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emigrejukebox: Jean-Pierre Leloir: Miles Davis at Salle Pleyel, Paris, November, 1956
faithfullforever: Marianne Faithfull and Mick Jagger in Heidelberg, Germany where Marianne was filming “The Girl On A Motorcycle” in late 1967. Photo by Jean-Pierre Bonnotte.
coolkidsofhistory: Jean-Pierre Melville and Alain Delon on the set of Le Samouraï, 1967.
mysomethingtoremember:Two men compete in the kissing contest during New York’s first Gay Pride by Jean-Pierre Laffont - 1970
modbrother: Jean-Pierre Léaud and Marie-France Pisier in Francois Truffaut’s “Antoine et Colette” (1962)
gacougnol: Jean-Pierre LarcherÉtude de nu c. 1994
hollywood-portraits: Natalie Wood & Warren Beatty photographed by Jean-Pierre Biot, 1962.
orwell: Jean-Pierre Léaud and François Truffaut
nouvellecinema: Jean-Pierre Léaud and an Antoine Doinel artwork
historicaltimes: Two men ‘flip the bird’ at the crowd that’s formed as they compete in the kissing contest during New York’s inaugural Gay Pride celebration on 28 June 1970. Photo by Jean-Pierre Laffont via reddit
kvetchlandia: Jean-Pierre Bonnotte Photographer Gilles Caron at Work, Paris 1968 Photographer Gilles Caron disappeared 1n 1970 in Cambodia while photographing the Vietnam War. He is assumed to be have been killed. He was 30 years old
soundsof71:Jimi Hendrix, Paris, by Jean-Pierre Leloir
slimaneswhore:In a Jean Pierre Léaud type of mood
contemporary-visual-art: Jean-Pierre Hébert, red scholastica (2003) pen and acrylic ink on paper, 30x22 arches paper
deadcades:…Jean-Pierre Ugarte…Visions from Another World…
kubriq: “Le fabuleux destin d’Amélie Poulain” (2001)dir. Jean-Pierre Jeunet
twilightly:Le Fabuleux Destin d’Amélie Poulain (2001) dir. Jean-Pierre Jeunet
thatoneguyzach: royeah: hilaryrodhamclinton: Amelie dir. Jean-Pierre Jeunet (2001) The best feeling in the world Need
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hirxeth: Amélie (2001) dir. Jean-Pierre Jeunet
colin-vian: Jean Pierre Cassigneul - Le Camelia (1970)
vvorshipyou:“You mean she would rather imagine herself relating to an absent person than build relationships with those around her?” Le Fabuleux Destin d’Amélie Poulain (2001)dir. Jean-Pierre Jeunet
gandalf1202: Jean-Pierre Cassigneul - The Model [1971] by Gandalf Via Flickr: [Sotheby’s, New York City - Oil on canvas, 92 x 65.4 cm]
cactuslands: jean pierre cassigneul
art-mirrors-art: Jean Pierre Cassigneul - La Toilette (1984)
soundsof71: Jimi Hendrix, Isle of Wight, August 31 1970, by Jean Pierre Leloir
moviepalettess: “A woman without love wilts like a flower without the sun.” Amélie (2001) dir. Jean-Pierre Jeunet
itsbrucemclaren: //// Jean-Pierre Beltoise (Matra MS120B Simca) ////
sarahsek: Jean-Pierre Léaud
krgkrg: ‘In 1974 Jean Pierre Raynaud opened la Maison de La Celle-Saint-Cloud in Paris. A house and art installation comprised entirely of white tiles. The austere and geometric design created by the white tiles and juxtaposing black seams give an
amospoe: “There is no greater solitude than that of the samurai unless it is that of the tiger in the jungle.” ― Jean-Pierre Melville (charcoal by robert longo)
m-as-tu-vu: istantanea Jean Pierre Larche
oh-betty: Danika by Jean-Pierre Maissin
iwanttobeafirefly: likantropa75: Jean Pierre Domingue · Eniko Mihalik From the archive of http://likantropa75.tumblr.com/archive
vvongkarwai: “Any normal girl would call the number, meet him, return the album and see if her dream is viable. It’s called a reality check. The last thing Amélie wants.” Le Fabuleux Destin d’Amélie Poulain (2001)dir. Jean-Pierre Jeunet
balakelava: Jean-Pierre Raynaud
31chainz: Jean Pierre Raynaud’s “La Maison de La Celle-Saint-Cloud”, closed in 1988.
vvorshipyou: “Any normal girl would call the number, meet him, return the album and see if her dream is viable. It’s called a reality check. The last thing Amélie wants.” Le Fabuleux Destin d’Amélie Poulain (2001)dir. Jean-Pierre Jeunet
130186:Jean Pierre Braganza Fall 2015
istillbelieveinradishes: taishou-kun: Jean-Pierre Léaud & Matsumoto Hiroko 松本 裕子 Berghauer in Domicile conjugal (Bed & Board) directed by François Truffaut, 1970 My fav
suday: Jean-Pierre Léaud in “Masculin, Féminin“ (1966)
blazepress: Surreal paintings by Jean-Pierre Roy
tattoome:Jean Pierre Mottin
hilaryrodhamclinton: Amelie dir. Jean-Pierre Jeunet (2001)
lai-ika: Mother and Child, Gustav Klimt (1905) // Amélie (dir. Jean-Pierre Jeunet, 2001)
milkstudios:AZEDE JEAN-PIERRE A winning sheen. See more on Milk Made. Photo by: Anthony Cabaero
vacill-ation: “Amelie has a strange feeling of absolute harmony. It’s a perfect moment. A soft light, a scent in the air, the quiet murmur of the city. A surge of love, an urge to help mankind overcomes her.” Amélie (2001) Jean-Pierre
ayeyoaunz: senorhoudini: Aunjoli Jean-Pierre I wake up like this forreal
hannahsider: Azede Jean-Pierre milkstudios Hannah Sider ©
givenchyrunway: Chen Lin at Jean-Pierre Braganza Spring/Summer 2015
jesuisunefemmejesuisperdu: Amélie (2001) "Le fabuleux destin d’Amélie Poulain" (original title) Dir. Jean-Pierre Jeunet
cocobijoulala: withnailrules: Jean-Pierre Gibrat (via wonderin) Life at the moment.
ilmatar: withnailrules: Jean-Pierre Gibrat (via wonderin)
twatirl: “Amelie has a strange feeling of absolute harmony. It’s a perfect moment. A soft light, a scent in the air, the quiet murmur of the city. A surge of love, an urge to help mankind overcomes her.” Amélie (2001) Jean-Pierre Jeunet
hirxeth: “Without you, today’s emotions would be the scurf of yesterday’s.”Amélie (2001) dir. Jean-Pierre Jeunet