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Film Makers on Film Making: The American Film Institute Seminars on Motion Picture and Television Volume One, edited by Joseph McBride (J.P. Tarcher Inc, 1983). From a book store in Venice Beach.NICHOLAS RAY, director“You can’t teach film. I don’t
Film company logos, from Second Feature: The Best Of The ‘B’ Films, by John Cocchi (Citadel Press, 1991).From Oxfam in Nottingham.
Val de Val Featured prominently on a lobby card for the 1951 Burlesque film: “FRENCH FOLLIES”; produced by ‘Broadway Roadshow Productions’.. The film also featured: Jean Carroll, Jennie Lee, and Crystal Starr, amongst it’s
Eunice Jason Appearing twice in this publicity still from the 1950 film: “The STRIP-TEASE MURDER CASE”.. The film also featured strippers: Denise Darnell, Lynn Sherwood, and Naomi..
hidden-under-the-mattress: Joan BridgesPublicity still from the 1952 Burlesque film: “STRIP TEASE GIRL”; produced by Sonney-Mack Enterprises.. The star of the film was a young Tempest Storm..
Vintage publicity still from Paramount’s 1934 film: “Murder at the Vanities”; directed by Mitchell Leisen.. Described as a pre-code Art Deco musical extravaganza,– the film not only included nudity, but a rather racy song entitled
Virginia Bell poses in a publicity still from the 1964 film: ‘The Lullaby Of Bareland’.. Directed by Manuel S. Conde; the film also featured dancer Anne Howe..
Tempest Storm (aka. Annie Blanche Banks)Appearing in a publicity still for the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”.. The film was shot at the ‘FOLLIES Theatre’; located in downtown Los Angeles..
Nejla Ates takes a break with actor Vincent Price, during the filming of Howard Hughes’ 1955 film: ‘Son Of Sinbad’.. Nejla played a dancer in the marketplace that briefly distracts Price’s character (“Omar Khayyam”)
Mae Blondell A publicity still from the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”; produced by ‘Broadway Roadshow Productions’.. The film was essentially a documentary recording of a performance at the ‘FOLLIES Theatre’; located
Tempest Storm A publicity still from the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”, features Ms. Storm at center stage.. Misty Ayres (at Left) and Mae Blondell (at Right), are the 2 blond dancers seen behind her.. The film was shot at
Vintage publicity still from Paramount’s 1940 film: “A Night at Earl Carroll’s”; directed by Kurt Neumann.. The script featured a contrived plot about racketeers kidnapping Earl Carroll and some of his acts.. And (as usual) the film
Tempest Storm Appearing in a publicity still for the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”.. The film was shot at the ‘FOLLIES Theatre’; located in downtown Los Angeles..
Bebe Hughes is featured in a hand-tinted lobby poster for the 1953 Burlesque film: “The A-B-C’s Of Love”.. The film featured 5 other dancers, including: Gilda, Blaza Glory, and Mae Blondell; and was produced by ‘Billiken Productions&rsqu
Tempest Storm Veteran makeup artist Harry Thomas applies the final touches to Ms. Storm, in a publicity photo for the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”.. The film was shot at the ‘FOLLIES Theatre’; located in downtown Los
Jenna Saunders (aka. Jeanne Saunders) Appearing in a publicity still for the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”.. The film was shot at the ‘FOLLIES Theatre’; located in downtown Los Angeles..
Tempest Storm A publicity still from the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”, features Ms. Storm framed between: Misty Ayres (Left) and Jenna Saunders (Right).. The film was shot at the ‘FOLLIES Theatre’; located in Los Angeles,
Misty Ayres Poses for a publicity still for the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”.. The film was shot at the ‘FOLLIES Theatre’; located in downtown Los Angeles..
Patti Waggin Appearing in a publicity still for the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”.. The film was shot at the ‘FOLLIES Theatre’; located in downtown Los Angeles..
Gilda (aka. Shirley Jean Rickert Measures) Appears in a publicity still for the 1953 Burlesque film: “The A-B-C’s Of Love”.. The film was produced by ‘Billiken Productions’..
