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artemisdreaming: Head of a Bearded, Young Man in Profile Facing Right Bronzino (Agnolo di Cosimo di Mariano) (Italian, Monticelli 1503–1572 Florence) 1545–55Black chalk on light brown paper8 1/4 x 6 1/4 in. (21 x 15.8 cm) Harry G. Sperling Fund,
antonio-m: Giovanni Battista Tiepolo A Falling Figure / Italy, 1696-1770Red and white chalk on faded blue paper10 1/2 x 12 1/4 in.; (26.6 x 31.1 cm)
antonio-m: Seat MaleRobert Liberacered chalk
Baldassare Tommaso Peruzzi - Crouching Figure of Atlas. 1481–1536. Pen and brown ink, over leadpoint or black chalk
deadsunflower: Raffaello Sanzio, Fighting Men (1510-11). Red chalk over leadpoint, 379 x 281 mm. Ashmolean Museum, Oxford.
necspenecmetu: Gabriel Gresly, Tromp L’Oeil with a Portrait of Rembrandt, In Red Chalk with Another Drawing Pinned to the Wall, 18th century
lyghtmylife: Paolo VERONESE [Italian Mannerist Painter, ca.1528-1588] Temptation of St. Anthony1552Pen and chalk on paper, 414 x 356 mmMusée du Louvre, Paris
lyghtmylife: CRANACH, Lucas the Elder [German Northern Renaissance Painter, 1472-1553] Portrait Study of a Young Manc. 1530Pen, black chalk and oil on paper primed in brownish colour, 262 x 199 mmJ. Paul Getty Museum, Los Angeles
ville-rose: 1Theodore Robinson (1852-1896) Male Figure Studies__Six Works the fourth. each_ charcoal, white chalk and pencil on paper laid down on board 1875-002
classicaldrawing: Peter Paul Rubens Half-figure of a nude man facing left, Head of a Satyr Black chalk, heightened with white
blastedheath: Francesco Mosso (Italian, 1848-1877) Head of a Man 1870-1874. Charcoal and white chalk on beige paper.
drawingdetail: Jusepe de Ribera (1591-1652), Head of a Soldier. Red and black chalk on paper, 27 x 23 cm.
lyghtmylife: DANIELE da Volterra [Italian Mannerist Painter and Sculptor, 1509-1566] Aeneas with a Boy1553-56Black chalk, 522 x 350 mmGraphische Sammlung Albertina, Vienna
blastedheath: Circle of William Bradley, Bust of a Man with a Moustache and Side-Whiskers, c. 1840. Chalk on paper. Manchester Art Gallery.
100artistsbook: Male Anatomy Drawing, rapidograph (technical pen) and white chalk pencil on paper by Shvauch on deviant art
the-paintrist: deadsunflower: Giovanni Bellini, Portrait of a Man (1495). Black chalk with grey wash on paper, 39,2 x 28 cm. Oxford, Christ Church. Giovanni Bellini (c. 1430–1516) was an Italian Renaissance painter, probably the best known of the
artqueer: Guercino (Giovanni Francesco Barbieri): Seated Young Man Looking Down, c 1619, Oiled charcoal with white chalk highlights on gray-brown paper, 57.2 x 42.7 cm
lyghtmylife: Jan GOSSART ( Also known as Jan Mabuse) [Flemish Northern Renaissance Painter, ca.1478-1532] Christian II of Denmark c. 1526Pen and brown ink, over black chalk, 269 x 216 mm Frits Lugt Collection, Paris
blastedheath: Paul Cadmus (American, 1904-1999), Jack. Charcoal and chalk on black paper, 31.8 x 24.1 cm.
thisblueboy: Gian Lorenzo Bernini, 1598-1680, A male nude from behind, ca.1630, Red and white chalks on buff paper, Royal Collection, UK
blastedheath: erretratu Samuel Palmer (English, 1805-1881), Self-portrait, 1826. Black chalk, heightened with white, on buff paper. Ashmolean Museum of Art and Archaeology, Oxford.
blastedheath: Ernest Hébert (French, 1817-1908), Académie d’homme. Black chalk, 45.7 x 60.6. Musée Ernest Hébert, Paris.
artandopinion: Michelangelo Buonarroti (Italian, 1475-1564), The Dream of Human Life, circa 1533. Black chalk on laid paper. The Courtauld Gallery, London.
lyghtmylife: CLOVIO, Giulio Italian illuminator (b. 1498, Grizane, d. 1578, Roma) Head of Minerva1540sGray chalk, 280 x 197 mmRoyal Collection, Windsor
hadrian6: Red chalk figure on paper. Robert Liberace.
blastedheath: Leonid Pasternak (Russian, 1862-1945), Boris Pastenak writing, 1919. Red and black chalk on paper, 12 1/2 x 10 1/4 in. (31.5 x 26 cm.). Tate.
blastedheath: erretratu Max Slevogt (German, 1868-1932), Self-Portrait with Glasses, 1894. Watercolour over black and coloured chalk on paper, mounted on cardboard, 33 × 25.5 cm.
blastedheath: Attributed to Jérôme-Martin Langlois, Philippides annoncant la victoire de Marathon. White and black chalk on paper, 61.5 x 72.3 mm.
boysephemere: Head of a Warrior (‘The Red Head’): Leonardo da Vinci, red chalk on brownish paper, 226 x 186 mm, 1504-05 (Szépmûvészeti Múzeum, Budapest)
beardbriarandrose: Peter Paul Rubens (Flemish, 1577-1640), Anatomical studies of three male nudes. Pen and brown ink and wash and black chalk, 291 x 191 mm.
hadrian6: Anne Louis Girodet-Trioson (French, 1767-1824), Study for Joseph recognized by his brothers, 1789. Black chalk heightened with white on paper.
blastedheath: Jacob Epstein (British-American, 1880-1959), Self-portrait, c. 1901. Red chalk.
blastedheath: Roman School, Head of a boy with long hair, early 18th century. Black and white chalk on light brown paper, 310 x 247 mm.
