retro art
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retro art clips
lauramcphee: Jay Hyde Barnum, Cover detail, Woman’s Home Companion, February 1927
windypoplarsroom: Jean Béraud “La Pâtisserie Gloppe au Champs-Élysées”
f-featherbrain: Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben 1919, Band 2 (Nr. 27-52)
fairytaleillustrations: “‘Don’t drink!’ cried out the little Princess, springing to her feet.” from the Twelve Dancing Princesses Kay Nielsen, 1913 Quiller-Couch, Sir Arthur. In Powder and Crinoline: Old Fairy Tales. Kay Nielsen, illustrator.
tender-isthe-night: Vogue US, November 1, 1926 - William Bolin
moika-palace: René Vincent, La Vie Parisienne 1921.
tender-isthe-night: Vogue UK, April, 1918, George Plank.
moika-palace: Henry Patrick Raleigh (1880-1940).
: Vogue - June 1910 by H. Heyer
tender-isthe-night: Otto Eckmann - Lovers on a Bench, cover illustration for Jugend, 1897.
VAMP DREAMING IN HOLLYWOOD
dreigroschenoper: Asta Nielsen film and drama posters, c.1920s
theniftyfifties: Snob, a Le Galion perfume - L’officiel magazine, 1955.
tender-isthe-night: Paris by Night a Dance Club in Montmartre from L’Amour Et L’Esprit Gaulois - Manuel Orazi.
fuckyeahvintageillustration: ‘Salomé - a tragedy in one act’ translated from the French of Oscar Wilde; pictured by Aubrey Beardsley. Published 1904 by Melmoth & Co. See the complete book here. Mam z tymi samymi ilustracjami :D
Pemberley
narcissus off duty
moika-palace: Curt Bois (on right - most famous for his later role as the Pickpocket in Casablanca) with Rina Marsa in Der Fürst von Pappenheim, 1927.
poboh: Night street scene in Berlin, Leipziger Strasse, Lesser Ury. German Impressionist Painter (1861 - 1931)
soyouthinkyoucansee: The Cafe (1882) Fernand Lungren (1859-1932)
moika-palace: Conversation in the Garden of Luxembourg by Vittorio Matteo Corcos, 1892.
sydneyflapper: Delineator, 1911
moika-palace: In the Restaurant by Charles Hoffbauer, 1907.
monsieurleprince: Albert Guillaume (1873 - 1942) - Au theatre
moika-palace: The Interview by Weston Taylor (1864-1921) for the Saturday Evening Post.
jillthejellyfish: Liberty, 10th November 1928 by Leslie Thrasher
necspenecmetu: Julius Kronberg, David and Saul, 1885
noonesnemesis: Lilac Ladies Vintage postcards
vampdreaminginhollywood: Erté (Romain de Tirtoff)
Erte
fuckyeahvintageillustration: Vogue Cover illustration by J. Allen St John, 1909. Source
divadietrich: Dietrich and Sternberg at a premiere, 1933. Pieśń nad pieśniami…?
Lisztomania
yama-bato: Dmitri Kessel (Ukranian/American, 1902-1995). “New York City”. Original vintage photogravure. c1935. Printed 1935 For Rich
bleistift-und-radiergummi: Cyril Power Linocuts 1930’s
vampdreaminginhollywood: Kieron Cropper
onlyoldphotography: Imogen Cunningham: Agave Design, 1920s
onlyoldphotography: László Moholy-Nagy: Photogram, about 1923 “The organization of light and shadow effects produce [sic] a new enrichment of visions,” wrote László Moholy-Nagy in a caption for this photogram. Eliminating shapes reminiscent
onlyoldphotography: László Moholy-Nagy: The Olly and Dolly sisters, around 1925 A floating circle, a common motif in László Moholy-Nagy’s work, is a dominant, repeated form in this composition: one superimposed over the face of a human figure,
omgthatdress: Brooch 1900 Tadema Gallery
Masz tu trochę sztuki… ;)
fancyandtragic: Lady of the Night, 1925.
noonesnemesis: from All shades in fashion L’Oreal hair dye Claude Lepape 1927
goldensands: Nuevo Mundo 1928
karinspiration: Le Bal de l’Opera, Paris by Henri Gervex (1886)
reminiscent-smile: La pâtisserie Gloppe, avenue des Champs-Elysées by Jean Beraud (1849-1936), 1889.
lostandfoundinprague: Bohumil Kubišta - Old Prague motif, 1911
funnster: Ed Vebell illustration to “Loneliness Is Dangerous” by Harry Coren. Cutline: “Alone in the midst of millions, the girl, who longed to talk to someone, stood on her fire escape as the voices of others, enjoying the companionship denied
moika-palace: Man Straightening Tie, J. C. Leyendecker, 1936.
moika-palace: Easter, J. C. Leyendecker, 1930.
radassshit: By Erte.
german-expressionists: Otto Dix, Schützengraben (Trenches), ca. 1917
![onlyoldphotography: László Moholy-Nagy: Photogram, about 1923 “The organization of light and shadow effects produce [sic] a new enrichment of visions,” wrote László Moholy-Nagy in a caption for this photogram. Eliminating shapes reminiscent](https://64.media.tumblr.com/e6b8cd6b3ea79c4f4738079fc711f2c7/tumblr_mho175t5wp1rw3fqbo1_250.png)
