pre code
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Vintage publicity still from Paramount’s 1934 film: “Murder at the Vanities”; directed by Mitchell Leisen.. Described as a pre-code Art Deco musical extravaganza,– the film not only included nudity, but a rather racy song entitled
mariedeflor: Claudette Colbert takes a milk bath in the nude in the pre-code film The Sign of the Cross, 1932 I think I’d join her for a bath in pretty much ANY fluid…
oldhollywood: Notable moments in pre-Code Hollywood: The Sign of the Cross (1932), in which Cecil B. DeMille re-created in sadistic detail the excesses of the “Arena Games” in Nero’s Rome. Highlights include gladiator vs. bear wrestling matches,
missmarlenedietrich-deactivated: Jean Harlow exposes her legs in the pre-code “Red Dust” (1932)
lucynic83: Loretta Young’s legs in the opening scene of the pre-code film Loose Ankles, 1930
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vampsandflappers: A young Lucille Ball as a slave girl in the 1933 Pre-Code musical ROMAN SCANDALS. According to Lucille Ball’s autobiography, often the slave girls were left chained up high in the rotunda in between shots and retakes. One day while
nitratediva: How to shake a cocktail in style! From Just Imagine (1930). I just wrote a post about this bizarre, little-known pre-Code sci-fi musical.
maudelynn: Pre code beauty Lillian Roth
amalgammaray: Loretta Young’s legs in the opening scene of the pre-code film Loose Ankles, 1930
nitratediva: Everyone’s favorite pre-Code bad boy, Warren William, in Employees’ Entrance.
decorevival:vintage and original, dramatically composed, rare high drama photograph of early Hollywood horror queen Zita Johann. An exotic and risqué pre-code view of the Austrian beauty for the Boris Karloff starring Universal horror film, “The Mummy”
gardenerchance: bellalagosa: Olive Borden in, “The Monkey Talks” (1927) Pre-code
Pre-Code Hollywood, 1929 - 1934
mariedeflor: Loretta Young’s legs in the opening scene of the pre-code film Loose Ankles, 1930
pre-codes: Bette Davis, Joan Blondell and Ann Dvorak in Three on a Match, 1932.
Pre-Code Joan Blondell
Claudette Colbert takes a milk bath in the nude in the pre-code film The Sign of the Cross, 1932
Jean Harlow exposes her legs in the pre-code “Red Dust” (1932) dir. by Victor Fleming
Jean Harlow in the infamous rain barrel scene from Red Dust (1932). I just wrote a blog post about this pre-Code classic.
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Dangerous Curves (1929) ► Pre-Code (38/50)
pre-codes: Raquel Torres, 1933.
missmarlenedietrich-deactivated: Marlene Dietrich undressing in the pre-code “The Song Of Songs” (1933)
Everyone’s favorite pre-Code bad boy, Warren William, in Employees’ Entrance.
Pre-Code Hollywood: Joel McCrea and Dolores del Rio in “Bird of Paradise”, 1932. Joel and Dolores’ semi-nude swim scene is quite beautiful and was later duplicated in “The Blue Lagoon” in 1980. To watch the scene from “Bird of Paradise”,
Miriam Hopkins and Fredric March in Dr. Jekyll And Mr. Hyde ( 1931)
Maniac ( 1934 ).
Yola d'Avril in Beauty and The Boss ( 1932 ).
Jean Harlow - Gold Diggers (1933)
Loretta Young
pre-codes: Lupe Velez and Gary Cooper, 1929. https://painted-face.com/
pre-codes: Ann Dvorak in Scarface, 1932. https://painted-face.com/
https://painted-face.com/
from Intolerancehttps://painted-face.com/
Hoopla is a 1933 American pre-Code drama film directed by Frank Lloyd, and starring Clara Bow (in her final film role). Nudes & Noises
42nd Street is a 1933 American pre-Code musical film directed by Lloyd Bacon. Starring an ensemble cast of Warner Baxter, Bebe Daniels, George Brent, Ruby Keeler, Dick Powell and Ginger Rogers Nudes & Noises
theroning: “Pre-code Hollywood. For five sexy and fun-filled years - beginning in 1929, movies were glamorous, sophisticated and startlingly frank. Women dominated the box office. On screen they took lovers, had babies out of wedlock, explored their
vampsandflappers:From my Silent and Pre-Code Horror FB page (which continues to grow by leaps and bounds lately!) —Actress Hannah Rovina (born Minsk, present day Belarus) as Leah, a woman possessed by a malevolent spirit, in the 1922 play THE DYBBUK.
pre-codes: Tod Browning’s ‘Freaks’, 1932
carolathhabsburg: A hot pre code scene with Pola Negri. I love these kind of kisses.
pre-codes: Jean Harlow and Clark Gable in Victor Fleming’s Red Dust, 1932.
mothgirlwings: Betty Boop loses her top while Bimbo loses his heart in “Any Rags” (1932) - Max Fleischer A Pre-code cartoon - after the Hays Code went into effect in 1934, Betty’s image changed and the Fleischer Brothers were forced to depict her
bogarted: Women in Pre-Code Hollywood During the days of silent film women were often portrayed as simple stereotypes, the ingenue, the saint, the fallen woman or the vamp, to name a few. However during the what is now known as the Pre-Code era, the
pre-codes: Bebe Daniels in Love Comes Along, 1930.
pre-codes: Marlene Dietrich in The Scarlet Empress, 1934
gerg14: GOLDEN-AGE GLAMORPUSS: Clara Bow, the original “IT” girl. I urge you to see her in one of her few talkies “Call Her Savage,” a provocative Pre-code. Find out more about her at the link below. http://en.m.wikipedia.org/wiki/Clara_Bow
Pre-Code Hollywood refers to the era in the American film industry between the introduction of sound in the late 1920s and the enforcement of the Motion Picture Production Code (usually labeled, albeit inaccurately after 1934, as the “Hays Code”)
mudwerks: (via Film Noir Photos: Rub-a-dub-dub: Ruth Stevens) in all her pre-code glory in Hips, Hips, Hooray (1934)
samwanda: Jean Harlow exposes her legs in the pre-code “Red Dust” (1932)
