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ASFR photo manip by Rastatue.
ASFR manip by Rastatue.
From Iron Man #236, November 1988. One of my favorite comic-book panels of all time. This was a formative influence on me as a teenager.
The guys drew straws to see who would be the statue this time, and this week Tony lost.He considered it a win, though. He loved being turned into solid stone. And he loved his petrified body being used as a cum receptacle by his football buddies. Once
Gabrielle was a terrible painter, really. She makes a much better work of art than she did an artist.
Sam was completely petrified. He was now a living sculpture, his body changed from flesh into grey, dark-veined rock. His eyes were closed, his face was peaceful, and his cock was frozen erect. Clearly he’d enjoyed the sensations as his hard-on
Aids for Agalmatophilia (or Poems about Pygmalion)
Pygmalion and Galatea 2 by Elizabeth Caren.
Pygmalion and Galatea - Jean-Léon Gérôme
Pygmalion III by Dmitry Borisov
Created by Renderotica Artist PygmalionArtist Studio: http://renderotica.com/artists/Pygmalion/Home.aspxArtist Gallery: http://renderotica.com/artists/Pygmalion/Gallery.aspx
Created by Renderotica Artist PygmalionArtist Studio: http://renderotica.com/artists/Pygmalion/Home.aspx Artist Gallery: http://renderotica.com/artists/Pygmalion/Gallery.aspx
Renderotica turns the spotlight on artist Pygmalion for this week’s artist spotlight interviewhttp://www.renderotica.com/community/Blog/August-2015/Artist-Spotlight-Pygmalion.aspx
Renderotica’s 12 Days Of XXXMasCreated by Renderotica Artist PygmalionArtist Studio: http://renderotica.com/artists/Pygmalion/Home.aspxArtist Gallery: http://renderotica.com/artists/Pygmalion/Gallery.aspx
Renderotica’s 2015 Rewind Week, Join us as we look back on 2015Created by Renderotica Artist PygmalionArtist Studio: http://renderotica.com/artists/Pygmalion/Home.aspxArtist Gallery: http://renderotica.com/artists/Pygmalion/Gallery.aspx
amare-habeo: Fidus (Hugo Höppener) (German, 1868 – 1948) Purple Dreams (Pygmalion) (Purpurträume (Pygmalion), 1903 Watercolour, brush and black pen on paper
Artwork by Higakira.
Pygmalion and Galatea, Jean-Léon Gérôme.
Pygmalion and Galatea, Boris Vallejo.
: Pygmalion and Galatea - Ernest Normand (1886)
333images: Pygmalion and Galatea, Gerome, c1890. The “statue fetish” or agalamatophilia, dates back to at least the story of Pygmalion from ancient Greece. In fact, lots of the many Greek transformation stories (Syrinx, Medua, etc.) have similar
Illustration of Pygmalion and Galatea from Bullfinch’s Mythology.
By mrDEexArts.
mesbeauxarts: Anne-Louis Girodet de Roussy-Trioson. Pygmalion and Galatea. 1819. Oil on canvas. Musée du Louvre. Paris, France.
Jean-Léon Gérôme (French, 1824–1904), Pygmalion and Galatea, ca. 1890 Gérôme executed both sculpted and painted variations on the theme of Pygmalion and Galatea, as the tale is recounted in Ovid’s “Metamorphoses.” All of those works depict
sexographies: books0977: Pygmalion and Galatea (c.1890). Jean-Léon Gérôme (French, 1824-1904). Oil on canvas. Met. Gérôme painted and sculpted variations on the theme of Pygmalion and Galatea, as recounted in Ovid’s Metamorphoses. Galatea was
Pygmalion
books0977: Pygmalion and Galatea (1886). Ernest Normand (1859–1923). Atkinson Art Gallery. The antique model for the body of Pygmalion’s statute was the Venus de Milo, a figure of Aphrodite in the Louvre of circa 100 BC, which Normand had seen
Pygmalion's Dream
