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henricavyll: It’s gone forever, that funny young, lost look I loved won’t ever come back. I killed that when I told you about Rebecca. It’s gone. In a few hours, you’ve grown so much older. REBECCA (1940) dir. Alfred Hitchcock
genekellys: NOTORIOUS dir. Alfred Hitchcock
witchinghour:Rebecca (1940) dir. Alfred Hitchcock
classicfilmblr: Miss Lonelyheart. At least that’s something you’ll never have to worry about.Rear Window (1954), dir. Alfred Hitchcock
genekellys:NOTORIOUS dir. Alfred Hitchcock
stanleyskubrick:Rear Window (1954) dir. Alfred Hitchcock
classicfilmsource:I Confess (1953) dir. Alfred Hitchcock
myfilmsbox:Psycho (1960) dir. Alfred Hitchcock
yocalio: Rear Window (1954) Dir. Alfred Hitchcock
hollywoods: I think that we’re all in our private traps, clamped in them and none of us can ever get out. We scratch and claw but only at the air, only at each other. And for all of it, we never budge an inch.PSYCHO (1960) dir. Alfred Hitchcock
robertdowneys: Salvador Dalí’s surrealist dream sequence in— Spellbound (1945) dir. Alfred Hitchcock
filmgifs: “Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.” VERTIGO (1958) dir. Alfred Hitchcock
gregory-peck:I want you to get rid of all these things. But these are Mrs. de Winter’s things. I am Mrs. de Winter now.Rebecca (1940) dir. Alfred Hitchcock
lesbianheistmovie: She might have fooled me, but she didn’t fool my mother.Psycho (1960) dir. Alfred Hitchcock
filmswithoutfaces:Rebecca (1940)dir. Alfred Hitchcock
arthurpendragonns: “I think that we’re all in our private traps, clamped in them and none of us can ever get out. We scratch and claw but only at the air, only at each other. And for all of it, we never budge an inch.” PSYCHO1960 | dir. Alfred
fireairshadow: We can never go back to Manderley again. That much is certain. But sometimes, in my dreams I do go back to the strange days of my life… REBECCA (1940) dir. Alfred Hitchcock
cinemaspast:THE BIRDS (1963), dir. Alfred Hitchcock
filmgifs:Last night I dreamt I went to Manderley again.Joan Fontaine as Mrs. de Winter in Rebecca (1940) dir. Alfred Hitchcock
antoniosbanderas: It’s not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven’t you?Psycho (1960), dir. Alfred Hitchcock
cinemaspast: I’m afraid my murders would be something like my bridge: I’d make some stupid mistake and never realize it until I found everybody was looking at me. DIAL M FOR MURDER (1954) dir. Alfred Hitchcock
classicfilmsource:Spellbound (1945) dir. Alfred Hitchcock
cinemaspast:PSYCHO (1960), dir. Alfred Hitchcock
kimwxler:He did nothing. The law has little to say on things left undone. Vertigo (1958) dir. Alfred Hitchcock
verachytilovas:REAR WINDOW (1954) dir. Alfred Hitchcock
filmgifs:Grace Kelly as Frances Stevens in To Catch a Thief (1955) dir. Alfred Hitchcock
charitydingle:PSYCHO1960, dir. Alfred Hitchcock
johncarpenters:psycho (1960) dir. alfred hitchcockwe all go a little mad sometimes. haven’t you?
emmanuelleriva:If I let you change me, will that do it? If I do what you tell me, will you love me?Vertigo (1958) dir. Alfred Hitchcock
cinemaspast:Cinemaspast 1K Celebration: Favorite Movie Per Member: Micky (@ourteeth) → Spellbound (1945) dir. Alfred Hitchcock
mselizabethsloane: ↳ “Last night I dreamt I went to Manderley again.” Rebecca, 1940 (dr. Alfred Hitchcock)
fireairshadow:To Catch a Thief (1955) dir. Alfred Hitchcock
midsummerknife:TO CATCH A THIEF (1955) dir. Alfred Hitchcock “I’m in love with you.” “Now, that’s a ridiculous thing to say.”
quentintarantinos: “Here I was born, and there I died. It was only a moment for you; you took no notice.”Vertigo (1958) dir. Alfred Hitchcock
horrorgifs:VERTIGO (1958) dir. Alfred Hitchcock
stydixa:A murderer would never parade his crime in front of an open window.Rear Window (1954) Dir. Alfred Hitchcock
iskarieot:PSYCHO (1960) DIR. ALFRED HITCHCOCKIt’s not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven’t you?
horrorgifs:PSYCHO (1960)dir. Alfred Hitchcock
movie-gifs:Vertigo (1958) dir. Alfred Hitchcock
talesfromthecrypts: God took her from me on the day of her first communion, don’t you see? He waited until then to teach me that children pay for the sins of their parents. Alice, Sweet Alice (1976) dir. Alfred Sole
barricklovesmovies:Psycho (1960)dir. Alfred Hitchcockdop: John L. Russell
dailyflicks:VERTIGO (1958) dir. Alfred Hitchcock
filmgifs:One final thing I have to do. And then, I’ll be free of the past.Vertigo (1958) dir. Alfred Hitchcock
filmgifs:Psycho (1960) dir. Alfred Hitchcock
365filmsbyauroranocte:“Children pay for the sins of their parents.” Alice, Sweet Alice (Alfred Sole, 1976)
darkcrystals:2022 Film Diary:VERTIGO1958 | dir. Alfred Hitchcock
sylvia-sidney:Yeah, well, don’t you think it’s kind of a waste for the two of us… To wander separately? Uh-huh.Vertigo (1958) dir. Alfred Hitchcock
ozu-teapot:Alice, Sweet Alice | Alfred Sole | 1976
bongjoonsho:Rebecca (1940) dir. Alfred Hitchcock
ozu-teapot:Alice, Sweet Alice | Alfred Sole | 1976Jane Lowry, et al.
kamalaskhans:SPOOKY SEASONPsycho (1960) dir. Alfred Hitchcock
chaoticevils:I’m not much on rear window ethics.Rear Window1954 | dir. Alfred Hitchcock
mikaelsplayground: ufo by Alfred Georg
We all are Alfred. We all fucking are.
daily-superheroes: Alfred and Déjà vu.http://daily-superheroes.tumblr.com/
towritecomicsonherarms: Alfred has taken a power pill Injustice: Gods Among Us #36 Whoa, holy shit!
starshavelosttheirglitter: Norma Shearer photographed by Alfred Cheney Johnston c. 1920
timeofbeauty: Alfred Eisenstaedt - Bette Davis ® having her hair fixed in a long bob by stylist Margaret Donovan of Warner Bros. studio on the patio of Davis’ home, Beverly Hills, 1939.
An American Block, Hamilton, Ohio photo by Alfred Eisenstaedt, An American block essay for LIFE, 1943
Graf Zeppelin Maintenance crewmen repairing damage caused by storm over the South Atlantic Ocean en route to Rio De Janeiro.photo by Alfred Eisenstaedt, 1934
