holzer
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stitchblades: jenny holzer, SURVIVAL (1983-85)
organization: Helmut Lang parfums. Jenny Holzer - provoking the senses.
Murder In Amityville, by Hans Holzer (Futura, 1980).]From a charity shop in Nottingham.
saindoux: Séance de Travail 1993-1999, Helmut Lang Kunsthalle Wien: Louise Bourgeois. Jenny Holzer. Helmut Lang, 1998
the signs as jenny holzer truisms
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ve-gabond: jenny holzer
vuov: ‘all things are delicately interconnected’ - (Jenny Holzer)
deathgripsforcutie: jenny holzer’s new piece really makes u think
excdus: Jenny Holzer
artbby:Jenny Holzer
likeafieldmouse: Jenny Holzer
euo: Jenny Holzer Packaged latex condoms with printed text “Men don’t protect you anymore”
Jenny Holzer, It is in Your Self-Interest to Find a Way to Be Very Tender, White Danby marble imperial footstool, 1983-85 (Collection of Jessica and Frank Lonergan).
woolenmilk: jenny holzer
cliquetears: paintdeath: Jenny Holzer - Truisms
Jenny Holzer
nzafro: Jenny Holzer.
Jenny Holzer, Living Series
wifigoth: Jenny Holzer Living Series
kruled: Jenny Holzer / source
uvre: Jenny Holzer
shoulderblades: HL/JENNY HOLZER 2000
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Jenny Holzer Expiring for Love is Beautiful but Stupid.
wetheurban: SPOTLIGHT: Truisms by Jenny Holzer Jenny Holzer is famous for her short statements, formally called ‘truisms’. some are common myths while others are just phrases on random subjects in the form of slogans. Read More
lehroi: Jenny Holzer ‘Truisms’, 1984. Like other artists of her generation, Holzer turned to the strategies of the mass media and advertising in her work. In the late 1970s, she devised nearly 300 aphorisms or slogans, which play on commonly
bodddah: yoaguanto: Jenny Holzer - SURVIVAL, 1983-1985 (exhibited as part of Creative Time’s 42nd Street Project 1993) “Like the Jenny Holzer pieces, you’ve got a lot of people saying, ‘What the fuck is that? What the fuck is that supposed
mementomoriiv:Jenny Holzer - The Living series, 1980-82
free-parking: Jenny Holzer, from Lustmord, 1993-1994 In her series ‘Lustmord’ — meaning rape murder in German — Holzer created a number of works addressing war crimes in the former Yugoslavia in the 1990s, in particular the violent physical abuse,
SURVIVAL - Jenny Holzer, 1983-1985 (exhibited as part of Creative Time’s 42nd Street Project 1993) “Like the Jenny Holzer pieces, you’ve got a lot of people saying, ‘What the fuck is that? What the fuck is that supposed to mean?’ And it’s
In a dream you saw a way to survive and you were full of joy. Jenny Holzer
artwomb: Truisms and Inflammatory Essays by Jenny Holzer fucking Jenny Holzer got me in the feels
somebody wants to cut a hole in you & fuck you through it buddy
arthetic: Jenny Holzer
mondrn: Jenny Holzer
nyctaeus: Jenny Holzer, ‘Dust Paintings’, 2014 “Jenny Holzer has used government documents as a source for her work since 2004. Language has been Holzer’s primary medium since the late 1970s. Placed on electronic signs or stone benches, Holzer’s
rookiemag: yoaguanto: Jenny Holzer - SURVIVAL, 1983-1985 (exhibited as part of Creative Time’s 42nd Street Project 1993) “Like the Jenny Holzer pieces, you’ve got a lot of people saying, ‘What the fuck is that? What the fuck is that supposed
yoaguanto: Jenny Holzer - SURVIVAL, 1983-1985 (exhibited as part of Creative Time’s 42nd Street Project 1993) “Like the Jenny Holzer pieces, you’ve got a lot of people saying, ‘What the fuck is that? What the fuck is that supposed to mean?’
lehroi: Truisms, 1984.Jenny Holzer Like other artists of her generation, Holzer turned to the strategies of the mass media and advertising in her work. In the late 1970s, she devised nearly 300 aphorisms or slogans, which play on commonly held truths
holzers: HOLY FUCK
klexquisite: sheholdsyoucaptivated: “MY ARROGANCE KNOWS NO BOUNDS AND I WILL MAKE NO PEACE TODAY, AND YOU SHOULD BE SO LUCKY TO FIND A WOMAN LIKE ME” | Jenny Holzer, “Projections” Important note : this is a projection by artist Jenny Holzer,
exoticfunctions: paradoxicalsentiments: Truisms and Inflammatory Essays by Jenny Holzer. American This is a sampling of Holzer’s early work, where she printed out the above and plastered them all over NYC in the late 1980’s and early 1990’s. Unlike
minaturegolftheory: Inflammatory Essays by Jenny Holzer, 1979-82 I first happened upon Jenny Holzer’s Inflammatory Essays on a street in the Lower east Side, where they belonged, wheat pasted on the plywood covering over a construction site, not
Projections-Siena 2009-Jenny Holzer
anorsexic: Extracts from the Living series, by Jenny Holzer
excdus:It Is In Your Self-Interest To Find A Way To Be Very Tender Jenny Holzer
mdme-x:Jenny Holzer, Inflammatory Essays, 1991 (excerpt).
nyctaeus:Jenny Holzer, ‘Lustmord’, Photographs of handwriting in ink on skin, 1994 In ‘Lustmord’ (Lusmord being the German word for sexual violence involving rape), Holzer creates tension through subject matter, which addresses sexual violence. Holzer
tooweak-tosurvive: Jenny Holzer The only time I’ve ever seen this piece is in the *background* to that nirvana photoshoot. Jenny Holzer deserves a lot more credit because her piece is quite profound. Funny how work by a woman is only recognizable
holzerisms: art patches
nyctaeus: Jenny Holzer, ‘Lustmord’, Photographs of handwriting in ink on skin, 1994 In ‘Lustmord’ (Lusmord being the German word for sexual violence involving rape), Holzer creates tension through subject matter, which addresses sexual violence. Holzer
![Murder In Amityville, by Hans Holzer (Futura, 1980).]From a charity shop in Nottingham.](http://64.media.tumblr.com/e7d0ee98c503337c1983489369ae8a46/tumblr_otm0hdDcKm1qi4em3o1_250.jpg)
