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cinemabreak: Persona (1966) Directed by Ingmar BergmanCinematography by Sven Nykvist “The important thing is the effort, not what we achieve.”
godzillanevertalks: “When you feel perpetually unmotivated, you start questioning your existence in an unhealthy way; everything becomes a pseudo intellectual question you have no interest in responding whatsoever. This whole process becomes your very
michelemorgan:Persona (1966) dir. Ingmar BergmanMulholland Drive (2001) dir. David Lynch
elisaaespositos: Persona (1967) Ingmar Bergman The Unbrearable Lightness of Being (1988) Philip Kaufman Amélie (2001) Jean-Pierre Jeunet Carol (2015) Todd Haynes Closer (2004) Mike Nichols La double vie de Véronique (1991) Krzysztof Kieślowski
blairwitchz: The mother’s injuries are to be handed down to the daughter. The mother’s failures are to be paid for by the daughter. The mother’s unhappiness is to be the daughter’s unhappiness. It’s as if the umbilical cord had never been cut.
blairwitchz: Autumn Sonata (1978)
horizontalfall: “One of the strongest feelings I remember from my childhood is, precisely, of being humiliated; of being knocked about by words, acts, or situations. Isn’t it a fact that children are always feeling deeply humiliated in their relations
emmanuelleriva: The mother’s injuries are to be handed down to the daughter. The mother’s failures are to be paid for by the daughter. The mother’s unhappiness is to be the daughter’s unhappiness.Autumn Sonata (Höstsonaten, 1978) dir. Ingmar
DEVILS (1871) BY FYODOR DOSTOEVSKY
falsenote:Through a Glass Darkly (1961)
nouvellevaguefr:Scenes from a Marriage, 1973
pinkpenguinpajamas:The hopeless dream of being - not seeming, but being. At every waking moment, alert. The gulf between what you are with others and what you are alone. The vertigo and the constant hunger to be exposed, to be seen through, perhaps even
manderley: Persona (1966)
Memory's Landscape
mike-mills:The Seventh Seal (1957) dir. Ingmar Bergman
anglee:A mother and a daughter – what a terrible combination of feelings and confusion and destruction. Everything is possible and everything is done in the name of love and solicitude. The mother’s injuries are to be handed down to the daughter,
talesfromthecrypts:Favorite Film from Every Year1957: The Seventh Seal I want to confess as best I can, but my heart is void. The void is a mirror. I see my face and feel loathing and horror. My indifference to men has shut me out. I live now in
sundaynightfilms:Autumn Sonata, 1978
claus-bergman:But the horror… The horror was for love. The things we do for love like this are ugly, mad, full of sweat and regret. This love burns you and maims you and twists you inside out. It is a monstrous love and it makes monsters of us all.
fab-ingrid: Italy, 1952
daddysboiwhore: “mr bergman im gonna make ur penis smelly in my butthole then im gonna suck it” “ok little boi suck it 1st also so u can see the difference b4 and after its in ur butthole” message me. lets make a yng boi in2 a nasty bareback
infinitetext: Ingmar Bergman, Summer Interlude, 1951.
ozu-teapot: Smultronstället (Wild Strawberries) | Ingmar Bergman | 1957 Victor Sjöström, Gunnel Broström
rossum-art: harrypotterhousequotes: SLYTHERIN: “You’ve got to remember that these are just simple farmers. These are people of the land. The common clay of the new West. You know… morons.” –Mel Brooks + Norman Steinberg + Andrew Bergman +
phenomenal-female-form: The carpet does match the drapes on Jamie Bergman
365filmsbyauroranocte: Films watched in 2015.Film 181: Through a Glass Darkly (Ingmar Bergman, 1961)Nota: 9/10“I know I’ve been ill and that my illness was like a dream.”Turbadora e infinitamente dolorosa. Además toca un tema, el de la esquizofrenia,
communicants: Nära Livet (Ingmar Bergman, 1958)
disorienteddreams: Kvinnors Väntan (Ingmar Bergman, 1952)
journalofanobody: Through a Glass Darkly, Ingmar Bergman, 1961
disorienteddreams: Musik i Mörker (Ingmar Bergman, 1948)
cinemasubcinema: Såsom i en spegel (1961)Director: Ingmar Bergman Onibaba (1964) Director: Kaneto Shindô
funeral-wreath: ‘The old folks called it “the hour of the wolf”. It’s the hour when most people die, when most children are born. Now is when nightmares come to us.’ Vargtimmen (Hour of the Wolf), dir. Ingmar Bergman, 1968
speakingparts: Vargtimmen, 1968 Ingmar Bergman
neo-catharsis: Scenes from a Marriage/Scener ur ett äktenskap, Ingmar Bergman. 1973
qpulm: The Seventh Seal (Ingmar Bergman, 1957)
ozu-teapot: Såsom i en spegel (Through A Glass Darkly) - Ingmar Bergman - 1961 Gunnar Björnstrand, Lars Passgård
theartofmoviestills: Persona | Ingmar Bergman | 1966
mexq: Såsom i en spegel // Ingmar Bergman, 1961
andreii-tarkovsky: Hour of the Wolf (1968) Dir. Ingmar Bergman
consquisiteparole: The Rite, Ingmar Bergman (1969)
uconstruction: Viskningar och Rop • Ingmar Bergman (Cries and Whispers) 1972
les-sources-du-nil: Harriet Andersson as Karin in Såsom i en spegel (Through a Glass Darkly)Dir. Ingmar Bergman, Sweden, 1961
horizontalfall: Film still from Persona (1966), dir. Ingmar Bergman
catsonmarsss: Persona (1966) | Dir: Ingmar Bergman
portamiunasediaevattene: Il settimo sigillo (Det sjunde inseglet), Ingmar Bergman. 1957
brandedtofilm: Hour of the Wolf | Director : Ingmar Bergman
neo-catharsis: Hour of the Wolf, Ingmar Bergman, 1968
garbonzos: Hour of the Wolf, Ingmar Bergman, 1968
goregirlsdungeon: TORMENT (1944) directed by Alf Sjöberg - Ingmar Bergman’s first produced screenplay
theartofmoviestills: The Magician | Ingmar Bergman | 1958
kafkaesque-world: Wild Strawberries (1957) dir. Ingmar Bergman
redvelvetteacake: Aus dem Leben der Marionetten (From Life of the Marionettes), Ingmar Bergman, 1980
wehadfacesthen: Cary Grant and Ingrid Bergman in Notorious (Alfred Hitchcock, 1946)
design-is-fine: Nickolas Muray, Marlene Dietrich, 1935. Carol Lombard, 1942. Judy Garland, 1945. Gloria De Haven, 1947. Ingrid Bergman montage “Modern Screen” cover, 1947. Marilyn Monroe, 1952. © 2002 George Eastman House, Rochester, NY
