1867
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void-dance: oorequiemoo: Nu au miroir Photographer: Auguste Belloc (1800-1867) Colored Daguerréotype France, 1853
rivesveronique: CHARLES WESLEY GILHOUSEN (American 1867-1929) Golora, A Ray of Hope, and Innocence. Hand tinted gelatin silver prints
wonderingaesthetic: Georgette Agutte (1867-1922)
vintagedream: Charles W. Gilhousen (1867-1929)
silenceforthesoul: Jean-Auguste-Dominique Ingres (1780–1867) - A Sleeping Odalisque, c.1830
blood-period: “The Covetous Faun” - Mihàly Zichy (1867)
adhemarpo: Sapho, 1867, Charles Gleyre, Musée cantonal des beaux-arts de Lausanne
cg54kck:Seaside standing female nudeJanos Vaszary (1867–1939)
silenceforthesoul:Guy Rose (1867-1925) - By the Fireside, 1910
templeofapelles: Mihály Zichy Der begehrliche Faun, 1867
selectiveaffinities: Sappho, 1867, Charles Gleyre
adhemarpo: Odalisque par le peintre brésilien Oscar Pereira da Silva (1867-1939).
lanangon: pleasinly: Oscar Pereira da Silva (Brazilian ,1867-1939) – Odalisque alanguie
elpasha71: Victor Olivier Gilsoul (Belgian, 1867-1939), Looking Through a Mirror, 1927
dekehlmark: Charles Gleyre (1806-1874), Le Coucher de Sappho - 1867
fragrantblossoms: Auguste Belloc (French,1800– 1867)
amare-habeo: Jean Delville (Belgian, 1867-1953) Le Cycle passionnel, étude, 1890 watercolor, India ink wash on paper, 22 x 34 cm
kzmkwoji: Jean Auguste Dominique Ingres (1780 - 1867) The Turkish Bath1862
sylvainbuffet: Pierre Bonnard (1867 – 1947)
aqua-regia009: Jessica (1867) by Thomas Francis Dicksee
clawmarks: Bilder-Atlas zur wissenschaftlich-popularen - Leopold Joseph Franz Johann Fitzinger - 1867 - via internet Archive
c0ssette: William-Adolphe Bouguereau “Art and Literature” 1867. Such hipsters damn look at those expressions of disdain wowwwww