Hercules Killing Cacus by Jan Gossaert 1520sPen and brush and brown ink, over black chalk, 367 x 545 mmRijksmuseum, Amsterdam
Frederick Cayley Robinson (English, 1862-1927), Self-Portrait, 1898. Pencil and chalk, 22.2 x 21.2 cm. National Portrait Gallery, London.
Federico Barocci (Italian, 1535-1612), The head of a man looking down. Black, white and red chalk, pastel on grey-blue paper, a section of the forehead made up, 270 x 182 mm.
Helmer Osslund (Swedish, 1866-1938), Lapp-Simon (Abisko). Watercolour, gouache, coloured chalk and charcoal, 57 x 69 cm.
After the ideal head of a warrior. Count of Canossa. c. 1550-80. chalk. Michelangelo. Italian.1475-1564. British Museum. UK.
Portrait of a Revolutionary, c. 1790 - 1795Unknown French late 18th centuryBlack and red chalks on laid paperOverall: 42.8 x 33.7 cmPurchased with funds donated by John Elder, 1992© 2013 Art Gallery of Ontario
Italian School, 17th Century, A reclining male nude, for a Deposition, with a subsidiary study of the figure in a loincloth. Black and white chalk, on blue paper, 19¼ x 16½ in. (48.8 x 41.9 cm.)
Francisco de Matos Vieira, called Lusitano (Portuguese, 1699-1783), A reclining male nude with his arm across his face. Red chalk, 37.3 x 51.4 cm.
Attributed to Peter Paul Rubens (Flemish, 1677-1640), The Farnese Hercules. Red chalk, 42.50 x 22 cm.
Gavarni (French, 1804-1866), C’est pas moi qu’on fera poser. Red chalk, grey wash, watercolour, heightened with white on cream paper, 30.8 x 20.9 cm.
The Forgers, study for ‘Allegorie du Travail’ by Pierre Puvis de Chavannes Medium Red chalk on paper
Jules-Élie Delaunay (French, 1828-1891), Study for Apollo. Charcoal and graphite with white chalk highlights, 49 x 32 cm. Musée des Beaux-Arts, Nantes.
Scott Welsh “Leave Them Wanting More” 2012 Chalk Pastel on Paper, 50”x70”
Drawing after Michelangelo. 1601-02. Peter Paul Rubens. Flemish. 1577-1640. red chalk on paper. British Museum. UK.
Paul Cézanne (French, 1839-1906) A Male Nude, 1863, chalk on paper, 49.3 x 31 cm, Fitzwilliam Museum, Cambridge, England.
Jupiter. Jean Baptiste Corneille. French. 1646-1695. drawing. black and white chalk on brown paper.
The surfer. 2010. Rita Foster. portrait drawing. red conte and white chalk on light blue gray Utrech Milani paper.
German School, 16th century, Hercules Skinning the Nemean Lion. Pen and black ink and grey and red wash, squared in black chalk, 216 by 129 mm.
Jean Clouet (French, 1480-1541), Jean de la Barre, c. 1520. Black and red chalk, 284 x 200 mm, Musée Condé, Chantilly.
Luigi Ratini (Italian, 1880-1934), The Storm - The Wrath of Neptune (Aeneid, Book I), 1925. Brown chalk on wove ‘Fabriano’ paper.
Armand Point (French, 1860-1932) A male nude, turned to the right, his arm shielding his eyes. Black chalk on light brown paper, 65 x 50 cm.
Male Nude Study. 18th.century The Italian School. red chalk on paper.
Ford Madox Brown (English, 1821-1893), Academic nude study, half-length with moustache and arms folded, 1846-49. Black chalk on paper. Birmingham Museum and Art Gallery.
French School, early 19th century, studio of Pierre-Narcisse Guerin, Academic study of a seated man. Pencil and white chalk
Male Nude Study. Peter Paul Rubens. Flemish. 1577-1640. chalk on paper.
‘Male in Chalk’ - Robert Liberace
![lyghtmylife: Paolo VERONESE [Italian Mannerist Painter, ca.1528-1588] Temptation of St. Anthony1552Pen and chalk on paper, 414 x 356 mmMusée du Louvre, Paris](https://64.media.tumblr.com/tumblr_m3d1b5AxPC1r29g9xo1_250.jpg)
![lyghtmylife: CRANACH, Lucas the Elder [German Northern Renaissance Painter, 1472-1553] Portrait Study of a Young Manc. 1530Pen, black chalk and oil on paper primed in brownish colour, 262 x 199 mmJ. Paul Getty Museum, Los Angeles](https://64.media.tumblr.com/tumblr_m45y8bWqGK1r29g9xo1_250.jpg)
![lyghtmylife: DANIELE da Volterra [Italian Mannerist Painter and Sculptor, 1509-1566] Aeneas with a Boy1553-56Black chalk, 522 x 350 mmGraphische Sammlung Albertina, Vienna](https://64.media.tumblr.com/tumblr_m6fc68sngv1r29g9xo1_250.jpg)
![lyghtmylife: Jan GOSSART ( Also known as Jan Mabuse) [Flemish Northern Renaissance Painter, ca.1478-1532] Christian II of Denmark c. 1526Pen and brown ink, over black chalk, 269 x 216 mm Frits Lugt Collection, Paris](https://64.media.tumblr.com/tumblr_magvrjrVGq1r29g9xo1_250.jpg)
