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Diego Velazquez (Diego Rodríguez de Silva y Velázquez, Seville 1599 - Madrid 1660); Retrato del bufon Don Diego de Acedo “El Primo” (Portrait of the buffoon Don Diego de Acedo called ‘El Primo’), 1644; oil on canvas, 107 x 82
Roelandt Savery (1576 Courtrai - 1639 Utrecht); The Paradise, 1626; oil on panel, 137 x 80 cm; Staatliche Museen, Berlin
Cornelis van Poelenburgh (Utrecht, 1594 - 1667); Amaryllis giving Myrtil the Price, c. 1635; oil on canvas, 146 x 115 cm; Gemaldegalerie, Berlin
Bartholomeus Breenbergh (Deventer 1598 - Amsterdam 1657); The preaching of St. John the Baptist, 1634; oil on wood, 75 x 55 cm; Metropolitan Museum of Art, New York
Antoine Coypel (Paris, 1661 - 1722); Bacchus and Ariadne on the isle of Naxos, 1693; oil on canvas, 85,5 x 73 cm; Philadelphia Museum of Art
Guido Reni (Calvenzano 1575 - Bologna 1642); Cleopatra with the Asp, c. 1630; oil on canvas, 95 x 114 cm; Royal Collection, Windsor Castle
Jan Brueghel the Younger (Antwerp, 1601 - 1678) with Hendrick van Balen; An Allegory of the Four Elements, c. 1630; oil on panel, 104 x 66 cm; Tel Aviv Museum of Art
Giulio Carpioni (Venezia 1613 - Verona 1678); Bacchanal, 1665-70; oil on canvas, Federico Zeri’s art collection
Eglon Hendrik van der Neer (Amsterdam, 1634 - 1703); Portrait of an unknown lady, early 1680’s; oil on panel, private collection
Guercino (Giovanni Francesco Barbieri called il Guercino; Cento, 1591 - Bologna, 1666); David con la testa di Golia (David with the head of Goliath), ca. 1650; oil on canvas, 102 x 120,5 cm; National museum of western art, Tokyo
Nicolas Poussin (Les Andelys, Normandy, 1596 - Roma 1665); The Jews gathering the Manna in the desert, 1637-39; oil on canvas, 200 x 149 cm; Musée du Louvre, Paris
Pieter Paul Rubens (Siegen 1577 - Antwerp 1640); Allegory of Peace and War (Minerva protects Pax from Mars), 1629-30; oil on canvas, 298 x 203.5 cm; National Gallery, London
Antoon van Dyck (Antwerp 1599 - London 1641); Portrait of a Genoise Noblewoman, between 1621 and 1627; oil on canvas, 170 x 239 cm; Musée du Louvre, Paris
Abraham Bloemaert (Gorinchem c. 1564/66 - Utrecht 1651); Rentrée de la moisson, c. 1625-30; oil on canvas, 198 x 137 cm; Musée des Beaux-Arts, Montreal
Judith Leyster (Haarlem 1609 - Heemstede 1660); Young Flute Player, c. 1635; oil on canvas; Nationalmuseum, Stockholm
Gerrit Dou (Leiden, 1613 - 1675); The Physician, 1653; oil on panel, 37 x 49.3 cm; Kunsthistorisches Museum, Vienna
Alonso Cano (Granada, 1601 - 1667); Christ in the Limbo, c. 1665; oil on canvas, 120 x 167 cm; LACMA (Los Angeles County Museum of Art)
Nicolas Régnier (Maubeuge 1590 - Venezia 1667); Fortune Telling Scene, N/D; oil on canvas, 131 x 97 cm; Nationalmuseum, Stockholm
Abraham Mignon (Frankfurt 1640 - Utrecht 1679); Still-life with fruit, N/D; oil on canvas, 89 x 73 cm; private collection
Jacob Jordaens (Antwerp, 1593 - 1678); Saint Carlo Borromeo cares for the plague victims of Milan, 1655; oil on canvas; Sint Jacobskerk, Antwerp
Jan Weenix (Amsterdam, 1640 - 1719); Peacock, a dead game and monkey, c. 1700-10; oil on canvas, 165 x 187.5 cm; Wallace Collection, London
Juan de Valdés Leal (Seville, 1622 - 1690); Christ carrying the Cross, c. 1661; oil on canvas, 71.5 x 88.5 cm; Museo de Bellas Artes, Bilbao
Annibale Carracci (Bologna 1560 - Roma 1609); Elemosina di San Rocco (Saint Roch distributing Alms), 1595; oil on canvas, 477 x 331 cm; Gemäldegalerie Alte Meister; Dresden
Philips Wouwerman (Haarlem, 1619 - 1668); A Cavalry Battle, c. 1646-47; oil on canvas, 176.5 x 99 cm; Art Gallery of South Australia, Adelaide
Hendrick van Balen (Antwerp, 1575 - 1632); Holy Trinity, 1620’s; oil on panel; Sint Jacobskerk, Antwerp
baroqueart: The Ecstasy of Saint Paul by Johann Liss Date: 1628-1629
Valentin de Boulogne (Coulommiers 1591 - Roma 1632); Le concert au bas-relief, c. 1622-25; oil on canvas, 214 x 173 cm; Mousée du Louvre, Paris
Pieter Paul Rubens (Siegen 1577 - Antwerp 1640); Wild-Boar Hunt, 1618-20; oil on canvas, 168 x 137 cm; Gemäldegalerie Alte Meister, Dresden
Artemisia Gentileschi (Roma 1593 - Napoli 1656); Susanna e i vecchioni (Susanna and the elders), 1622; oil on canvas, 123 x 161.3 cm; Burghley House, Stamford
italianartsociety: Carlo Maratti (also known as Maratta) died on 15 December 1713 in Rome. Recognized as the leading painter of late Baroque Rome, Maratta continued worked in the classicizing vein known as the Grand Manner. Like Annibale Carracci, Andrea
