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art-of-swords: E.B. Erickson Swords (In picture no3 from top to bottom: E.B. Erickson SW11 Basket-hilt, E.B. Erickson Stirling hilt with Silver Inlay and Engraving, 2x E.B. Erickson Germanic Basket-hilt, E.B. Erickson Katzbalger, E.B. Erickson Schiavona.
„Dann räkelt sich Dein wonnevoller Leib…“ “Then your ecstatic body writhes…”
“SWITZERLAND lies right in the middleand in every chaletthe shepherdess presents herself to youon a simple bed of straw"
art-and-things-of-beauty: Ottmar Obermaier (German, 1883-1965) - The Winner, bronze, height 63 cm.
art-of-swords: Two-hand Sword for the Field Dated: partly circa 1520-30 Culture: German Measurements: overall length 180 cm. Blade length 132 cm The strong double-edged blade of flattened hexagonal section is cut with a shallow fuller at the forte
art-of-swords: Child’s Smallsword Dated: circa 1750 Culture: German Medium: steel, enamel Source: Copyright © 2014 The Fitzwilliam Museum, University of Cambridge, UK
art-of-swords: Knightly Sword Dated: circa 1200 Culture: German Source: Copyright © 2014 Fricker Historische Waffen
art-of-swords: European Sword Dated: 16th century Culture: the pommel is Italian, 1540-50, whilst the rest of the sword is German circa 1570 Medium: steel Measurements: overall length, 124.5 cm; blade length, 108 cm; grip length, 10.2 cm; quillons
art-of-swords: European Dagger Replica created after an original dated first half 16th century Culture: German or French (original) Measurements: overall length 43 cm The original dagger is a property of the Deutsches Klingenmuseum Solingen in
art-of-swords: Two-handed Sword Replica Dated: circa 1500 (original) Culture: German (original) Measurements: overall length: 143.5 cm; weight: 2160 g The replica has a crossguard and pommel made out of steel. The sword was inspired by the original
art-of-swords: German Two-hand Sword Dated: made in the style of circa 1530 Measurements: overall length 138.5 cm; blade length 106 cm The sword feature a broad double-edged blade cut with a series of narrow fullers both on each side and over the
art-of-swords: Main Gauche Dagger Dated: first quarter of the 17th century Culture: probably German Measurements: overall length 45.6cm The hilt has slightly drooping quillons, profiled pas d’ane and pommel formed as a tapering cylinder, the grip with
Georg Baselitz (Kamenz, 1938), Male Nude (self portrait), 1973, oil on canvas
Christian Schad (Miesbach 1894 - Keilberg, Aschaffenburg, 1982), Maika, 1929
Frank Auerbach (b. 1931, Berlin), Summer Building Site, 1952; oil on board, 76.2 cm x 106.7 cm [via Saatchi Gallery]
Lovis Corinth (Tapiau, Prussia 1858 - Zandvoort, Netherlands 1925); Fishermen’s cemetery at Nidden, 1893
Hans Baluschek (Breslau 1870 - Berlin 1935); Sommerfest in der Laubenkolonie, 1909; oil on linen, 191 x 253 cm; Märkisches Museum, Berlin
Gerhard Richter (Dresden 1932); Zwei Kerzen (Two candles), 1983; oil on canvas
Hans Memling (Selingenstadt c. 1430 - Bruges 1494); The martyrdom of St. Ursula, 1489, oil on panel (scene from St. Ursula Shrine)
Carl Blechen (Cottbus 1798 - Berlin 1840); Stormy Weather over the Roman Campagna, 1829; oil on board, 28 x 45 cm; Alte Nationalgalerie, Berlin
Max Ernst (Brühl 1891 - Paris 1976); The fashinating Cypress, 1939; oil on canvas
Franz von Lenbach (Schrobenhausen, Bavaria, 1836 - Munich 1904); Portrait of Marion Lenbach, 1901; oil on canvas, Hermitage Museum
Matthias Grünewald (Würzburg, ca. 1480 – Halle, 1528); Christ carrying the Cross, c. 1523-24; oil on wood, 152 x 193 cm; Kunsthalle, Karlsruhe
