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Part 2 of my Art History final.Romanesque, Gothic, Renaissance and Baroque.

Part 1 of my Art History final.Egypt, Mesopotamia, Greece and Rome.

more art history class touch pad abominations. SEQUEL TO HERPDERPCAS.

Bo Bartlett, The Nude Ascending the Staircase I suppose you have to be an art history nerd to be amused by this but Bartlett is playing with Marcel Duchamp’s 1912 painting titled - Nude Descending a Staircase. And if you look closely at the paintin

Manet loved to paint…but what he loved the most were binge drinking and pussy! #toxicpassions Biutifool Beastard remixes Manet… Biutifool Beastard vs the great masters of history of art: http://www.behance.net/gallery/Biutifool-Beastard/2310

art-of-swords: 19th-Century Samurai Training Text Deciphered A training text, used by a martial arts school to teach members of the bushi (samurai) class, has been deciphered, revealing the rules samurai were expected to follow and what it took to truly

movie: Etiquette warnings shown before silent films (1910s)

Pierre-Auguste Renoir (1841 - 1919) Riding in the Bois de Boulogne (1873), oil on canvas

Masaccio (1401-1428), Polittico di Pisa (Pisa Altarpiece), 1426. Upper register - Saint Paul of Tarsus, tempera on gold ground and wood panel, 51x30 cm; Museo Nazionale di San Matteo, Pisa

Annibale Carracci (Italian, 1560-1609), Allegory of the Night, ca. 1602-1605; oil on canvas, 128 x 155 cm; Musée Condé, Chantilly

Guercino (birth name Giovanni Francesco Barbieri, Italian, 1591-1666); Sibilla Persica (The Persian Sybil), 1647-48; oil on canvas, 117 x 96 cm; Musei Capitolini, Rome

Francesco Squarcione (Italian, 1397-1468), Polittico de Lazara (De Lazara Altarpiece), 1449-52; tempera on panel, 150 x 220 cm; Musei Civici agli Eremitani di Padova (Padua, Italy)

Francesco Cairo (Italian, 1607-1665), La figlia del Faraone accoglie Mosè salvato dalle acque (The Pharaoh’s daughter receives Moses saved from water), ca. 1645, oil on canvas; Turin, Musei Reali - Galleria Sabauda

Francesco Salviati (Italian, 1510-1565), Storie di Furio Camillo (Stories of Furius Camillus, 1543-45): Camillo sconfigge i Galli nei pressi di Ardea (Camillus defeats the Gauls near the city of Ardea). Fresco, 470 x 255 cm; Sala dell’Udienza of the

Richard Diebenkorn (American, 1922-1993), Untitled (Horse and Rider), 1954. Oil on canvas, 53.3 x 61 cm. © Richard Diebenkorn Foundation

Altichiero da Zevio (Italian, about 1330 - ca. 1390), Decapitazione di San Giorgio (The Beheading of Saint George), 1384; fresco, left wall, lower section. Oratorio di San Giorgio, Padua

attributed to Bernardino Luini (Italian, ca. 1481-1532), previously ascribed to Leonardo da Vinci (1452-1519), Saint Catherine of Alexandria, unknown date; oil on panel, 52 x 44 cm. Statens Museum for Kunst, Copenhagen

El Greco (Spanish born in Crete, 1541-1614), The penitent Mary Magdalene, 1576-78; oil on canvas, 156 x 121 cm; Szépművészeti Múzeum, Budapest

Edward Bawden (English, 1903-1989), The Bird’s Nest, 1951; watercolour and ink on paper

Paul Gauguin (1848-1903), Porteuses de fruits à l'anse Turin, 1887; oil on canvas, 46 x 61 cm; private collection“Gauguin’s Martinique paintings were a precursor to his later Tahiti works, presenting something of an idealized vision of a colorful,

Andrea del Sarto (1486-1530), Madonna della scala (Madonna of the Stairway), ca.1522-23; oil on board, 177 x 135 cm; Museo del Prado, Madrid

Guido Reni (Italian, 1575-1642), Giuseppe con la moglie di Putifarre (Joseph and Potiphar’s Wife), about 1630; oil on canvas, 126.4 x 170 cm; The J. Paul Getty Museum

Andrea del Sarto (1486-1530), Giuseppe interpreta i sogni del Faraone (Joseph interprets the Dream of Pharaoh), ca. 1515-16; oil on board, 98 x 135 cm; Galleria Palatina, Florence

Domenico Gnoli (Italian, 1933-1970); Curl cioè ricciolo, 1965; acrylic and sand on canvas; private collection, Panama © MARZIA GNOLI, ROMA

Claudio Coello (Spanish, 1642-1693), The Triumph of Saint Augustine, 1664; oil on canvas, 271 x 203 cm; Museo del Prado, Madrid

Renato Guttuso (Italian, 1911-1987), La Battaglia di Ponte dell'Ammiraglio (The Battle of Ponte dell’Ammiraglio), 1951/52; oil on canvas, 321 x 521 cm; Galleria degli Uffizi, Florence

Vittore Carpaccio (Italian, ca. 1465-1525 / 26), Natività della Vergine (Nativity of the Virgin), ca. 1502-1504; oil on canvas, 127 x 129 cm; Accademia Carrara, Bergamo “Whilst working in Venice on paintings for the Scuola degli Schiavoni, Carpaccio

