hesiod
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hesiod: Zwinge-Installation
“And there the children of dark Night have their dwellings, Sleep and Death, awful gods. The glowing Sun never looks upon them with his beams, neither as he goes up into heaven, nor as he comes down from heaven. And the former of them roams peaceful
marfisa-thor: “Only Hope was left within her unbreakable house, she remained under the lid of the jar, and did not fly away.” —Hesiod
esoanem: the-at-symbol: argumate: penfairy: some oddly specific advice from Hesiod (c700 BC) which thicc girl hurt you (and stole your grain) Grain-stealing thots I’m trying to steal your granary but I’m dummy thicc and the clap of my decorated
chromaticanxiety: oodlenoodleroodle: esoanem: the-at-symbol: argumate: penfairy: some oddly specific advice from Hesiod (c700 BC) which thicc girl hurt you (and stole your grain) Grain-stealing thots I’m trying to steal your granary but I’m
the-at-symbol: argumate: penfairy: some oddly specific advice from Hesiod (c700 BC) which thicc girl hurt you (and stole your grain) Grain-stealing thots
missfolly: Hesiod and the Muse by Gustave Moreau, 1891
silenceformysoul: Gustave Moreau (1826-1898) - Hesiod and the Muse, 1857
gustave-moreau:Hesiod and the Muses, 1860, Gustave MoreauMedium: oil,canvas
the-paintrist:creativespark:Edward Poynter (British, 1836-1919), The Golden Age, 1875The term Golden Age comes from Greek mythology, particularly the Works and Days of Hesiod, and is part of the description of temporal decline of the state of peoples
Hesiod
“Hesiod[2] calls them two "lovely-haired” creatures, and pottery art depicting the harpies featured beautiful women with wings. Harpies as ugly winged bird-women, e.g. in Aeschylus’ The Eumenides (line 50) are a late development,