Cornelis van Poelenburch (Utrecht, 1594 - 1667); De verdrijving uit het paradijs (the Expulsion from Paradise), between 1646-1667; oil on table, 38 x 30 cm; Rijksmuseum Amsterdam
Michiel Sweerts (Bruxelles 1618 - Goa 1664); Ensevelir les morts (un des Sept actes de miséricorde); ca. 1646-49; oil on canvas; Wadsworth Atheneum, Hartford
José de Ribera (also known as Jusepe de Ribera and Spagnoletto; Xàtiva 1591 - Napoli 1652); Martyrdom of Saint Andrew, 1628; oil on canvas, 183 x 209 cm; Szépművészeti Múzeum, Budapest
Daniele Crespi (Busto Arsizio c. 1590 - Milano 1630); La Deposizione di Cristo (The Deposition), c. 1620; oil on canvas, 99 x 123 cm; Szépművészeti Múzeum, Budapest
Hendrick van Balen (Antwerp, c. 1575 - 1632); Odysseus as a guest of Calypso, c. 1616; oil on wood, 116 x 80 cm; Akademie der bildenden Künste, Vienna
italianartsociety: 22 November is the Feast Day of Saint Cecilia, an early Christian martyr memorably celebrated in fresco by Italian Baroque painter Domenichino. The artist was commissioned in 1612 by Cardinal Pierre Polet to decorate a chapel in the
kundst: Guido Cagnacci (Ital. 1601 – 1663) David with the Head of Goliath Gagnacci was an Italian painter of the late-Baroque period, belonging to the Forlì painting school and to the Bolognese School.
Annibale Carracci (Italian, 1560-1609), Allegory of the Night, ca. 1602-1605; oil on canvas, 128 x 155 cm; Musée Condé, Chantilly
Salomon de Bray (Dutch, 1597-1664), Martyrdom of Saint Lawrence, 1652; oil on canvas, 152 x 124 cm; Los Angeles County Museum of Art
Francesco Cairo (Italian, 1607-1665), La figlia del Faraone accoglie Mosè salvato dalle acque (The Pharaoh’s daughter receives Moses saved from water), ca. 1645, oil on canvas; Turin, Musei Reali - Galleria Sabauda
Gerrit (also Gerard) van Honthorst (Dutch, 1592-1656), Venus and Cupid, 1625; oil on canvas, 114 x 94 cm; Frans Hals Museum, Haarlem
Pieter de Hooch (Dutch, 1629- 1684), Card Players in a sunlit Room, 1658; oil on canvas, 77.3 x 67.3 cm; Royal Collection, Buckingham Palace “In the right-hand corner of a room with a wooden ceiling and a tiled floor a young lady and a gentleman are
Valentin de Boulogne (French, active in Rome, 1591-1632), Christ and the Adulteress, about 1620s; oil on canvas, 167 x 221 cm, The J. Paul Getty Museum
Pietro da Cortona (Italian, 1596 - 1669), Madonna with the Child, Saint Catherine and Saint John (before 1620); oil on canvas, 140 x 210 cm; Musei Capitolini, Roma
Ludovico Carracci (Italian, 1555 - 1619)Saint Sebastian thrown into the Cloaca Maxima, 1612, Oil on canvas163.5 × 232.4 cm (64 3/8 × 91 ½ in.), 72.PA.14The J. Paul Getty Museum, Los Angeles
Agostino Carracci (Italian, 1557-1602), The Last Supper, 1593-94. Oil on canvas, 172 x 237 cm; Museo del Prado
Carlo Dolci (Italian, 1616-1686), Portrait of Stefano Della Bella, 1631. Oil on panel, 59 x 48 cm. Galleria Palatina, Palazzo Pitti, Florence
Pieter Lastman (Dutch, 1583-1633), Juno discovering Juppiter with Io, 1618. Oil on oak panel, 54 x 78 cm. National Gallery, London
kundst:Guido Cagnacci (It. 1601 – 1663) David with the Head of Goliath Gagnacci was an Italian painter of the late-Baroque period, belonging to the Forlì painting school and to the Bolognese School.
art-nimals:A baroque masterpiece (via)
pro-choice-tortoise:degenerate-perturbation:argumate: choosing breeds of Christianity like do you prefer austere and minimalist antisemitism and homophobia or ornate and baroque antisemitism and homophobia, or perhaps Russian antisemitism and homophobia?
jumpingjacktrash: dharmagun: archiemcphee: What happens when two baroque cellists perform a cover of “Thunderstruck“ by AC/DC? They shred. Literally. Keep an eye on their bows as the piece progresses. This awesome video features Croatian cellists
steampunktendencies: Baroque Hot Air Baloon Light Bulbs Facebook | Google + | Twitter Steampunk Tendencies Official Group
kyle-marffin: Dark-Winged Angels: Roberto Ferri Sumptuous oil paintings by Taranto, Italy romantic painter Roberto Ferri (b. 1978), modern master of his own Baroque revival, who some call Caravaggio’s heir. Who am I to argue? We often see Ferri’s
TIGRAN SHAHVERDYAN
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tastefullyoffensive: Baroque Obama (image via malkammarshal)
delicieuxchaos: Claudia Pomowski- baroque scenes I handmade collage, © C.POM 2016
aqqindex: Baroque Etching
blanska: classicaldynamics: future-struggling-musician: Always reblog when I see this video and people say the baroque times weren’t fun. it was lit af back then. bach was turnt