Domenico Gnoli (Italian, 1933-1970), Due Dormienti (Two Sleepers), 1966. Acrylic and sand on canvas, 98 x 127 cm. Fondazione Orsi“Domenico Gnoli’s last and celebrated New York show debuted in 1969 at the influential Sidney Janis Gallery. A year

Vittore Carpaccio (Italian, 1465-1526), Crocifissione dei Diecimila Martiri sul monte Ararat (Crucifixion of 10,000 Martyrs at Mount Ararat), 1515; oil on canvas, 307 x 205 cm; Gallerie dell’Accademia, Venice

Franz Xaver Fuhr (German, 1898-1973), Stadt im Licht (City in the light), about 1964-68; oil on fiberboard, 80 x 70 cm

Pietro da Cortona (Italian, 1596 - 1669), Madonna with the Child, Saint Catherine and Saint John (before 1620); oil on canvas, 140 x 210 cm; Musei Capitolini, Roma

$Ludovico Carracci (Italian, 1555 - 1619)Saint Sebastian thrown into the Cloaca Maxima, 1612, Oil on canvas163.5 × 232.4 cm (64 3/8 × 91 ½ in.), 72.PA.14The J. Paul Getty Museum, Los Angeles$

Ludovico Carracci (Italian, 1555 - 1619)Saint Sebastian thrown into the Cloaca Maxima, 1612, Oil on canvas163.5 × 232.4 cm (64 3/8 × 91 ½ in.), 72.PA.14The J. Paul Getty Museum, Los Angeles

Tiziano Vecellio (Italian, circa 1488 - 1576), Violante (La bella Gatta) [Violante, the beautiful Cat], around 1510-15. Oil on poplar panel, 64,5 x 50,8 cm; Kunsthistorisches Museum (Gemäldegalerie), Vienna

Bronzino (Italian, 1503 - 1572), Portrait of a Man holding a Statuette, between c. 1545 - 1555. Oil on panel transferred on canvas, 99 x 79 cm; Louvre Museum, Paris

Gerard van Honthorst (Dutch, 1592-1656)Satyr and Nymph, 1623Oil on canvas, 104 x 131 cm; Broere Charitable Foundation Collection

Eva Hesse (German-born American, 1936-1970), Ringaround Arosie, 1965. Pencil, acetone, varnish, enamel paint, ink, and cloth covered electrical wire on papier-mâché and masonite; 67 x 42 x 11.5 cm. MoMA, © 2019 Estate of Eva Hesse

Agostino Carracci (Italian, 1557-1602), The Last Supper, 1593-94. Oil on canvas, 172 x 237 cm; Museo del Prado

Henri Harpignies (French, 1819-1916), Clair de Lune [Moonlight], 1892. Oil on canvas, 88.5 x 61 cm

Carlo Dolci (Italian, 1616-1686), Portrait of Stefano Della Bella, 1631. Oil on panel, 59 x 48 cm. Galleria Palatina, Palazzo Pitti, Florence

Guido Reni (Italian, 1575-1642), Allegoria della fortuna con una corona in mano [Allegory of Fortune, holding a crown], ca 1637-1642. Oil on canvas, 164 x 132 cm

missypena: Sunflora - Prints | S6 | Redbubble | InPRNT Next in my collection of Art History Pokemon - Sunflora, based on the third version of Vincent Van Gogh’s 1888 Sunflowers series. This is also a piece submitted for Pokéstory 2!

kleinecharlotte: Art History Meme [3/8] Artists ↳ Giovanni Boldini (1842-1931)

decomposion: Art history meme (x) - 2/8 artists - John William Waterhouse My favourite.

lolfactory: She majors in art history and you can’t get her to shut up about wine [source]Amazon: 12 Days of Deals and sales on holiday toys, electronics, video games, jewelry… POODLE! Lol

odditiesoflife: 9,000 Fallen Soldiers Stenciled into Sand at Normandy Beach To commemorate “Peace Day”, British artists Jamie Wardley and Andy Moss, in combination with many volunteers, went to Normandy Beach and stenciled the silhouettes of the

Art History🥀

Art History🥀

modern-vampires-of-art-history: Edgar Degas, L’Absinthe (1876) / Vampire Weekend, Diane Young (2013)

historicaltimes:Model of the Moon, Field Columbian Museum, Chicago c.1894 via reddit

boxlunches: intrinnsic: speaking of art history this is Undine by Chauncey Bradley Ives. she’s at the Smithsonian. and this is her from the back that is marble, y’all. MARBLE. carved so thin you can SEE THE LIGHT THROUGH IT. i just. wow. fucking

art-of-swords: Dagger and Sheath Dated: circa 1605–27 Culture: Indian, Mughal Medium: steel, gold, ruby, emerald, wood, textile, glass Measurements: L. 14 5/8 in. (37.1 cm); L. without scabbard 13 15/16 in. (35.4 cm); L. of grip 4 13/16 in. (12.2 cm);

theladyintweed:Sir Alfred James Munnings

art-of-swords: Dagger and Sheath Dated: circa 1605–27 Culture: Indian, Mughal Medium: steel, gold, ruby, emerald, wood, textile, glass Measurements: L. 14 5/8 in. (37.1 cm); L. without scabbard 13 15/16 in. (35.4 cm); L. of grip 4 13/16 in. (12.2 cm);

history-with-some-cake: Marie Antoinette and Her Children (Detail) by Louise Élisabeth Vigée Le Brun

momo-de-avis: This is what I’m getting an art history degree for

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