albers
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somedevil: Josef Albers. from the series Day and Night: Homage to the Square. 1963.
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sisterofthewolves:SourceWeighing 143 pounds, this male from Mollie’s Pack was caught on Jan. 15 in Yellowstone National Park’s Pelican Valley. The wolf is the heaviest ever weighed in the park. Posing with the wolf is volunteer Erin Albers.
foam-magazine: From the series Cubes for Albers and LeWitt © Jessica Eaton Foam Magazine #28/Talent
Josef Albers, Sanctuary, from the series Graphic Tectonic. 1942.
tumblropenarts: encoded catalog is a joef albers inspired catalog of art and design So here you can see the variants, But the principle underlying is “How can I have the same amount of this color compared with that color, with that color, and with
nobrashfestivity:Josef Albers
strangeforeignbeauty: Frederik Meijnen | Photographed by Jasper Albers for Prestage Magazine
M. Albers (goandbepure.tumblr.com)
newyorker: “Cubes for Albers and LeWitt, 109” (2011). Photograph by Jessica Eaton. Click through for a slide show of photos marking the rise of abstraction in photography: http://nyr.kr/1gDlZ5l
poplifeplus: Josef Albers
alaspoorwallace:Josef Albers (German-American, 1888-1976), Homage to the Square: Between two Skies, 1954. Oil on masonite, 61 x 61 cm
homotography: Alber Guardado by David Velez [SEE FULL STORY]
bauhausbuzz: “Wall Hanging” ~ Anni Albers, 1926. artaddictsanonymous:
nobrashfestivity: Anni Albers, Wall hangings, 1924-1926
desimonewayland: Josef Albers “If we must accept education as life and as preparation for life, we must relate all school work, including work in art, as closely as possible to modern problems. It is not enough to memorize historical interpretations
textileenthusiast: Anni Albers, Ancient Writing, 1936, textile in rayon, linen, cotton and jute, 149.8 x 111 cm, Smithsonian American Art Museum Washington D.C. Gift of John Young.
topcat77:Anni Albers
monohedral:Anni Albers
artfromthefuture: garadinervi: Anni Albers, Typewriter study to create a textile effect, n.d.; made on Olivetti Lettera 22 typewriter [The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York] love this
whenindoubtapplymoreglitter: twostepcub: Handsome Man ~ Matt Alber (Official) This. Want. swoooon
lavinialingerie: “Pure, intense emotions. It’s not about design. It’s about feelings.” — Alber Elbaz
afvan: justdropithere: Jacob Coupe by Sevda Albers - Men’s Health Best Fashion hes alive
scandinaviancollectors: JOSEF ALBERS, Desert Glow II, 1971. Oil on masonite. / Galerie Melki
nobrashfestivity: Josef Albers, Let Hands Speak, 1930
QUIEROOO - Models: Alber Elbaz Knows You Want To See Him Dance(via @Jezebel)
Lois Gaigg, poster design for men’s wear, 1934. Kaufhaus JAWO, Vienna. Using the bold font, which was designed by Josef Albers. Via plakatkontor.de
Paul Klee by Josef Albers Nudes & Noises
furples: Sany Liriano by Sevda Albers for Annabelle Magazine
Handsome Man ~ Matt Alber (Official)
olympic88: West Germany won the bronze medal in the team pursuit, with Reinhard Alber, Rolf Gölz, Roland Günther and Michael Marx Los Angeles 1984 Olympics
ohthentic: waterinthemouth:by ANNI ALBERS Oh
hazelcills: Women of the Bauhaus and their textiles Anni Albers, Gunta Stölzl, Otti Berger, Benita Otte
artexpansion: Josef Albers, Segments, 1934
vjeranski: Homage to the Square: Lone Light, 1962 Josef Albers
northmagneticpole: Study for Homage to the Square: Now, 1962, Sunny Side Up Exhibition, 2017-Josef Albers at David Zwirner
design-is-fine: Lois Gaigg, poster design for men’s wear, 1934. Kaufhaus JAWO, Vienna. Using the bold font, which was designed by Josef Albers. Via plakatkontor.de
maudebently-sfw:Oh L'Amour Bruno-Albéric French Painter Printmaker Ceramicist
symmetrical: (via hermes) Hermès Editeur Couleurs de l’ombre by Hiroshi Sugimoto In 2008 Hermès edited its first “carré d’artiste”, Hommage au carré by Josef Albers followed by a second in 2010, Photos-souvenirs au carré by
@Abubukaka vía:twitterSi siguen refiriéndose a @Alber_Canarias como el “Rastas”, el Congreso de los Diputados en poco tiempo se convertirá en algo así.
Como ya habéis empezado a MANIPULAR y MENTIR sobre lo de los 3 SMI de @PODEMOS, os dejo este video de @Alber_Canarias para clarificar las cosas.
noir-de-mars:Josef Albers, artwork for Persuasive Percussion, 1959. USA.
grupaok: Anni Albers, Design for ‘Smyrna’ rug, 1925
projecteurart:Josef Albers proof for white line square series 1966
topcat77: Josef Albers proof for white line square series, 1966 •
eibhlindoran:Structural Constellation (1950) – Josef Albers
garadinervi: Josef Albers in his first foundation course at HfG Ulm/Ulm School of Design, January, 1954. Photo by Hans G. Conrad [© René Spitz. HGC Collection Inv. No. 2057-1]
garadinervi: From: Art at Yale, Box 1, Folder 14: Clippings, 1958, Josef Albers papers, 1929-1970, Archives of American Art, Smithsonian Institution, Washington, D.C.
garadinervi: Josef Albers with a folded paper structure in his first foundation course at HfG Ulm/Ulm School of Design, January, 1954. Photo by Hans G. Conrad [© René Spitz. HGC Collection Inv. No. 2057-2]
tap000: Pinups ~ ◇ ~ Heidi Van Horne @heidivanhorne Sabina Kelly @sabinakelley Photo ~ ◇ ~ Danielle Bedics @daniellebedicsphotography Styling ~ ◇ ~ Jennifer Albers www.jenniferalbers.com #pinup #pinups #pinupgirls #pinupstyle
le-jaune: ANNI ALBERS
voltra: Joseph Albers: Despite Straight Lines (An Analysis of his graphic constructions by François Bucher, captions by Joseph Albers), Yale University Press, New Haven and London, 1961
albers-world23: kaveman82: (via mimmosboys, mimmosboys, d-r-u-e)(via kaveman82)(via albers-world23)