Baby Bubbles appears in a publicity still from the 1963 film: “Hollywood – WORLD Of FLESH”; as directed by Lee Frost.. Baby was a virtuoso tassel-twirler from Canada with a remarkable 40-22-34 figure.. All of her scenes for the film,
Lorraine Gettman Vintage publicity still features Ms. Gettman in the silken Octopus costume would wear in the 1941 M-G-M film: “ZIEGFELD GIRL”.. She was one of 12 showgirls chosen to perform in the film, from about 600 applicants.. She appeared in
Lili St. Cyr (aka. Marie Van Schaack) Appears in a publicity still for the 1950s Burlesque film: “Love Moods”.. The film was shot on the stage of the ‘FOLLIES Theatre’; located in downtown Los Angeles..
burleskateer: Mae Blondell A publicity still from the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”; produced by ‘Broadway Roadshow Productions’.. The film was essentially a documentary recording of a performance at the ‘FOLLIES Theatre’;
gmgallery:A publicity still from the 1951 Burlesque film: “FRENCH FOLLIES”, showcases the feature performers.. They are (from Left-to-Right): Pat Flannery, Doreen Gray, Crystal Starr, Val De Val, Jennie Lee, Ruby Lee, and Jean Carroll.. The film was
Something NEW – Something DIFFERENT!Vintage 50′s-era pressbook (cover) for the film: “STRIPTEASE HOLD-UP”.. A Burlesque film with an actual script,– the plot featured a pair of stick-up men robbing hotel guests and forcing them to
Tempest StormWorks up a sweat in this publicity still from the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”.. The film was shot at the ‘FOLLIES Theatre’; located in downtown Los Angeles..
Cherrie KnightAppears in a publicity still for the 1955 Burlesque short film: “Parisian Nights”; produced by Sonney-Mack Enterprises.. The film also featured René André in it’s cast, as well..
Joan Crawford appears in a publicity still from the 1933 MGM film: “DANCING LADY”.. Ms. Crawford portrayed dancer “Janie Barlow”.. The film also featured The Three Stooges in it’s cast, playing stagehands..
burleskateer: Tempest Storm A publicity still from the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”, features Ms. Storm at center stage.. Misty Ayres (at Left) and Mae Blondell (at Right), are the 2 blond dancers seen behind her.. The film was shot
burleskateer: Tempest Storm Works up a sweat in this publicity still from the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”.. The film was shot at the ‘FOLLIES Theatre’; located in downtown Los Angeles..
burleskateer:Baby Bubbles appears in a publicity still from the 1963 film: “Hollywood – WORLD Of FLESH”; as directed by Lee Frost.. Baby was a virtuoso tassel-twirler from Canada with a remarkable 40-22-34 figure.. All of her scenes for the film,
burleskateer: Gilda (aka. Shirley Jean Rickert Measures) Appears in a publicity still for the 1953 Burlesque film: “The A-B-C’s Of Love”.. The film was produced by ‘Billiken Productions’..
burleskateer:Virginia Bell poses in a publicity still from the 1964 film: ‘The Lullaby Of Bareland’.. Directed by Manuel S. Conde; the film also featured dancer Anne Howe..
burleskateer: Tempest Storm (aka. Annie Blanche Banks)Appearing in a publicity still for the 1953 Burlesque film: “A NIGHT IN HOLLYWOOD”.. The film was shot at the ‘FOLLIES Theatre’; located in downtown Los Angeles..
