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queennarnia: ‘La voz de los muertos’. Orson Scott Card
mastermind1967: hgluk65: Orson(ISM&GOW)/Arienne(AW) birthplace: Belgique.age: 20height: 1m60.weight: 47 kilos.starsign: Belier. AWESOME!!!
theimpossiblecool: “I don’t say we all ought to misbehave, but we ought to look as if we could.” Orson Welles.
atrofiarte: asaucerfulofcobras: Citizen Kane: 70 Years looking for Rosebud. ¡Verdad! feliches 70… Roseeeebuuuud (8)
avagardner: Orson Welles at the premiere of Citizen Kane, 1941.
anneretic: archive-ragingcanadian-deactiva: “believe me, i wish it was different.” I’ve lived too long with pain. I won’t know who I am without it. — Ender’s Game, Orson Scott Card
misspixiepants: Photographer - Orson Carter Follow me on Facebook
ritahayworthdaily-blog: Orson Welles and Rita Hayworth with their daughter Rebecca, 1945
deadlyspecies: Orson Welles.
indypendentmusic: Louis Armstrong, 1930s (via Stars from Lucille Ball to Orson Welles shown ‘In Vibrant Color’ photography at new Harry Warnecke exhibition | Mail Online)
fuckyesoldhollywood: Rita Hayworth looks at her reflection after her famous red hair was cut and dyed blonde on the set of ‘The Lady From Shanghai’, as Orson Welles looks on For a caption, that was a mouthful.
meganmonroes: Orson Welles and Rita Hayworth in the 1940s.
steamguy: Savra photographer: Orson Carter
lusty-mermaid: notebelow: lovingmalemodels: trashyprinces: 100 Years of Beauty featuring Samuel Orson. I’ll go with 40s, 50s, 80s, 2000s and 2010s Ummmmmm, stunning! 50s and 2010s be fuckin with my heart
alayneestone-archive-deactivate: I was curious. Why was he smashing all those beetles? What did he get out of it? First thing I did was ask him. “Orson, why are you smashing all those beetles?” He gave me an answer. “Smash the beetles. Smash ‘em.”
wordsnquotes:Orson Scott Card | @wordsnquotes
justafriendlyneighborhoodasshole: slav-orson-krennic: sirartwork:reblog for noises “Move you fat fuck” @wyattyarnell @speakerboxx-aviation
proustitute: Orson Welles, The Trial, 1962
10 Orson Welles: The Trial (1962) After Franz Kafka
trashyprinces: 100 Years of Beauty featuring Samuel Orson.
mymiscellaneousworld: by Orson Carter
funnywildlife: Black day by Stinkersmell on Flickr.RIP Orson
historicaltimes: Orson Welles at the Citizen Kane premier, 1941
Nós nascemos sozinhos, vivemos sozinhos e morremos sozinhos. Somente através do amor e das amizades é que podemos criar a ilusão, durante um momento, de que não estamos sozinhos. Orson Welles
“Nós nascemos sozinhos, vivemos sozinhos e morremos sozinhos. Somente através do amor e das amizades é que podemos criar a ilusão, durante um momento, de que não estamos sozinhos.”Orson Welles
Nós nascemos sozinhos, vivemos sozinhos e morremos sozinhos. Somente através do amor e das amizades é que podemos criar a ilusão, durante um momento, de que não estamos sozinhos.Orson Welles
Citizen Kane “Rosebud” • Directed by Orson Welles 1941
The Trial (1962), dir. Orson Welles
365filmsbyauroranocte: F for Fake (Orson Welles, 1973)
buenoslectores: “El juego de Ender” de Orson Scott Card.
nitratediva: Rita Hayworth in Orson Welles’s The Lady From Shanghai (1947). I just did a blog post about this movie, which happens to be my all-time favorite, and what it means to me.
unorthodoxmadness: trashyprinces: 100 Years of Beauty featuring Samuel Orson. I think i just fell in love. I think i was just run over by a fucking train of love.
madeline-kahn: WHEN SHALL WE THREE MEET AGAIN? IN THUNDER, LIGHTNING OR IN RAIN? Macbeth (1948) dir. Orson WellesThe Witches of Eastwick (1987) dir. George MillerStardust (2007) dir. Matthew VaughnThe Chilling Adventures of Sabrina (2018 - 2020)The Pale
wjs59: Ann Sothern, Ingrid Bergman, Daun Kennedy, Orson Welles, Fred Astaire and the sublime Miss Monroe all by Ernest A. Bachrach (1899 - 1973)
a-million-art-blogs: Orson III by Armin Blasbichler Studio
aseaofquotes: Orson Scott Card, Speaker for the Dead
danishprinciple: Orson Carter
celebpits: Samuel Orson from 100 Years of Beauty - Episode 12: USA Men (Samuel)Thanks!
vogucci: aztec-dreams: “Style is knowing who you are, what you want to say, and not giving a damn” Orson Welles <33
wehadfacesthen: Orson Welles, 1941
oldhollywood: Above: The partial set from Citizen Kane consists of a foreground doorway and the butler (Paul Stewart), while Kane (Orson Welles) stands on a distant soundstage floor. Below: The final, deep-focus image was completed with a matte painting