british art
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art-and-things-of-beauty: A surprising result - A pair of paintings by William Henry Hamilton Trood (British, 1848-1899).
art-of-swords: Infantry Officer’s Sword Dated: late 18th-early 19th century Culture: British Measurements: overall length 103 cm Featuring a gilt hilt of 1796 type with wire-wrapped grip and vegetal modelling, the sword was probably a private purchase.
Lucian Freud (Berlin, 1922 - London, 2011), Large interior (after Watteau), 1981 - 1983 “It was Freud’s practice to begin a painting by first drawing in charcoal on the canvas. He then applied paint to a small area of the canvas, and gradually
Joan Eardley (1921 - 1963), Italian farmhouse (1948-49)
Joan Eardley (1921 - 1963)
John Constable (East Bergholt, Suffolk, 1776 - London 1837), Weymouth Bay (1816)
Maggi Hambling (b. 1945, Sudbury, Suffolk), The encounter, 1982
James Guthrie (Greenock 1859 - Rhu, Dunbartonshire, 1930), Hard at it, 1883
Stanley Spencer (Cookham on Thames, Berkshire 1891 - 1959); River Nareta, Mostar; 1922
Thomas Gainsborough (Sudbury, Suffolk, 1727 - London 1788); The Linley Sisters (Mrs Sheridan and Mrs Tickell); 1772
David Bomberg (Birmingham 1890 - London 1957), Evening in the City of London, 1944
Christopher Wood (Knowsley 1901 - Salisbury 1930), Church at Tréboul (Brittany), 1930, oil on board, 73 cm x 91 cm
Clive Branson (English; 1907 - 1944), Blitz: Plane Flying (1940), Tate
David McClure (Lochwinnoch, Renfrewshire, 1926 - Dundee 1998), Houses in Toscana, gouache, 1956
William Roberts (Hackney, London, 1895 - London 1980), The port of London, c 1920-24; oil on canvas; Tate
Frank Auerbach (b. 1931, Berlin), Summer Building Site, 1952; oil on board, 76.2 cm x 106.7 cm [via Saatchi Gallery]
Vanessa Bell (London 1879 - 1961 Charleston Farmouse); A Sussex Barn, 1945 /1950; oil on canvas
Augustus John (Tenby 1878 - Fordingbridge 1961); David and Dorelia in Normandy, 1908; oil on canvas laid down on millboard
Stanley Spencer (Cookham on Thames, Berkshire, 1891 - Cliveden 1959), Filling tea urns, 1927, oil on canvas, 105 x 185 cm; National Trust Collection
Lucian Freud (Berlin 1922 - London 2011), Interior at Paddington, 1951
David Bomberg (Birmingham 1890 - London 1957); The Southeast Corner, Jerusalem; 1926, oil on canvas
John Michael Wright (London, 1617 - 1694); The family of Sir Robert Vyner, 1673; oil on canvas, 195 x 144 cm; National Portrait Gallery, London
William Hogarth (London, 1697 - 1764); Christ at the Pool of Bethesda, 1736, oil on canvas; St. Bartolomew’s Hospital, London
David Roberts (Stockbridge, Edinburgh, 1796 - London 1864); The Castle of Alcalà de Guadaìra, 1833, oil on canvas; Museo del Prado, Madrid
Joseph Mallord William Turner (London 1775 - Chelsea 1851); Ostend, 1844; oil on canvas, 123 x 93 cm; Neue Pinakothek, Munich
John Constable (East Bergholt, Suffolk, 1776 - London 1837); Fen Lane - East Bergholt, 1817 (?); oil on canvas, 92,5 x 69,2 cm; Tate Britain
Frederic Leighton (Scarborough 1830 - London 1896); The Villa Malta - Rome, 1860’s; oil on canvas; The Gere Collection, long-term loan to the National Gallery, London
David Bomberg (Birmingham 1890 - London 1957); Bideford - Devon, 1946; oil on canvas, 71 x 65 cm; Royal Albert Memorial Museum
John Linnell (Bloomsbury, London, 1792 - Redhill, Surrey, 1882); Wheat, 1860; oil on canvas, 140 x 94 cm; National Gallery of Victoria, Melbourne
Marcus Gheeraerts the Younger (Bruges, c. 1561 - London, 1636); Henry - Prince of Wales, c. 1603; oil on canvas, 117 x 162 cm; National Portrait Gallery, London
Alfred Sisley (Paris 1839 - Moret-sur-Loing 1899); Banks of the Loing, 1896; oil on canvas, 73 x 60 cm
John Minton (Great Shelford, Cambridgeshire, 1917 - 1957 London); The death of James Dean, 1957; oil on canvas, 122 x 183 cm; Tate collection, London
Wyndham Lewis (born aboard his parents’ yacht near Amherst, Nova Scotia, 1882 - d. London 1957); A Canadian War Factory, 1943; oil on canvas, 85.5 x 114 cm; Tate Collection, London
Howard Hodgkin (London 1932); Interior with figures, 1977-84; oil on wood, 152 x 137 cm
William Hogarth (London, 1697 - 1764); Marriage à la mode: the marriage settlement, ca. 1743; oil on canvas, 91 x 70 cm; National Gallery, London
Lucian Freud (Berlin 1922 - London 2011); Two Plants, begun in 1977 and completed in 1980; oil on canvas, 120 x 150 cm; Tate, London
British Museum - Shunga: sex and pleasure in Japanese art
coraltigerpizza:Sketch of British Cadet by William Bruce Ellis Ranken, 1913.
