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zielenadel: Robert Bresson . Les Anges du péché . 1943
cnyck:ph. Henri Cartier-Bresson, 1954, Moscow, Dynamo Stadium
zzzze:Henri Cartier-Bresson ROUMANIE,1975 / vintage silver print
objectsource: Le Diable probablement (Robert Bresson, 1977)
joeinct:Madrid, Spain, Photo by Henri Cartier-Bresson, 1933
joeinct: Boston, MA, Photo by Henri Cartier-Bresson
mauveflwrs:Henri Cartier-Bresson - Valence, Espagne (1933)
semioticapocalypse: Henri Cartier-Bresson. Alberto Giacometti. 1961 [::SemAp Twitter || SemAp::]
timesculpture: Robert Bresson’s The Devil Probably on the television in The Third Generation (Rainer Werner Fassbinder, 1979)
undr: Henri Cartier-Bresson. A couple sleeping on a train. Romania, 1975
iandmphotography: “For me, the camera is a sketch book, an instrument of intuition and spontaneity.” — Henri Cartier-Bresson (via iandmphotography)
365filmsbyauroranocte: Le diable probablement (Robert Bresson, 1977)
the-night-picture-collector: Henri Cartier-Bresson, Sleeping Couple on the Train, Romania, 1975
melisaki: Valencia, Spain photo by Henri Cartier-Bresson, 1933
zookast: Le diable probablement (Robert Bresson, 1977): empty spacessrc: 365filmsbyauroranocte via: thinkingimages
newloverofbeauty: Rudolf Nureyev by Henri Cartier Bresson
newloverofbeauty: Henri Cartier Bresson: Truman Capote in New Orleans (1947)
lostinpersona: Quatre nuits d'un rêveur, Robert Bresson (1971)
flagitiosus: Pickpocket, Bresson.
theaterforthepoor: Antoine Monnier en “Le Diable probablement” de Robert Bresson / 1977
ratak-monodosico:Rome. Italy (1959) by Henri Cartier-Bresson
hauntedbystorytelling:Henri Cartier-Bresson :: Island of Siphnos, Greece, 1961
m3zzaluna: schoolchildren looking from the top of notre-dame cathedral at the seine river paris, france, 1953 photo by henri cartier-bresson, from the europeans
Henri Cartier- Bresson: Paris, Notre Dame (1953)
2000-lightyearsfromhome: Henri Cartier-Bresson GB. England. Brighton. 1953.
foxesinbreeches: Henri Cartier-Bresson Paris, 1964 England, 1951 Paris, 1953
fotojournalismus:Quartier Latin, Paris, 1968.Photo by Henri Cartier-Bresson
amalgameheteroclite: Hélène Jeanbrau - Anne Wiazemsky et l’âne Balthazar. Photographie réalisée sur le tournage du film de Robert Bresson Au hasard Balthazar, 1965.
inneroptics: Henri Cartier-Bresson
last-picture-show: Henri Cartier-Bresson, Italy, 1933
greeneyes55: Biarritz France 1953 Photo: Henri Cartier-Bresson
adanvc: Kyoto, Japan, 1965. by Henri Cartier-Bresson
therednative: Henri Cartier-Bresson
carrscracker: Henri Cartier-Bresson, Leonor Fini, Trieste, 1933
aileenkwun: Peripheral Visions: André Thijssen “If there is such a thing in photography as a “decisive moment”, the term coined by Henri Cartier-Bresson, then there must also be the opposite––the casual, corner-of-the-eye event … a photographer
sir-j:by Henri Cartier-Bresson, 1989
spiritandteeth:The Trial of Joan of Arc (dir. Robert Bresson)
secondtimevirgin: The Devil, Probably (Robert Bresson, 1977)
c-inefilia: Robert Bresson (1966)
metal-knife: Henri Cartier-Bresson, Dieppe, France, 1926
neo-catharsis: Henri Cartier-Bresson,Spain,1933
qpulm: Au Hasard Balthazar (Robert Bresson, 1966)
qpulm:A Man Escaped (Robert Bresson, 1956)
nobrashfestivity: Robert Bresson, Au hasard Balthazar, 1966
ourladyofperpetualnaptime: “The public does not know what it wants. Impose on it your decisions, your delights.” — robert bresson, notes on cinematography (1975)
filmandimage: Hands of Bresson | Kogonada
afroui: Henri Cartier-Bresson | l o v e
consquisiteparole: Une femme douce, Robert Bresson (1969)
denisebefore: Natchez, Mississippi cartier bresson 1947
fuckyeahvintage-retro: Conversation. New Orleans, 1947 © Henri Cartier-Bresson
vintagegal: Henri Cartier-Bresson- New Year’s Eve, Times Square, New York City, 1959 (via)
greeneyes55: Chinatown San Francisco 1947 Photo: Henri Cartier-Bresson
derekjarman: Le diable probablement (Robert Bresson, 1977)
snowce: Henri Cartier-Bresson, Isabelle Huppert
greygeisha: Au Hasard Balthazar (Robert Bresson, 1966)
fernsandmoss:Henri Cartier-Bresson, Pause entre deux poses, 1989
vintagegal: Henri Cartier-Bresson- View from the Top of Notre Dame Cathedral, Paris, 1955 (via)
the60sbazaar: Marilyn Monroe by Henri Cartier-Bresson
![semioticapocalypse: Henri Cartier-Bresson. Alberto Giacometti. 1961 [::SemAp Twitter || SemAp::]](https://64.media.tumblr.com/69cbf4e56f27134b7c2ff82bacae0bb6/tumblr_pe2udqOCC21qz4txfo1_r1_250.jpg)
