marina abramovic
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maihudson: Marina Abramović, Crystal Cinema I, 1990. clear quartz, wooden stool. more here
corregida: Marina Abramovic
subwaytiles: MARINA ABRAMOVIC & ULAY Breathing in - Breathing out, 1977 video projection on PAL DVD with sound, 11’34” loop, certificate of authenticity
there-was-a-monster-in-my-bed: Marina Abramovic - Freeing the body 1975
magic-of-cinema: Marina Abramovic: The Artist Is Present (2012)
hnle: Marina Abramovic’s Rhythm 10
theneverendinglovers: Marina Abramovic and Ulay
asdotnet: “Marina Abramovic and Ulay started an intense love story in the 70s, performing art out of the van they lived in. When they felt the relationship had run its course, they decided to walk the Great Wall of China, each from one end, meeting
It’s like being in love: giving somebody the power to hurt you and trusting (or hoping) they won’t. Marina Abramović, Rest Energy
submissiveinclination: domwithpen: subbyhillygirl: ouijaboardsandtarotcards: pardonmewhileipanic: onlylolgifs: dubbayoo: “Marina Abramovic and Ulay started an intense love story in the 70s, performing art out of the van they lived in. When they
onlylolgifs: dubbayoo: “Marina Abramovic and Ulay started an intense love story in the 70s, performing art out of the van they lived in. When they felt the relationship had run its course, they decided to walk the Great Wall of China, each from one
a-pile-of-contrasts: It’s like being in love: giving somebody the power to hurt you and trusting (or hoping) they won’t. Marina Abramović, Rest Energy
everyartisthasabday: Marina Abramović and Ulay sat as one, sharing a braid, for 16 hours. Only for the final hour did they allow an audience. Even while staying still, how much did they change over time? (Relation in Time, 1977)
artessenziale: Marina Abramović and Ulay, Imponderabilia (1977)
mjalti: having a certain number of followers is fun but then after that certain number it becomes like that Marina abramovic performance art piece where she invites the audience to do whatever they want to her & some kiss her and then other people
honeyhydrangea: fapsmokesleep: It’s like being in love: giving somebody the power to hurt you and trusting (or hoping) they won’t. Marina Abramović, Rest Energy
pcumpkin: theleoisallinthemind: Marina Abramovic i met her the other day :+)
imponder: Marina Abramovic
zzzze: Marina Abramovic, Art must be Beautiful, Art must be Beautiful, 1975
online-waifu: Relation in Time (1977) by Marina Abramovic and Ulay
spektrums: tremendousandsonorouswords: Marina Abramović and Ulay, Rest Energy, 1980“[…] we actually held an arrow on the weight of our bodies, and the arrow is pointed right into my heart. We had two small microphones near our hearts, so we could
paywhatyouwant: Marina Abramovic and Ulay, Death Self, 1977 This performance consisted of the two artists seated in front of each other, connected at the mouth. They took in each others’ breaths until all of their available oxygen had been used up.
teddybore:teenagefarts:Portraits in the Presence of Marina Abramovic, Museum of Modern Art, New York 2010 I can’t. God fuckin damn… :’D FUCK
01sentencereviews: Marina Abramovic: The Artist Is Present (2012, Matthew Akers and Jeff Dupre)
ejakulation: sesfleurs: showstudio: ‘Spirit House - Dissolution’, Marina Abramović, 1997 I love Leo and I love SHOWstudio and I love this curation. you make me so happy!
livingrosencrantz: joesreport: Marina Abramović covers James Franco in gold leaf and honey as part of a conceptual art project.
ladygunn: marina abramovic and ulay
boznio: Marina Abramović - Rhythm 0, 1975
showstudio: ‘Nude With Skeleton’, Marina Abramović, 2002
ulysses-g: scissor-slut: Love in a nutshell. Marina abramovic
criwes: Confide (2015) by Gianni Passeretti Inspired by Marina Abramović’s and Ulay’s project Rest Energy (1980)
conformi:Marina Abramovic & Ulay, Imponderabilia, 1977VSJacopo Sansovino, Biblioteca Nazionale Marciana, Venice, Italy, 1537-1588
goleyakh: Jay-Z et Marina Abramovic Picasso baby
whorville: It’s like being in love: giving somebody the power to hurt you and trusting (or hoping) they won’t. Marina Abramović, Rest Energy It’s a metaphor
neo-catharsis: Marina Abramovic, Lips of Thomas, 1975
morefreakshow: Marina Abramovic - Cleaning the Mirror
evokesart: “Once, Picasso was asked what his paintings meant. He said, “Do you ever know what the birds are singing? You don’t. But you listen to them anyway.” So, sometimes with art, it is important just to look.” — Marina Abramović
camadogato: MARINA ABRAMOVIĆ - “LIGHT / DARK (1977)
commovente: Marina Abramović and Ulay, Death Self, 1977 To create this Death self, the two performers devised a piece in which they connected their mouths and took in each other’s exhaled breaths until they had used up all of the available oxygen.
Portrait of Jemima Kirke at The MOMA for Marina Abramović: The Artist Is Present, 2010.
desertkiss: hoeirl: faces of two girls who attended Marina Abramovic’s The Artist Is Present at the MoMA. y’all the one on the right is Jemima Kirke, the actress in Girls
efedra: Rhythm 10, 1973 by Marina Abramović
oarv: Marina Abramović, Crystal Cinema I, 1990.clear quartz, wooden stool.
arterialtrees:Marina Abramovic, Detail of Cleaning the Mirror II, 1995
myarmisnotalilactree: A participant chronicle from Marina Abramovic’s “512 Hours
tomfordvelvetorchid: oppressing: Lips of Thomas by Marina Abramovic (1975) Stark naked, she ate a kilo of honey, drank a litre of red wine, carved a pentagram onto her stomach using a razor blade, whipped herself, and lay down on a cross made of ice
tremendousandsonorouswords: Marina Abramović and Ulay, Rest Energy, 1980 “[…] we actually held an arrow on the weight of our bodies, and the arrow is pointed right into my heart. We had two small microphones near our hearts, so we could hear our
scarecrowbox: Marina Abramovic, Rhythm 10 first presented in Edinburgh in 1973
scarecrowbox:Marina Abramovic, Rhythm 10 first presented in Edinburgh in 1973
in-vagina-we-thrust: rikodeine: petitetimidgay: who is she thats Marina Abramovic she’s a famous artist Lmao
![spektrums: tremendousandsonorouswords: Marina Abramović and Ulay, Rest Energy, 1980“[…] we actually held an arrow on the weight of our bodies, and the arrow is pointed right into my heart. We had two small microphones near our hearts, so we could](https://64.media.tumblr.com/fc807e7888fd6cadee8e887af4cd2678/tumblr_np5wjwjuib1sq00azo1_250.jpg)
