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last-picture-show: Lajos Szabo, Shadow Play, 1932
last-picture-show: August Sander, Architekt Hans Heinz Luttgen und seine Frau Dora, 1926
last-picture-show: Daido Moriyama, Northern, 1978
last-picture-show: “He dreamt one night that she came and kissed him, and with that kiss she entered his body. She looked through his eyes and listened with his ears. In the morning nothing had changed.” Duane Michals, From the Series Person to
last-picture-show: Brno Del Zou, Izoumi, 2012
last-picture-show: Elliott Erwitt, Acropolis Museum, Athens, 1976
last-picture-show: Steve Schapiro, Three Men, New York, 1961
last-picture-show: Adriana Lestido, El Amor, 1992
last-picture-show: Duane Michals, Dr. Heisenberg’s Magic Mirror of Uncertainty, 1998
last-picture-show: Anonymous from the 30s
last-picture-show: Marc Riboud, Forbidden City, Beijing, China, 1957
last-picture-show: Luis Camnitzer, Landscape as an Attitude, 1979
last-picture-show:Sergio Larrain, Daughters of Fishermen in the Village of Horcones, 1957
last-picture-show: Unpublished Group Photo of the Surrealist Crew, Salvador Dali, Gala and Paul Eluard, Philippe Soupault, René Crevel, Robert Desnos and Benjamin Péret included, 1924
last-picture-show:Harold Feinstein, Window Washer & Flock of Pigeons (Loft/23rd Street/NYC), 1972
last-picture-show: Yves Klein, The Void (Empty Room), 1961
last-picture-show: Marc Ribaud, Forbidden City, Beijing, China, 1957
last-picture-show: Bill Douglas, My Childhood, 1972
last-picture-show: Alécio de Andrade, The Louvre an it’s Visitors, 1980s
last-picture-show:Dorothea Lange, Tractored Out, Childress County, Texas, 1938
last-picture-show: Dorothea Lange, Tractored Out, Childress County, Texas, 1938
last-picture-show: Duane Michals, The Young Girl’s Dream, 1969
last-picture-show:Nagisa Oshima, The Man Who Left His Will on Film, 1970
last-picture-show:Luis Camnitzer, Landscape as an Attitude, 1979
last-picture-show:Yves Klein, The Void (Empty Room), 1961
last-picture-show: Elliott Erwitt, Greece, 1963
last-picture-show: Bedrich Grünzweig, Arriving for Work, 1966
last-picture-show:Alison Scarpulla
last-picture-show: Franz Lazi, Open Doors, 1949
last-picture-show: Marcel Marien, Sans titre, 1984
last-picture-show: Simpson Kalisher, Untitled, 1961
last-picture-show: Guy Bourdin, 1974
last-picture-show: Peter Keetman, Verwischte Radfahrer, Stachus, Munich, 1953
last-picture-show: Cristopher English, Untitled, 1976
last-picture-show:Martin Parr, Wales, 1989
last-picture-show:Edward Steichen, Touch is Love, 1934
last-picture-show: “Oh, art is too hard”- Andy Warhol
last-picture-show: Duane Michals, Andy Warhol, 1973
last-picture-show: Harry Callahan, Skyscrapers, New York, 1978
last-picture-show: Irving Penn, Japanese Girl, 1980
last-picture-show: Endre Tot, Outdoor Tests, 1980
last-picture-show: Stefan Karpiniec, Lyle Closs jumps to Albert’s Tomb, Organ Pipes Mt. Wellington, Tasmania, 1974
last-picture-show: Arnulf Rainer, 1971
last-picture-show:Noritoshi Hirakawa
last-picture-show:Herbert Matter, Alexander Calder, Vertical Constellation with Yellow Bone, 1943
last-picture-show:Lee Friedlander, The Little Screens, 1960s
last-picture-show: Nobuyoshi Araki, Tokyo, 1963
last-picture-show: Paul Rockett, Glenn Gould’s Hands, 1956
last-picture-show:Stefan Karpiniec, Lyle Closs jumps to Albert’s Tomb, Organ Pipes Mt. Wellington, Tasmania, 1974
last-picture-show: Jerry Coke, Dancers in Leningrad, 1956
