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slanting: Jordan Ferreiro, The observer is not separate from the object observed, elevator installation of etched glass vinyl
decade: overhangs: blue-voids: Colin Self - Nude, 1970-71 - etching simplicity -
flowerlygirls: feminism-is-communist: bace-jeleren: commandtower-solring-go: kosherfriedchicken: the-privateer: it’s like a renaissance painting He musta fucked up HEAVY I want this etched onto my tombstone Make greeting cards with just this
buttonpoetry: “What have you got to lose, right? Why not at least live once before you die?” — Johnny Osi - “Etched in Steel” (IWPS 2015)
paperimages: Piet van den Boog Wild is the Wind, 2010, oil and acrylic on etched steel
fuckyeah-arthistory: Jan Bruegel - Anthony van Dyck, c. 1632-45. Etching.
darksilenceinsuburbia: Ray Caesar. Trouble With Insects, 2003. Glicee on german etching paper, 24 x 18”.
antonio-m: Fallen Icarus by Neil Moore(etching, 1997, painting, 1998)
2headedsnake: daniel-carrillo.com Daniel Carrillo, “Mr.Kardinal”, 6 x 9 inches, Color Etching
rockandstone: David Hockney, Two Boys Aged 23 or 24, Etching, 1966
oldrussia: Arthur Grunenberg. Etching of Nijinsky in Schéhérazade.
artqueer: John Murray McKaig: PJF, intaglio (line etching, engraving and aquatint), 24x36”
oldbookillustrations: The etcher (1897). William Strang, from Etchings of William Strang, by Frank Newbolt, London, New York, 1907. (Source: archive.org)
blastedheath: William Unger (German, 1837-1932), Portrait of Hans Makart, c. 1883. Etching.
mrsramseysshawl: Achton Friis (1871-1939), Etching of Male Nude, 1900
blastedheath: mudwerks: Julio Ruelas (Mexican, 1870-1907), La crítica, 1906. Etching.
drawingdetail: Anthony van Dyck, Self portrait, c. 1630. Etching. Rijksmuseum.
willjake: Jenő Tarjáni Simkovics (Hungarian, 1895-1995), Self Portrait, 1927. Etching
artqueer: David Hockney | Two Boys Aged 23 or 24 | Etching | 1966
blastedheath: Hanuš Schwaiger (Czech, 1854–1912), Man with a flute. Etching on paper, 338 x 237 mm.
posthorn: Anatomical etching, 1779, by Jacques Gamelin.
charlottechevallier: Nouveau recueil d’ostéologie et de myologie Toulouse, 1779. Etching. National Library of Medicine. Jacques Gamelin(1739-1803)[artist] Anatomical studies, originally used in the composition of religious and historical paintings,
blastedheath: Giovanni Boldini (Italian, 1842-1931), Portrait of Paul Helleu standing. Etching on wove paper, 43.9 x 35.6 cm.
oldbookillustrations: Portrait of Félicien Rops. Etching by Adrien de Witte From Les Graveurs Liégeois (Engravers from Liège), by Alfred Micha, Liège, 1908.
Felicien Rops (Belgian Symbolist painter, engraver, 1833-1898), Les Sataniques, De ontvoering (The abduction), 1882. Etching.
Pablo Picasso (Spanish, 1881-1973), Deux hommes sculptés, Plate 52 from La Suite Vollard, 1933. Etching, plate: 269 x 194 mm., sheet: 449 x 341 mm.
Paul Cadmus (American, 1904-1999), Nudo #2. Etching, 8 x 9 in.
Paul Cadmus (American, 1904-1999), Nudo #3. Etching, 8 x 9 in.
Arthur Grunenberg. Etching of Nijinsky in Schéhérazade.
James McNeill Whistler (American, 1834-1903), Drouet, Sculpteur, 1859. Etching and drypoint, 229 x 152 mm (9 x 6 in)
Icones Principum Virorum, Portrait of Paul de Vos, first state with head only. Etching with engraving. ~1630-40 (British Museum) after van Dyck
Mortimer Menpes (Australian, 1855/60-1938), Whistler: Five Faces or White Ducks, late 1880s. Etching on chine collé. The Metropolitan Museum Of Art, New York.
Otto Lais (German, 1897-1988), Self-portrait, 1931. Etching on brownish paper, 24.5 x 20 cm.
Lucian Freud (British, born Germany 1922-2011), Man Posing, 1985. Etching on Somerset Satin white paper, 69.5 x 54.5 cm platemark; 89.0 x 74.0 cm sheet.
Joseph Simpson (British, 1879-1939), Frank Brangwyn, c.1928. Etching, 12 x 9 3/4 inches. Edition 62/75.
Arno Breker (German, 1900-1991), Ajax the Great, son of the king of Salamis, 1988. Etching in red on paper, 20.5 x 29.4 cm (45.5 x 50 cm)
Max Klinger (German, 1857-1920), Amor kommend (Cupid’s Arrival), Plate 4 from the portfolio Amor und Psyche (Cupid and Psyche), Opus Va, 1880, etching on paper The Portland Art Museum
Bound Man Before Symbols of Industry, ca. 1930. Harry Sternberg. Soft-ground etching and aquatint.
Erich Wolfsfeld (1884-1956) Three male nudes, archers, etching, 65,4 x 79,3 cm.
Daniel Berger, (Germany, Berlin, 1744-1824): Leben und Thaten des weissen Junkers Don Quixote von La Mancha (Life and Adventures of the Knight Don Quixote de la Mancha / L’ingénieux hidalgo Don Quichotte de la Manche); Nine etchings: Plate XVI, Plate
blastedheath: Ferdinand Staeger (German, 1880-1976), Self-portrait. Etching on paper, 21.3 x 32.2 cm. (22 x 32.7 cm.). Numbered 1/25.
Study of Five Figures Albrecht Dürer, German, 1471 - 1528 Geography:Made in Nuremberg, Bavaria, Germany, Europe Date:c. 1515 Medium:Etching with plate tone Philadelphia Museum of Art
Dusk. 1760. colored etching after fresco by Tintoretto. Italian 1518-1594. Antonio Maria Zanetti. Italian 1706-1779.
Peter Milton, The Jolly Corner, 1971. Etching with aquatint on woven paper.
Self- Portrait Rembrandt van Rijn Etching and drypoint, 1639
Giovanni Boldini (Italian, 1842-1931), Portrait of Paul Helleu standing. Etching on wove paper, 43.9 x 35.6 cm.
deviatesinc: Self portrait, 1932 etching by Edgar Holloway
The Spirit of Liberty Establishes the Empire of Wisdom on Earth. 1791. after Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris) Jacques Louis Perée French b.1769. engraving with etching.
Charles Andre Van Loo. French 1705-1765. etching.
Xinyi Cheng (Chinese, b. 1989), The Haircut, 2013. Etching and aquatint on paper, 12 x 18 in.
Three Archers. early 1900s. Erich Wolfsfeld British. 1884-1956. etching. http://hadrian6.tumblr.com
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