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Jeremy Irons and Genevieve Bujold in Dead Ringers (1988), directed by David Cronenberg. Note the surgical tubing and clamps used for bondage.
From BoundHeat.com, if I’m not mistaken.
This set also has elements of “world upside down”, with the servants (Asian manicurists, in this case) dominating their mistress (white client), inverting both class and race hierarchies.
I consider sororities/fraternities to fit under the “institutional” tag, like schools, prisons and hospitals, all of which are ideal settings for initiation narratives.
An example of the association of deviant politics (slavery, aristocracy, “the South”) with deviant sexuality (rape, sadism, interracial)
Engraving by William Blake, for an abolitionist publication, 1796. The colour version has visible blood. blackslavegirlsandmore: A whipping.
Likely from another abolitionist work.
Judging by the art style, a more modern work. I suspect this isn’t terribly realistic, and slave women serving whites would be dressed to the whites’ idea of modesty (at least while there were white ladies present).
motheranddaughterbeauty: thank you for flying Lufthansa mein Furher
Men’s adventure magazines sometimes changed things up by replacing Nazis with communists and/or throwing in racial fears for flavour.
The Massacre at Chios by Eugene Delacroix, 1824. The Ottoman Empire’s invasion of Greece produced a lot of art that depicted the conflict in terms of male sexual aggression against female. While most of this painting is fairly realistic, the right-m
There’s an unpleasant racial subtext to this particular “damsel in distress” image, which links it to previous images like Powers’ The Greek Slave and Delacroix’ Massacre at Chios: white woman menaced by dark hordes.
I guess the man depicted is supposed to be Sade. Apparently a British magazine.
Interesting combination of Orientalist harem fantasy with 60s mod style in fashion and furniture.
Probably from a 1980s British spanking magazine. This is an interesting case of feminization of an all-male, homoerotic scenario, set in a military institution. Putting young women in the uniforms adds an extra element of theatricality and ritual, and
By French artist “Carlo”, early 20th century. Note the mock-judicial setting, adding a note of ritual and theatre to the scene.
This may be the most densely packed image I’ve ever seen: religious deviance: Catholicism social/political deviance: slavery/colonialism racial deviance: interracial sexuality gender deviance: dominant woman sexual deviance: sadism, masochism, lesbi
Wish I could read Chinese.
FromOuimagazine, October 1973. Intended to be humorous.Ouiwas aPlayboyspinoff intended to into harder-core and compete withPenthouseandHustler.
Mad Men S5303 “Mystery Date”: an exploration of fear, anger and desire, and what happens when they mix. welaystagnantawake: one of the most shocking moments in mad men so far. i couldn’t move for a minute.
The Gothic in literature and art is all about threatsex.
This falls into the “white people are irresistible to people of colour” category. lesbilicious: Just a little fantasy of mine….. indulge me
erosart: Original art by Vic Prezio for REAL MEN, June 1964
Flagellation scene set in Russia. Note that until relatively recently, Europeans considered Russia part of “the Orient”, with the usual Orientalist fantasies.
By G. Topfer. Another anti-Catholic image, using convent life as a breeding ground for perversion, sexual and otherwise.
From Grant Morrison’s comic series The Invisibles. These two characters (King Mob and Ragged Robin) are reacting to psychic infiltration via sexual roleplay. wiffthecliff: mmmm role playing
One of those “death and the maiden” images so popular in the late 19th century.
From a section on paganism in Understanding Human Behavior, Vol. 4, a bizarre 1970s series of pseudo-science books Nothing like a Black Mass to serve up the threatsex.
This cover comes from the brief period in which Wonder Woman was depowered into a normal human and became a Mrs. Emma Peel-style detective/adventurer, with a lot of mod fashion outfits.
Fay Wray in the original King Kong, a threatsex classic. Like many American films of the period, it was driven by anxieties about sex and race and bodily difference and miscegenation.