Karl Schmidt-Rottluff (Chemnitz 1884 - Berlin 1976); Wanderdüne am Haff (Sand dunes in the lagoon), 1947; oil on linen, 114 x 93 cm; Brücke-Museum, Berlin
Emil Nolde (Nolde, near Tondern, 1867 - Seebüll, Schleswig, 1956); The Entombment, 1915; oil on canvas, 117 cm x 86 cm
Anselm Kiefer (Donaueschingen, Baden-Wurttenberg, 1945); Die Meistersinger, 1981; oil, emulsion and sand on photograph mounted on canvas
Adolph von Menzel (Breslau 1815 - Berlin 1905); Market in Winter, 1862; gouache and colored chalk on paper, 26 x 32 cm; Stiftung Staadtmuseum, Berlin
Otto Dix (Gera 1891 - Singen 1969); Frau mit Kind (Mother with Child), 1921, oil on canvas
Anton Raphael Mengs (Aussig 1728 - Roma 1779); Maria Luisa of Parma, c. 1765; oil on canvas, 110 x 152 cm; Museo del Prado, Madrid
Johann Carl Loth (Munich 1632 - Venezia 1698); Eliezer and Rebecca at the well, 1670’s; oil on canvas, 159 x 123 cm; The Hermitage, Saint Petersburg
Ernst Ludwig Kirchner (Aschaffenburg 1880 - Davos 1938); Frankfurt Cathedral, 1916; oil on canvas, 60 x 70 cm; private collection
Hans von Aachen (Cologne 1552 - Prague 1615); The rape of Proserpina, 1587; oil on canvas, 150 x 110 cm; Brukenthal National Museum, Sibiu (Romania)
Franz Marc (Munich 1880 - Verdun 1916); Forest interior with deers, 1909; oil on canvas, 84 x 102 cm; Sprengel Museum, Hanover
Emil Nolde (Nolde, near Tondern, 1867 - Seebüll, Neukirchen, 1956); Canal - Copenhagen, 1902; oil on panel, 83 x 65,5 cm; Nolde Foundation Seebüll - Neukirchen
Otto Freundlich (Stolp 1878 - Majdanek, Lublin, 1943); Kosmischen Auge (cosmic eye), 1921-22; pastel on cardboard, 65 x 81 cm
Albrecht Altdorfer (Regensburg, c. 1480 - 1538); Der Sieg Karls des Großen über die Awaren bei Regensburg, 1518; oil on wood, 122 x 110,5 cm; Germanishes Nationalmuseum, Nurnberg
Max Pechstein (Zwickau 1881 - Berlin 1955); Monterosso al Mare, 1924; oil on canvas, 100 x 85 cm, private collection
Max Beckmann (Leipzig 1884 - New York City 1950); Stilleben mit Katzen (Still life with cats), 1917; oil on canvas, 100 x 66 cm; Museum Frieder Burda, Baden-Baden
Caspar David Friedrich (Greifswald 1774 - Dresden 1840); A walk at Dusk, 1830-35; oil on canvas, 43.7 x 33.3 cm; J. Paul Getty Museum, Los Angeles
Abraham Mignon (Frankfurt 1640 - Utrecht 1679); Still-life with fruit, N/D; oil on canvas, 89 x 73 cm; private collection
Johann Joseph Zoffany (Frankfurt-am-Main 1733 - Strand-on-the-Green 1810); Self-portrait with skull and hourglass (Ars longa, Vita brevis), c. 1776; oil on panel, 77 x 85.5 cm; Galleria degli Uffizi, Firenze
Max Beckmann (Leipzig 1884 - New York City 1950); Odysseus und Kalypso, 1943; oil on canvas, 115.5 x 150 cm; Hamburger Kunsthalle, Hamburg
Hans von Kulmbach (Hans Süß, Kulmbach around 1480 - Nuremberg c. 1522); The Coronation of the Virgin, 1514; oil on panel, 79 x 117 cm; Kunsthistorisches Museum, Vienna
German Neo-Nazis Fell for Art Project and Outed Themselves
art-of-swords: German State Halberd of the Guard of the Emperor Ferdinand I Dated: 1563 Measurements: head length 52.9 cm. Overall length 223.2 cm The head features a broad central spike formed with a medial ridge, rear fluke cut with wavy edges
art-of-swords: PartisanDated: circa 1680Geography: SaxonyCulture: German, SaxonyMedium: steel, wood, gold, textile, metallic threadMeasurements: L. 8 ft. 7 ¼ in. (262.2 cm); L. of head 24 ½ in. (62.3 cm); W. 9 7/8 in. (25.1 cm); Wt. 6 lbs. (2721.6
art-and-things-of-beauty: Franz von Stuck (German 1863-1928) The Athlete, bronze, 66 cm.
