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wojna-kontrastow: 68mm: https://instagram.com/p/BK_rduvDyC5/ ☁
thexbc: “Nós nunca pensamos no amanhã, repetimos as merdas de ontem” — BK (via multisenso)
cicatrizarei-me: você fala pra eu nunca te esquecer. mas, olha só pra você, como me esquecer de você?- BK’
maloqueize: “ Entre o errado e o certo prefiro ter os dois por perto.”— BK’
ice-trae-deactivated20210924: BK- planos 0:12 ━❍───────── 3:43 ↻ ⊲ Ⅱ ⊳ ↺
burgerkiss:Headshots!!1.Sapphire belongs to @dileak2.Krylone belongs to @shinonsfw3. And uhm… yeah she’s belong to me :) eeeaeaoeoa theyre so cute, thanks a lot BK!! <3
korra-naga: BK: During Aang and Zuko’s heyday, the ability to bend lightning was an incredible rare skill usually reserved for the inner circles of Fire Nation royalty and high-ranking military officers. Now, in the thick of the Avatar world’s own
masterarrowhead: BK: One of the biggest sources of reference and inspiration for book 1 of Korra was a historical photo blog called Shorpy.com, a personal favorite of mine. Some of the most striking images to me are those of children who lived in the
korra-naga: BK: I was reminded of working on “The Beach" from the original series as we designed the bathing suits for this episode. This time around, it was fun to come up with some old-timey-looking swimwear. Mako and Bolin swimwear designs
korra-naga: BK: Professional wrestling has a long tradition of flamboyant heels, or villains. Tahno, Pro-Bending’s biggest heel, was inspired by a professional kickboxer I saw who looked like he was in a boy band and had his cornerman fix his hair
korra-naga: BK: I get the feeling that when Korra was a little girl, if she liked a boy she probably marched up to him on the playground and punched him. And when young Mako liked a girl, he probably acted like he didn’t know she existed. Korra and
korra-naga: BK: Maybe it started with Han and Luke disguised as stormtroopers in Star Wars, but I’ve always enjoyed seeing our good guys wearing bad guy clothes minus the headgear. We did it plenty on Avatar, and the trend continues here with Mako
avatarkorra1311: korra-naga: BK: Once we reined in Ryu’s outlandish takes on the brothers, he swept in and did a fantastic job finalizing both of their designs, all the way down to Bolin’s skivvies. Mako and Bolin designs by Ki-Hyun Ryu. Color by
reigisa-addicted: Pixiv ID: bk
benditlikekorra: BK: Dragons were the original Firebenders, but after being hunted by Firebenders for years, Ran and Shaw are the last two left in the world. The dragons from Zuko’s nightmare represented the two halves of his tormented soul. We chose
benditlikekorra: BK: Since Avatar is a traveling show, we rarely spent more than one episode in any given place. Being in the Northern Water Tribe for three episodes gave us the opportunity to further develop a complex location and explore it from many
ouiladybug: BK: I feel like he’s archetype manly man that you tend to draw. JdS: He’s like the dude that when I was a 12-year-old kid drawing barbarians, “This is the coolest guy ever.” TH: James Remar does the voice and he’s really into
ouiladybug: MDD: We really wanted to make it feel like what Korra did to save the Air Nation took a-as Tenzin says, “a great toll.” And it’s not gonna be a quick bounce back for her. BK: At the time of this recording (this has not been released
benditlikekorra: MD: Mako rallies Bolin to metalbend the prison cells open. The prisoners go free, but it’s thanks to Zaheer, not Bolin. BK: Shawn O’Neil always had a knack for capturing the earnest and blissfully ignorant sides of Bolin in his
msmakorra-deactivated20150217: BK:The final of the four main villains we needed to design was P’Li, the towering telekinetic Firebender, seen here bundled up in ratty prison garb. I wanted to break the stereotype of having the females be the smallest
benditlikekorra: BK: The harrowing kidnapping attempt and subsequent nail-biting action sequence was made all the more tense because our good guys were caught unaware, in their pajamas. Korra in pajamas by Bryan Konietzko and Angela Song Mueller.
benditlikekorra: BK: Many artists on the crew had fun with the villains this season, just as we did coming up with them. Zaheer by William Nanqing Niu. P’Li by Lauren Montgomery. Chibi Korra and Red Lotus villains by So-Young Park. [x]
benditlikekorra: BK: This wonderfully crafted family photo conveys so much about the individual characters. Wing and Wei as their own unit; Opal looking eager to please; Su radiating confidence and a hint of mischief; Baatar Sr. leaning on the strength
benditlikekorra:BK: Zaofu was an inspiring location for me to art direct. I gathered Art Deco photo reference of architecture, interior design, furniture, sculpture, lighting fixtures, clothing, jewelry, etc. When it came time for the designers to start
benditlikekorra:BK: Christie did such a fantastic job of designing these young, sassy versions of Su, and Studio Mir followed suit with brilliant, on-model animation of her. Expressions by Ki-Hyun Ryu and Christie Tseng. Twelve and sixteen year old Su,
benditlikekorra:BK: Noatak and Tarrlok at their different young ages. I was expecting the task of designing young Noatak at all of these ages to be a real challenge, but Il-Kwang and Jin-Sun hit the nail on the head from the get-go. I was so relieved
chuucutie:https://www.instagram.com/p/Bk-IFf9Ad2r/
Cool ass cat @ BK
![benditlikekorra: BK: Many artists on the crew had fun with the villains this season, just as we did coming up with them. Zaheer by William Nanqing Niu. P’Li by Lauren Montgomery. Chibi Korra and Red Lotus villains by So-Young Park. [x]](https://64.media.tumblr.com/b0cefc9e85aaa0b54066c3a1edabc77e/tumblr_niue0sl5WG1ro0n55o3_250.png)
