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thegetty: The Perfect Male Form? This bronze sculpture is a copy of an ancient Roman marble statue known as the Belvedere Antinous, long considered one of the most beautiful statues to survive from antiquity. Engravings of the statue were used as models
jaded-mandarin: Portrait of Louis XV of France, 18th Century Engraving. Wonderful work!
hadrian6: Mercury. 1887.Constantin Dausch. German 1841-1908. wood engraving.http://hadrian6.tumblr.com
bloghqualls: Francesco Bartolozzi (1727-1815) was an Italian engraver, whose most productive period was spent in London. Bacchus and Mars, mixed media, each 26,5 x 21 cm.
hadrian6: Bust of Alexander the Great. 19th.century copper plate engraving.Digital photo overlay by Hadrian6.http://hadrian6.tumblr.com
ganymedesrocks: bloghqualls: Sir Frank William Brangwyn (1867 – 1956) was an Anglo-Welsh artist, painter, water colourist, engraver, illustrator and progressive designer. “The Blacksmiths”, 1905 In tense heat!
bala5: Mercury - 1592 Hendrick Goltzius Dutch 1558-1617 engraving on laid paper
bloghqualls: hismarmorealcalm: John Flaxman (1755-1826) Engraving ‘Deliver Us From Evil’ Lyra Germanica 1861 John Flaxman R.A. ( 1755 – 1826) was a British sculptor.
hismarmorealcalm: Female head Engraved by William Bromley (1769–1842) After a picture by Henry Corbould (1787–1844)
somanyhumanbeings: Ditlev Blunck, Portrait of the engraver Carl Edvard Sonne (c. 1826)
maximien: Gay erotic copperplate engraving, French, 1835
sulphuriclike:Peter Greenaway_Goltzius and the Pelican Company_2011The film is based on the life of Hendrick Goltzius, a late 16th century Dutch printer and engraver of erotic prints. He seduces the Margrave of Alsace into paying for a printing press
franciscohurtz: torre / tower gravação em alumínio / engraved aluminum 2016
hadrian6:Ajax. 19th.century. after the sculpture by Antonio Canova. Pietro Fontana. Italian 1762-1837. engraving, http://hadrian6.tumblr.com
franciscohurtz: sem título / untitled gravação em latão / engraved brass 2016
hadrian6: THESEUS AND THE SLAIN MINOTAUR. 1787. after a marble statue by Antonio Canova. Raffaello Morghen. Italian 1758-1833. copper engraving. http://hadrian6.tumblr.com
buzz-o-graph: Dano Wolf, “Charity”, copperplate engraving, 1933
artist-durer: St. Sebastian At The Tree, 1501, Albrecht DurerMedium: engraving
ganymedesrocks: fishstickmonkey: Sol Series: The Set of the Antique Gods, pl. 5 Hendrik Goltzius (Holland, Mülbracht, 1558-1617) Holland, 1592 Engraving LACMA Cocktails and Dinner will be a party, garden side…Thank You Helios!
ganymedesrocks: Portrait of an Engraver of Semi-Precious Stones by Jacopo Da Pontormo
ultrawolvesunderthefullmoon: Hans Emi, “Der Techniker und Seine Umwelt”, Date Unknown, Color Lithograph on Paper, Edition of 21 Hans Emi was a Swiss graphic designer, painter, illustrator, engraver and sculptor. He studied art at the Academic Julian
doctordee: hadrian6: Daedalus and Icarus. Stipple engraving by G.S. and J.G. Facius, 1779, after C. Lebrun. French 1619-1690. http://hadrian6.tumblr.com Artwork of Icarus is a somewhat distant second to that of St. Sebastian. Both are popular
hermesandmercury: Mercury G. Balestra after I. Podia after A. Thorvaldsen Engraving Wellcome Collection (Facebook: Hermes & Mercury)
i-sing-the-gay-body-electric: St. George from the medal designed by William Wyon, R.A., chief engraver at the Royal Mint, 1828-1851
buzz-o-graph:Copperplate engraving by Pablo Picasso, from the series Grace et mouvement, 1943
didoofcarthage: Bacchus, plate 1 from the series Bacchus, Venus, and Ceres, by Hendrick Goltzius Dutch, c. 1595 engraving Philadelphia Museum of Art
barnsburntdownnow: The Drunken SilenusAnnibale Carracci (Italian, 1560-1609)Engraving on paper
talleyrandsghost:Gilles Demarteau (1722 – 1776) Engraving after Charles-André van Loo (1705 - 1765)
stillhotvintagemen: ganymedesrocks: antonio-m: Nicolas-Pierre Loir, Hercules c. 1666 Nicolas-Pierre Loir (1624 - 1679), also Nicolas Pierre Loyr, was born in a family of goldsmiths and engravers, his gift leading him to become a pupil of Sébastien
ganymedesrocks: Anton Maria Zanetti II (1706 - 1778), engraving with watercolor, after Giorgione’s Compagno della Calza fresco from the façade of the Fondaco dei Tedeschi on the Grand Canal in Venice, 1760.
