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barcarole: Note from Baudelaire to Leconte de Lisle, March 1864.
barcarole: Etude pour Le radeau de la Méduse, Théodore Géricault.
barcarole:Orphée, Jean Cocteau, 1950.
barcarole: Tchaikovsky’s autograph containing a musical quotation of his Romeo and Juliet Overture, TH 42, dated April 28, 1888.
barcarole: Julio Cortázar playing the trumpet. Paris, 1967. Photo by Alberto Zhonkera.
barcarole: Clara Haskil’s hands by Gaston de Jongh, 1930.
barcarole: Galina Ulanova coaching Nikolai Tsiskaridze for Narcissus, photos by Mikhail Logvinov.
barcarole: Vladimir Mayakovsky, Varvara Stepanova, Osip Beskin and Lilya Brik sitting at a table in 1926. Photo by Alexander Rodchenko.
barcarole: Autograph of the first Paris edition of the Études, Op. 25, 1837 (dedicated to Marie d'Agoult); inscribed and signed by Chopin.
barcarole: As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty, dir. Jonas Mekas, 2000.
barcarole: Landscape in the Midst (Τοπίο στην ομίχλη), Theo Angelopoulos, 1988.
barcarole: Isabelle Huppert as Orlando at the Théâtre Vidy-Lausanne, 1993.
barcarole:Bernini’s Apollo and Daphne at the Galleria Borghese in Rome, 2016. Photos by Stuart Franklin.
barcarole:Ghalib, from Mirza Ghalib: Selected Lyrics and Letters (trans. K.C. Kanda)
barcarole:Chloé | Fall 2006 Ready-to-Wear
barcarole:Happy Together (春光乍洩), Wong Kar-wai, 1997.
barcarole: No Regrets for Our Youth (わが青春に悔なし), Akira Kurosawa, 1946.
barcarole:Agnès Varda in 1983, by Martine Franck.
barcarole:Certified Copy, Abbas Kiarostami, 2010.
barcarole: I lie for days in a forest, and read Schopenhauer… You probably think that my future landscapes will be soaked in pessimism, so to speak? Don’t worry, I love nature too much. Isaac Levitan in a letter to Sergei Diaghilev, (from Isaac
barcarole: James Baldwin at home in Neuilly, 1970. Photos by Guy Le Querrec.
barcarole: Creation of the World - II, Mikalojus Konstantinas Čiurlionis, 1905-06.
barcarole: Dedication, from Requiem, Anna Akhmatova, In a Shattered Mirror: The Later Poetry of Anna Akhmatova - The Framing texts of Requiem, p. 44 (trans. Judith Hemschemeyer)
barcarole: Yesterday I went out for a walk, and was suddenly overcome with an inexplicable urge: I took my shoes off and walked barefoot on the cold earth… Andrey Tarkovsky. A Cinema Prayer, dir. Andrei Tarkovsky Jr., 2019.
barcarole: 살인의 추억 (Memories of Murder), dir. Bong Joon-ho, 2003.
barcarole:Japan, 1961. Photos by Bruno Barbey.
barcarole: Сталкер (Stalker) , dir. Andrei Tarkovsky, 1979.
barcarole: [Inside Monk’s House, East Sussex.]
barcarole:Сталкер (Stalker) , dir. Andrei Tarkovsky, 1979.
barcarole:Close-Up, Abbas Kiarostami, 1990.
barcarole: Agnès Varda in 1983, by Martine Franck.
barcarole: Hour of the Wolf (Vargtimmen), dir. Ingmar Bergman, 1968.
barcarole: Lisbon, Portugal, 1998. Photos by Gueorgui Pinkhassov.
barcarole:Villa il Mulinaccio near Fiesole, Florence. Photo by Ferdinando Scianna, 1986.
barcarole:The Swan, No. 1, Hilma af Klint, 1915.
barcarole:Detail from Saint Rose of Lima, Carlo Dolci, c. 1640.
barcarole: Tarkovsky filming The Mirror in 1975.
barcarole: Maya Deren, by Alexandr Hackenschmied.
barcarole: Henri Matisse drawing on a wall next to his bed, a few months before his death in 1954. Photo by Walter Carone.
barcarole: Cafe in the Globe bookstore. Prague, 1994. Photo by Gueorgui Pinkhassov.
barcarole: Petunias, Henri Fantin-Latour, 1881.
barcarole:Manuscript of Chopin’s Polonaise in F Minor, Op. 71, No. 3, ca. 1828-29.
barcarole: Stravinsky checking his scores at Columbia Records in NYC, 1957. Photo by Dennis Stock.
barcarole:A Virgin with a Unicorn, Domenichino, ca. 1602.
barcarole:Touch of Evil, dir. Orson Welles, 1958.
barcarole: The most famous stunt in the movie was actually built around what went wrong with the original stunt. Buster Keaton intended to leap from a board projecting from one building onto the roof of another building, but he fell short, smashing into
barcarole: Portugal, 1993. Photo by Bruno Barbey.
barcarole: Vladimir Vasiliev and his teacher, Alexei Yermolaev in 1971. Photo by Leonid Zhdanov.
barcarole: L’eclisse, Michelangelo Antonioni, 1962
barcarole: A tremor past against his body. How sad and how beautiful! He wanted to cry quietly but not for himself: for the words, so beautiful and sad, like music. The bell! The bell! Farewell! O Farewell! James Joyce, A Portrait of the Artist as a
barcarole:French Cancan, dir. Jean Renoir, 1954.
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