art-of-swords: German Medieval “Great” Sword Dated: circa 1400 Medium: steel, wood, leather Measurements: overall length 125.5 cm. Blade length 98.7 cm Having a long broad double-edged blade, the lower half of the sword is cut with a broad shallow
art-of-swords: Smallsword Dated: circa 1750–60 Culture: possibly German Medium: hard stone (chrysoprase), varicolored gold, steel Measurements: L., 36 5/8 in. (93 cm); blade L., 27 9/16 in. (70 cm); Wt.15 oz. (417 g) Classification: Swords Source:
art-of-swords: Composite Two-handed Sword Dated: first quarter of the 17th century Culture: German Measurements: overall length 185 cm The sword has a straight, undulated, double-edged blade, featuring a stamp at the base, between two crosses on a
art-of-swords: Officer’s Sword Dated: circa 1770 Culture: probably German Measurements: overall length 95 cm The sword has a double-edged, straight blade with asymmetrical rib on both sides and central point. The wooden grip is covered with leather.
art-of-swords: Cavalry Sword Dated: first half of 17th century Culture: probably German Measurements: overall length 100 cm The sword has a double-edged, straight blade with central fuller, two grooves and central point. On outer side features two marks
art-of-swords: Falchion Sword Dated: circa 1550 Culture: German The blade of the sword is etched with the “PI” brand while the pommel is plated in bronze. Source: Copyright © 2014 Historische Waffen
art-of-swords: Swept-hilt Rapier Dated: circa 1600-1630 Culture: German Measurements: overall length 111.5 cm. Blade length 91.5 cm The hilt is basically a classic Norman type 58, but with recurved quillons with disc finials, constructed of flattened
art-of-swords: European Rapier Dated: circa 1600-1630 Culture: German Measurements: overall length 108 cm (3-½ ft.) The sword has twisted iron filigree fuse, terminating with braided rings at two ends. The chiseled wrought-iron mount, pommel,
art-of-swords:Naval Presentation SwordDated: 18th century (1780-90 hilt)Culture: German blade of French type, English hiltMedium & Technique: blued etched and giltInscription: ‘SOLINGEN’ and in Latin and FrenchSource: Copyright © 2015 The Fitzwilliam
art-of-swords:German SwordDated: circa 1550Culture: GermanPlace of Origin: Passau Measurements: overall length 141.5cm Source: Copyright © 2013 Fischer Kunst und Antiquitätenauktionen
art-of-swords: Walloon Sword Dated: beginning of the 17th century Culture: French or German Measurements: overall length 99cm, blade length 87cm, weight 0.95 The hilt is typical of the Walloon swords with two large side-rings filled with two plates,
![Frank Auerbach (b. 1931, Berlin), Summer Building Site, 1952; oil on board, 76.2 cm x 106.7 cm [via Saatchi Gallery]](https://64.media.tumblr.com/a03dab0ead49f85a619090de1803eb7d/tumblr_mwoi76QJLJ1qzxzwso1_250.jpg)
