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newyorkthegoldenage: Fifth Avenue, 1932.Photo: George Grosz via Artblart
sulphuriclike: George Grosz_Portrait of doctor Felix J. Weil_1926
dappledwithshadow: Female Nude in the Dunes of Cape Cod - George Grosz
the-seed-of-europe: Der Dada journal cover No. 3 (April 1920), edited by Raoul Hausmann, John Heartfield, and George Grosz. Die Elektrische (The Electric Tram) collage, Otto Dix, 1919. Lärm der Strasse (Street Noise), Otto Dix, 1920. “November 11.
germanexpressionism: George Grosz - Nocturne (oil on canvas, 1915) (via)
66lanvin: kvetchlandia: John Heartfield Self-portrait-Dada ist Gross und John ist Sein Prophet (Dada is Big and John is Its prophet-the “Gross” is clearly a reference to fellow leftist and Berlin Dadaist George Grosz), Berlin c.1920)
lilit69: Zwei weibliche Akte in Umarmung by George Grosz
grupaok: Erste Internationale Dada-Mess (First International Dada Fair), Otto Burchard Gallery, Berlin 1920—Main room, with Raul Hausmann, John Heartfield, George Grosz and Dada puppets.
semioticapocalypse: George Grosz. Max Schmeling at a boxing exhibition game in Kingston, 5th, New York of June 1932 [::SemAp FB || SemAp::]
le-retour-de-ki:George Grosz (1893-1959), German dadaist, new objectivist - Untitled, 1920
whatjanesaw: George Grosz
amare-habeo: George Grosz (German, 1893 - 1959)Two Embracing Women (Zwei weibliche Akte in Umarmung), 1941
metalonmetalblog: George Grosz, 1920
dappledwithshadow: George Grosz (German, 1893-1959)
thunderstruck9: George Grosz (German, 1893-1959), Standing female nude, May 1937. Oil on canvasboard, 16 x 12 in.
![semioticapocalypse: George Grosz. Max Schmeling at a boxing exhibition game in Kingston, 5th, New York of June 1932 [::SemAp FB || SemAp::]](https://64.media.tumblr.com/2ae10286cd1e477a9385a161e191ad98/tumblr_o3q4sepaJU1qz4txfo1_250.jpg)