“Wanderlust is a short film designed to make you slow down and smell the wild flowers. It’s porn with a touch of exploration and a dash of escapism. Even the music we chose for the film is meant to help you relax. The music track is relaxing and
black–betty: lovely-chastain: “Ladies & Gentleman, may I introduce, The Disappearance of Eleanor Rigby!!! Heading to Toronto to join the cast and crew and ‘m very excited to debut the films. I met Ned Benson at the Malibu film festival
I told you I’d do anything for the part. I see that now… I had my doubts… but you are obviously committed. You do realize there aren’t any nude scenes in the film… I know… I just wanted to prove to you that I
oorequiemoo: Kissa Kouprine in Henri d’Ursel short film “La perle” Belgium 1929 This dreamlike film is a cinematic poem. —— See the Film: Henri d’Ursel | La Perle | 1929 | Pt. 1 of 4 Henri d’Ursel | La Perle | 1929 | Pt. 2 of 4 Henri
Man with a Movie Camera is a 1929 experimental silent documentary film by Soviet director Dziga Vertov, co-authored with his brother Mikhail Kaufman, and edited by his wife Elizaveta Svilova. The film presents urban life in the Ukrainian cities of
Master Presentations: Best Films of 2014 From rare cinema d'auteur to blockbusters to anything in between, these are the films that made Madhog’s heart dance in contentment this past year.
Midsommar is the literal worst film I have ever seen, never have I been so confused and bored for 2 hours 20, the film literally has zero plot and is just a bunch of boring featureless characters going into a field and being killed in nasty ways while
francoyovich: link to the film——-> http://vimeo.com/96613245Happy New Year everyone! To begin the new year,these are the designs of Morgane and Ymir, the two main characters of my 1 minute-ish short film Ymir. Basically Morgane is a savage barbarian
strangewood: “I made the film to give all these actions that are typically devalued a life on film. I absolutely had Delphine in mind when I wrote it. I felt that the extraordinary thing was that she was not this character at all. She was quite ‘the
tarkovskologist: “The reason I like this film is that even I, the filmmaker, get confused as to which parts were fiction and which documentary. It’s as if the film doesn’t belong to me, as if it had made itself; the main character was so strong,
isaac-oscars: While working on the film, Bong Joon-ho called Parasite a “staircase movie”. It is an upstairs-downstairs film that explores every available rung on the ladder of class aspirationalism. The movie starts in the half-basement apartment
filmantidote: bellsandforks: “It’s the nation that does not permit you to live.” Death by Hanging (1968), dir. Nagisa Ōshima The context of the film is vital as it is relevant more than ever. The film is about an ethnic Korean in Japan who
dailyflicks:ROMEO + JULIET (1996) dir. Baz LurhmanThis film uses WATER as it’s leading symbol. Water represents purity and cleanliness along with escapism. Yet as the film continues on, the water world becomes threatened. After Tybalts death everything
stannisbaratheon:“[PARIS IS BURNING] is a city film, in which the locale enables a practice that nevertheless cannot be undertaken entirely in the open, and so remains an underground cultural phenomenon. The film exposes an unacknowledged side of New
shoother: The Silence of the Lambs was released on February 14, 1991, grossing ฝ,766,814 during its opening weekend. Surpassing its own budget after one week. The film was the fourth highest-grossing film of 1991.
Martin Scorsese's Flim School: Marty’s 85 Films you Need to See. [From A-Z] Martin Scorsese remains one of the most influential directors in Hollywood. But what influenced him? Here’s an A-Z list of the films that mattered to Scorsese. [Read
I know I shouldn’t be this invested in it, but I’ve just seen the trailer for Puppet Master: The Littlest R*ich, and the film makers have made the Puppets antagonists again, which is good, but they’re also made Andre Toulon a N*zi?And I appreciate
supereasymode: From Quantic Dream’s powerful short film and tech demo, Kara. [Watch Here] The film’s poignant concept and imagery explores the notion of what it really means to be alive, while showcasing advancements in video game cinematics and
obligeme: The Cameraman, 1928, was the last film Buster had any control over. This was the first full length Buster film I ever saw and it’s still one of my favourites. Though MGM did their best to ruin the film Buster was able to make it into
heaveninawildflower: Night Mail poster by British Postal Museum & Archive on Flickr. ‘The film ‘Night Mail’ was produced by the GPO Film Unit in 1936. An early example of documentary filmmaking, Night Mail showed the journey of the Euston to
Nothing like a good ol’ sad film to just completely crush you