1881
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1881 clips
demonsandgods: “Le Naiadi” (1881) - Gioacchino Pagliei
beyond-the-canvas: Sir Lawrence Alma-Tadema, In the Tepidarium. 1881, oil on canvas. Lady Lever Art Gallery, Port Sunlight, United Kingdom.
jonilover:Nudo di donna disteso(Reclining Female Nude), Giuseppe Palanti(1881-1946, Italian)
poopshitaids:Jan Sluijters (1881 — 1957)
erosart: In the Tepidarium (1881)By Sir Lawrence Alma-Tadema
amare-habeo: Hermann Max Pechstein (German, 1881- 1955) - Motion study 15, 1918Watercolor over Pen and India ink drawing
huariqueje: The Joy of Painting - Jan Sluijters 1946 Dutch, 1881-1957
adhemarpo: Nikolaï Fechine (1881-1955) - Nu
monsieurleprince: Hugues Merle (1823 - 1881) - Hebe after her fall, 1880
adhemarpo: David P. Shterenberg (1881-1948) - Nu
elpasha71: Jan Sluijters (1881-1957)
fragrantblossoms: Study of a female nude with apple , Louis Bonnard, 1881.
leirelatent: “Étude d’un nu féminin”, Louis Bonnard (1881)
adhemarpo: Félicien Joseph Victor Rops (Belge, 1833-1898) Le massage. 1878-1881
adhemarpo: Lawrence Alma-Tadema, Hollandais (1836 - 1912) - Dans le tépidarium (1881)
nemfrog: Frontispiece to a salacious exposé of the Church of LDS. The mysteries of Mormonism. 1881.
igormaglica: Pierre-Auguste Renoir (1841–1919), Blonde Bather, 1881. oil on canvas, 81.8 × 65.7 cm
parappurathu: Andrei Belloli (1822 – 1881)
artmagnifique: PIERRE-AUGUSTE RENOIR. Blonde Bather, 1881, oil on canvas.
amare-habeo: Jan Sluijters (Dutch, 1881–1957) Self Portrait of Greet van Cooten (Halfportret van Greet van Cooten), 1910 Watercolor and pencils on paper
vintagemusclemen:For Saturday, I am featuring the work of Jean Baptiste Igout (1837-1881), a French photographer who is best known for his artist studies. He was a contemporary of Gaudenzio Marconi (1841-1885) who also did studies and also died at the
youlookgoodlikethat: Tatyana CW Why should the devil have all the good tunes? —Rowland Hill, sermon, reported in Edward W. Broome, The Rev. Rowland Hill: Preacher and Wit (1881), p. 93, in the sentence: “He did not see any reason why the devil
sucumbidores: “Olhava para o espelho e enxergava fracassos e decepções.” — Antônia, 1881.
scribe4haxan: Schädelstudie, 1881 ~ Karl Stauffer-Bern
wonderwarhol: Evening Mood, 1882, and Dawn, 1881, by William-Adolphe Bouguereau (1825–1905)
blastedheath: Pablo Picasso (Spanish, 1881-1973), Le baiser, 7th October 1967. Pencil on paper, 32.5 x 50.4 cm.
twistinghalos: undine rising from the waters (detail). chauncey ives. 1881.
A page from McGuffy’s Eclectic Primer circa. 1881