black-and-white: British Museum #2 (by nabilishes)
narsso: Modernist building on the British coast
creatio-ex-materia: British Museum (by Luis Andrei Muñoz)
art-of-swords:Presentation SmallswordAttributed: James Morisset (English, London, active 1768–1800)Dated: hallmarked for 1797–98Culture: British, LondonMedium: silver-gilt, enamel, steel, paste brilliantsMeasurements: L. 41 1/2 in. (105.4 cm), Wt.
art-of-swords: Cavalry SwordCulture: British and IndianMedium and Techniques: wood, ray skin, gilt wire/watered steel, gilt, burnished, gildedMeasurements: overall length 99.5cm; blade length 84.2cmProvenance: acquired from Foster, the sword-cutlerThe
art-of-swords: Small Sword and ScabbardDated: 1750 - 1820Maker: Rundell Bridge & Rundell (jeweller)Culture: British and GermanMedium and techniques: steel, gold, diamonds, rubies/chiselled, castProvenance: purchased by George IV circa 1820 - “…
art-of-swords: Cavalry Sword Dated: 1765-85 Culture: British Medium and techniques: wood, ray skin, silver, gilt, foil, wire, leather, blued steel/etched, burnished Measurements: overall length 105.15 cm; blade length 889.7 cm Provenance: the Carlton
art-of-swords: European Sword Dated: 1600–1625 Bladesmith: Blade signed by Clemens Horn (German, Solingen, 1580–1630) Geography: London; Solingen Culture: hilt, British, London; blade, German, Solingen Medium: iron, silver, wood, copper alloy, steel,
art-of-swords: Cavalry Sword Dated: circa 1750–60 Culture: British Medium: steel, silver Measurements: L. 39 in. (99.06 cm); L. of blade 32 ½ in. (82.55 cm); greatest W. of blade 1 3/32 in. (2.77 cm); greatest D. of blade ¼ in. (0.64 cm) The intricate
art-of-swords: Dress Sword of Sir William Maynard Gomm Dated: 1873 Culture: British Location: Tower of London - White Tower Measurements: overall length 960 mm; width at cross: 110 mm Provenance: Gomm was Constable of the Tower 1872 until his death in
art-of-swords: Light Cavalry Sword Dated: 1771-1799 Culture: British Source: Copyright © 2016 The Royal Armouries
art-of-swords: Cavalry Sword Dated: 1750-60 Culture: British Medium and techniques: steel, fish skin, wood, copper wire/struck, burnished, pierced Measurements: overall length 101.25 cm; blade length 86.25 cm Provenance: the signature on the blade is
art-of-swords: Cavalry Sword Dated: circa 1600-1800 Culture: British & German Medium: gilt brass, wood, wire, silver, steel Measurements: overall length 96.2 cm Provenance: catalogue entry reads: “This Sword did belong To His Late Majesty George
art-of-swords: Cavalry Sword Dated: 1690-1760 Culture: German and British Medium: steel, wood, silver, wire, buff leather, textiles, gilt Measurements: overall length 95 cm; blade length 80cm Provenance: sword entered the armory on 28 May 1822 with the
nigra-lux: MARTIN, John (1789-1854) The Deluge (detail, inv.)1834Oil on canvas, 168.3 X 258.4 cmYale Center for British ArtEd. Orig. Lic. Ed.
art-of-swords: Cavalry SwordDated: 1817-61Culture: British; RussianMeasurements: overall length 109 cm; blade length 92 cmMedium and Techniques: steel, gilt, brass, copper-zinc alloys, wood, leather, skin, copper, silver, wire/cast, chiselled, engraved
art-and-things-of-beauty: Gerald Cooper (British, 1899-1975) - Iris and peonies, oil on board, 62 x 52 cm.
artmastered: David Hockney, A Bigger Splash, 1967 This has to be one of my favourite pieces of British art. A Bigger Splash was painted whilst Hockney was staying in California between 1964 to 1968. He regularly visited The Golden State, eventually
talesfromweirdland: 1959 British art photos of the Japanese sci-fi movie, The Mysterians (1957).
dappledwithshadow:Studies of Summer FlowersJacques-Laurent Agasse circa 1848Yale Center for British Art (United States) Painting - oil on canvas
fortunately, he’s always being reminded of just how british he is
![Frank Auerbach (b. 1931, Berlin), Summer Building Site, 1952; oil on board, 76.2 cm x 106.7 cm [via Saatchi Gallery]](https://64.media.tumblr.com/a03dab0ead49f85a619090de1803eb7d/tumblr_mwoi76QJLJ1qzxzwso1_250.jpg)
