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1924 clips

crime-time: The now-retired “Old Sparky" electric chair on exhibit at the Texas Prison Museum in Huntsville. Ted Bundy is among 240 inmates executed in Florida’s electric chair since 1924. They should bring that thing out of retirement. 240

loumargi:Guillaume Seignac (French, 1870–1924)

The Gum Nebula Expanse Image Credit & Copyright: John Gleason Explanation: Named for a cosmic cloud hunter, Australian astronomer Colin Stanley Gum (1924-1960), The Gum Nebula is so large and close it is actually hard to see. In fact, we are only

dodsrike-deactivated20140501: Entr’acte, 1924

absenceofrainbow: El Lissitzky - Proun 99, 1924

nocnitsa: Franz von Bayros (Zagreb 1866-1924 Vienna)“Schwestern der Salome” [“Sisters of Salome”]

Harold Lloyd Girl Shy - (1924)

summers-in-hollywood:Gloria Swanson, 1924. Photo by Edward Steichen

kisu-no-hi: malpertuis: A card I got when I was a kid - no idea on the artist. It’s a cover for “La Vie Parisienne” by George Leonnec (1924)

oldhollywood: Martian architecture and style in the Soviet sci-fi film Aelita (1924, dir. Yakov Protazanov). The Constructivist-style sets were designed by Aleksandra Ekster. (via)

mothgirlwings: Lon Chaney, his bag of tricks and just a few of his many faces - c. 1920s London After Midnight (1927), He Who Gets Slapped (1924), The Hunchback of Notre Dame (1923), and The Phantom Of The Opera (1925) .

literatequotes:“The amount of quiet I need does not exist in the world, from which it follows that no one ought to need so much quiet.” - Franz Kafka, from Letters to Ottla and the Family (1909 - 1924)

theearofvangogh: Maurice Prendergast [1858 - 1924] Low Tide, Afternoon, Treport [1892]

peira: Albert Krüger: Parishus (1924) via Stockholms Auktionsverk

galerie-martin: Carlo Carrà - Il Sesia, 1924. Oil on canvas. 70 x 90 cm (27.6" x 35.4")For more Fine Arts follow galerie mARTin.

peira: acqua-di-fiori: Georgia O’Keeffe: From the Lake No. 1 (1924)

arsvitaest: “Central Park” Author: Maurice Brazil Prendergast (American, 1858-1924)Date: ca. 1914-1915Medium: Oil on canvasLocation: The Metropolitan Museum of Art, New York

poboh: Market Porters, Covent Garden, Charles Keeping. English (1924 - 1988)

Leon Bakst (Grodno 1866 - Paris 1924), Portrait of Alexander Benois, watercolour and pastel on paper, 1898

dappledwithshadow: Sera d’inverno, Giovanni Giacometti 1924

John Wesley Carroll (b. Wichita, Kansas 1891 or 1892 - d. Kansas City [?] 1959), Lady in blue, c 1924, oil on canvas, LACMA Collections

blastedheath: Emil Filla (Czech, 1882-1953), Still life, 1924. Oil on canvas, 105.5 x 75 cm.

saloandseverine: Oskar Schlemmer, costumes for the Triadic Ballet, 1924

poboh: Ponte della Paglia ( Marble Bridge), Maurice Prendergast. American (1858 - 1924)

Julius von Klever (Yulij Yuli'evich Klever; Dorpat 1850 - Leningrad 1924); Evening promenade by the shore, 1907; oil on canvas

Max Pechstein (Zwickau 1881 - Berlin 1955); Monterosso al Mare, 1924; oil on canvas, 100 x 85 cm, private collection

Alice Bailly (Geneva 1872 - Lousanne 1938); The land of the vineyard or The harvest, 1924; oil on canvas, 197 x 223 cm; Musikkollegium, Winterthur

artishardgr: Chaim Soutine - Red Stairway at Cagnes c.1924

thunderstruck9:Karl Hofer (German, 1878-1955), Jüngling mit Kopftuch [Young Man with a Head Scarf], c.1924. Oil on canvas, 111 x 80 cm.

Adrien Hébert (Canadian, 1890-1967), Le Port de Montréal, 1924. Oil on canvas, 153 x 122.5 cm.

thunderstruck9:Emil Filla (Czech, 1882-1953), Still life with dead bird, 1924. Oil and sand on canvas, 100 x 74.93 cm.

theegoist:Enrico Baj (Italian, 1924-2003) - Dama Di Compagnia (Chaperon), acrylic, collage, wadding, passamenerie, decorations and objects on fabric, 49.00 x 36.00 cm (1968)

canforasoap:Philip Pearlstein (American, born 1924), Two Models with Peruvian Medicine Man, 2011. Oil on Canvas, 152 x 122 cm

thunderstruck9:Philip Pearlstein (American, b. 1924), Model with Empire State Building, 1992. Oil on canvas, 72 x 60 in.

metalonmetalblog: Fernand Cormon (24 December 1845 – 20 March 1924)

semioticapocalypse: William Mortensen. Mutual Admiration - Vanities. c.1924. [::SemAp::]

wheelchairwitch: Ridin’ with my squad. ( The Witches’ Ride by Otto Goetze, 1924.)

jeannepompadour: “A Willing Captive” by Frederick Stuart Church (1842–1924)

raffaelllllo: germaine krull, les amies, 1924

updownsmilefrown: Female workers practice protecting the main vault of the strong room at the Cleveland Trust Company, Ohio, 1924, in the early days of Al Capone and ‘Bugs’ Moran

antiqueanimals:Mater Familias. Alfred William Strutt (1856-1924)via

Covers of La Révolution Surréaliste No. 1 & 2, 1924-25

Cover of La Révolution Surréaliste No. 12, 1929 + Original logo/masthead ca. 1924

iconophages: Rene Clair and Francis Picabia’s breakthrough, reversible ending of their Dadaist film, L’entr-acte (1924)

topcat77: Man Ray Untitled Rayograph, 1924 Vintage Silver Print

grupaok: Xanti Schawinsky, Spectodrama: ‘Play, Life, Illusion,’ 1924-37

saloandseverine: Entr'acte, René Clair, 1924

afterthenight: “Le Ballet Mécanique“ dir. Fernand Léger, 1924

magictransistor:Pablo Picasso, Constellations, 1924.

realityayslum: Louis Feuillade / Maurice Champreux Le Stigmate, 1924

shihlun: El Lissitzky / Self-Portrait (1924)

deviatesinc: Étienne de Beaumont presents Erik Satie’s ballet Mercure, with costumes and sets by Picasso, 1924

alfiusdebux: Marcel Duchamp in René Clair’s “Entr’acte”, 1924

etund:Louis Aragon & Andre Breton, 1924. Photo by Man Ray.

last-picture-show:Unpublished Group Photo of the Surrealist Crew, Salvador Dali, Gala and Paul Eluard, Philippe Soupault, René Crevel, Robert Desnos and Benjamin Péret included, 1924

garadinervi: László Moholy-Nagy, Bauhausbücher 11 (Bauhaus Books 11), 1924-31 (via MoMA)

regardintemporel: Serge Vandercam (1924-2005) - AbstractionPhotogram

regardintemporel: Serge Vandercam (1924-2005) - Clair obscur d'un mobile suspendu, ca. 1948

automaticaction:André Breton - Automatic Drawing (1924)

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