tver´, 1864 - Wiesbaden 1941); Melancholy in the evening - Wasserburg on the Inn (1907), oil on cardboard, 53 x 61 cm; St. Petersburg (United States) Museum of Fine Arts
susanzweig: Keith Vaughan, 1964. Oil on wood, 44.4 x 40.3 cm. Leeds Art Gallery.
Peter Paul Rubens (Siegen 1577 - Antwerp 1640); Judas Maccabeus finds the hidden treasure of the heathen and prays for the souls of the slain sinners, c. 1635; oil on canvas, 130 x 150 cm; Musée des Beaux-Arts de Nantes
Thomas Eakins (Philadelphia, 1844 - 1916); Mending the net, 1881; oil on canvas, 81 x 107 cm; Philadelphia Museum of Art
Christoffer Wilhelm Eckersberg (Blåkrog, 1783 – Copenaghen, 1853 The Cloisters - San Lorenzo fuori le mura, 1824; oil on canvas; Art Institute of Chicago
Melchior Broederlam (b. Ypres, active 1381 - 1409); The Flight into Egypt, detail of the Dijon Altarpiece, 1393-99; tempera on wood; Musée des Beaux-Arts, Dijon
Yiannis Moralis (also transliterated Giannis or Yannis Moralis; Arta 1916 - Athens 2009); Two Friends, 1946; oil on canvas, 67 x 100 cm; Athens National Art Gallery
Mattia Preti (also called il Cavaliere Calabrese; Taverna, Catanzaro, 1613 - Valletta, Malta, 1699); Feast of Herod, 1656-61; oil on canvas, 252 x 177 cm; Toledo Museum of Art
Francisco Gimeno y Arasa (Tortosa 1858 - Barcelona 1927); Sleeping woman, 1899; oil on canvas, 60 x 45 cm; Museu Nacional d'Art de Catalunya, Barcelona
Antonello da Messina (Antonello di Giovanni de Antonio called Antonello da Messina; Messina, Sicily, c. 1430 - 1479); Ritratto d'uomo (portrait of a man) or Ritratto Trivulzio, 1476; oil on wood, 29,5 x 37,4 cm; Museo civico d'arte antica, Torino
José Ferraz de Almeida Júnior (Itu, Sao Paulo, 1850 - Piracicaba, Sao Paulo, 1899); The model’s rest, 1882; oil on canvas, 131 x 98 cm; Museu Nacional de Belas Artes, Rio de Janeiro
Charles Walter Stetson (Tiverton, Rhode Island, 1858 - Roma 1911); An Easter offering, 1896; oil on canvas, 128 x 102 cm; Spencer Museum of Art, Kansas
George Romney (Dalton in Furness 1734 - Kendal 1802); Jane Dawkes Robinson, c. 1778; oil on canvas; Indianapolis Museum of Art
Roger de la Fresnaye (Le Mans 1885 - Grasse 1925); Alice in a large hat, 1912; oil on cardboard, 130 x 97 cm; Musée des Beaux-Arts, Lyon
Orazio Gentileschi (Pisa 1563 - London 1639), Danae, c. 1621; oil on canvas, 228 x 163 cm; Cleveland Museum of Art
Stanislas Lépine (Caen 1835 - Paris 1892); Pont de la Tournelle - Paris, 1862; oil on canvas, 55 x 40 cm; National Gallery of Art, Washington DC.
Hans Bol (Malines 1534 - Amsterdam 1593); Landschap met Jachttaferelen (landscape with hunting scenes), c. 1585; gouache on parchment pasted on oak panel, 18,5 x 13,7 cm; Royal Museum of Fine Arts of Belgium, Brussels
Bartholomeus Breenbergh (Deventer 1598 - Amsterdam 1657); The preaching of St. John the Baptist, 1634; oil on wood, 75 x 55 cm; Metropolitan Museum of Art, New York
Antoine Coypel (Paris, 1661 - 1722); Bacchus and Ariadne on the isle of Naxos, 1693; oil on canvas, 85,5 x 73 cm; Philadelphia Museum of Art
Jan Brueghel the Younger (Antwerp, 1601 - 1678) with Hendrick van Balen; An Allegory of the Four Elements, c. 1630; oil on panel, 104 x 66 cm; Tel Aviv Museum of Art
El Greco (Dominikos Theotokopoulos; Duchy of Candia 1541 - Toledo 1614); Laocoon, 1610-14; oil on canvas, 172 x 137 cm; National Museum of Art, Washington D.C.
Stanislav Zhukovsky (Hrodna 1875 - Pruszkow 1944); Summer Evening on the lake, 1915; oil on canvas; National Art Museum of Belarus, Minsk
Giulio Carpioni (Venezia 1613 - Verona 1678); Bacchanal, 1665-70; oil on canvas, Federico Zeri’s art collection
James Tissot (Jacques-Joseph Tissot called James, Nantes 1836 - Chenecey-Bruillon 1902); The artist’s ladies, 1883-85; oil on canvas; Chrysler (FCA) Museum of Art, Norfolk, Virginia
Guercino (Giovanni Francesco Barbieri called il Guercino; Cento, 1591 - Bologna, 1666); David con la testa di Golia (David with the head of Goliath), ca. 1650; oil on canvas, 102 x 120,5 cm; National museum of western art, Tokyo
Petrus Christus (Baerle c. 1410 - Bruges c. 1475); Lamentation over the dead Christ, c. 1450; oil on panel, 188 x 98 cm; Musée Royaux des Beaux-Arts, Brussels
Abraham Bloemaert (Gorinchem c. 1564/66 - Utrecht 1651); Rentrée de la moisson, c. 1625-30; oil on canvas, 198 x 137 cm; Musée des Beaux-Arts, Montreal
George Wesley Bellows (Columbus, Ohio, 1882 - New York City 1925); The Circus, 1912; oil on canvas, 111.8 x 86 cm; Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts
Théodore Rousseau (Paris 1812 - Barbizon 1867); Edge of the forest - Setting sun, 1845-46; oil on canvas, 62.8 x 41.2; LACMA (Los Angeles County Museum of Art)
kundst: “The power of what art can do, what a timeless painting can do… what another person looking for something inside of themselves expressed outwardly for others to share… what that can do is change a mood, change a mental state, change