phfantasists:Edward Chen & Tseng Jing-hua by Yao Hung-i – Your Name Engraved Herein (Kuang-Hui Liu, 2020)
ghostphase-deactivated20140503: Jacopo de’ Barbari (c.1440 - 1516)St Sebastian, three-quarter length with his hands above his head tied to a tree.Engraving, 1510-12.
antonio-m: ‘Academic Study of Two Men’, c.1774. by Charles-Nicolas Cochin the Younger. (1715–1790). French draughtsman, engraver, artist.
antonio-m: Statue of a prince or dynast without crown. Bronze, Greek artwork of the Hellenistic era, 3rd-2nd centuries BC. (Look at the beard, subtly engraved using a burin). Museo nazionale romano di palazzo MassimoRepost from @yamunaontheroad
antonio-m: ‘The Archer’, by Ernst Moritz Geyger. (1861–1961). German artist known for his work in sculpture, painting and engraving. Dresden. bronze
antonio-m: “Rowers”, c.1901 by Otto Hettner (1875-1931). German painter, illustrator, engraver, and sculptor, and a professor. Kulturhistorisches Museum Magdeburg. oil on canvas
hadrian6: Saint Sebastian Martyr. 17th.century. Johannes Eillarts Dutch active 1600-1650. engraving. http://hadrian6.tumblr.com
Rupert bought Dan and Emma trumpets as a parting gift. Dan got a still with his foot crushing Rupert and gave it to him. Emma got him a diary. He engraved messages on the trumpets. He once got Emma a signed photo of Trevor Macdonald for her birthday.
A message consisting of a set of ten guidelines or principles is engraved on the Georgia Guidestones in eight different languages, one language on each face of the four large upright stones. Moving clockwise around the structure from due north, these
The White and Black Knights, two US Colt M1911 A1 .45 Autos engraved by Mike Dubber.
godisabitofabastard: “The White & Black Knights” 1911 A1 .45 Autos By Mike Dubber Engraving Studio They’re so pretty! I want them.
peashooter85: Engraved and plated Smith and Wesson Model 1 1/2 .32 caliber pocket revolver. Originally this pistol would have been nickle plated but after years of carry the plating has mostly worn off.
whiskeyandspentbrass: Engraved Taurus.
whiskeyandspentbrass: Engraved Gold Inlaid North American Big Game Special Smith & Wesson 357 Magnum Double Action Revolver.
art-of-swords: Ceremonial Dagger Dated: mid-19th Century Culture: Italian The dagger has a straight, double-edged blade, ribbed at the tip and with three deep grooves. The tang is slightly thickened, and almost the entire surface is engraved with floral
paintingses: Joan of Arc by Albert Lynch (1851-1912) engraving from Figaro Illustre magazine, 1903
coisasdetere: 45 ACP engraved by Barry Lee Hands.
shesalittleobsessed:Eddie Redmayne watching his name being engraved on his Best Actor Oscar statue
art-of-swords: Ceremonial Dagger Dated: mid-19th century Culture: French Measurements: overall length 43 cm Described as a dagger for ‘esoteric rituals’ the dagger features a straight, double-edged blade with a triple fuller, engraved with floral
blackpaint20: ”Sabbath of the fox Devils” by L. Crepon after a Japanese engraving
blacksmith-a-angel: woodburning: Fantasy Engraved Westley Richards 12g Round Action Sidelock gun. FineArt!!!
magictransistor: Two Ludolf Bakhiuzen engravings, c.1701 1
peashooter85: A cased and engraved Mannlicher Model 1901 semi-automatic pistol owned by Ottoman Sultan Abdulhamid II. Estimated Value: โ,000 - 贄,000
magictransistor: Antonio Tempesta, Ovid’s ‘Metamorphoses’ (17th century engraving). ф
magictransistor: The Great Comet (Engraving; after Adriaen van de Venne), 1619.
magictransistor: Comet Donati (Engraving), 1858.
magictransistor: Ludovico Burnacini, engraving of design for the opera Il Pomo d’Oro, 1668.
soyunacronopia: Gustave Doré (engraving), Dante Alighieri’s Inferno, Plate XIV; Canto V : The Hurricane of Souls (originally published), 1857.
blackpaint20: A Knight, Death, and the Devil, 16th century After the engraving by Albrecht Dürer (German, 1471-1528), dated 1513 (Bartsch 98) Attributed to Cornelis van Dalem, Netherlandish (active Antwerp), first documented 1545, died 1573
