1851
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1851 clips
femalebeautyinart: The Meditation by Francesco Hayez, 1851
scribe4haxan: L’Hiver (1851) ~ by Alexandre Calame…
songesoleil: A Fairy under Starry Skies. Oil on Canvas. 59 x 103 cm.(23.22 x 40.55 in.) Art by Luis Ricardo Falero.(1851-1896).
wonderwarhol: Moon Nymph l The Witches Sabbath l The Balance of the Zodiac19th century, Luis Ricardo Falero (1851-1896)
En 1851 Dickens se mudó a una nueva casa en Londres, que entre otras cosas tenía más librerías de las que podía cubrir el autor con los libros que poseía. Y decidió entonces hacer una pequeña broma con su biblioteca, ya que en lugar de comprar
srocq: exgynocraticgrrl: Kerry Washington performing Sojourner Truth's 1851 "Ain't I A Woman" speech A clip from the History Channel’s “The People Speak” she is my absolute favorite. always and forever.
exgynocraticgrrl: Kerry Washington performing Sojourner Truth's 1851 "Ain't I A Woman" speech A clip from the History Channel’s “The People Speak”
le-immorte:Credit ▪ The Wrath of Achilles. 1810. Michel Martin Drolling. French 1789-1851. oil/canvas, Details
le-immorte: Credit ▪ The Wrath of Achilles. 1810. Michel Martin Drolling. French 1789-1851. oil/canvas, Details
centuriespast: Mary Wollstonecraft Shelley (1797–1851), Frankenstein, manuscript, MS. Abinger c.56, fols. 20v – 21r, 1816 – 1817. The Bodleian Libraries, University of Oxford.
centuriespast:Mary Wollstonecraft Shelley (1797–1851), Frankenstein, manuscript, MS. Abinger c.56, fols. 20v – 21r, 1816 – 1817. The Bodleian Libraries, University of Oxford.
victoriansword: Finally, a comparison of each bayonet side by side (from top to bottom): Italian Bersaglieri volunteer bayonet, 1851 German-made bayonet from Brazil or United States, c.1860 French M1866 Chassepot bayonet, 1873 French M1874 Epee bayonet
a-little-bit-pre-raphaelite: detail Study for Huguenot, c.1851, John Everett Millais
Woodcut
magictransistor: Asa Smith. Celestial Illustrations from Smith’s Illustrated Astronomy. 1851. Contd from here
invisiblelad: phoenixwrites:srocq:exgynocraticgrrl: Kerry Washington performing Sojourner Truth's 1851 "Ain't I A Woman" speech A clip from the History Channel’s “The People Speak” she is my absolute favorite. always and forever. Kerry
afternoonyouth:sore-thumbelina: Glove map of London, 1851, by George Shove. Printed map on leather. (via sicklittlepuppy)
sore-thumbelina: Sir Edwin Landseer, Scene from A Midsummer Night’s Dream. Titania and Bottom. 1848-1851 (via bebelestrange)
oh-girl-among-the-roses: Glove map of London by George Shove, 1851(via discopeanut)
paintingses: Joan of Arc by Albert Lynch (1851-1912) engraving from Figaro Illustre magazine, 1903
heaveninawildflower: Watercolour of Alnwick Castle (circa 1829) by J.M.W. Turner (1775 - 1851). Art Gallery of South Australia Google Art Project: Home via Wikimedia.
speciesbarocus: Horace Vernet - Angel of Death (1851). Detail.
die-rosastrasse:Edward Robert HughesBritish, 1851-1914Dress details
venusianpaintings: Virgilio Tojetti (1851 - 1901) - Bath time, 1897
vintagegal: Karl Wilhelm Diefenbach (1851-1913), “Question to the Stars”
monsieurleprince: Luis Ricardo Faléro (1851 - 1896) - Twin stars
artpoteosis: Luis Ricardo Falero (1851 - 1896) - Brujas yendo al Sabbath (1878) oil on canvas - 145.5 × 118.2 cm (57.3 × 46.5 in)
elpasha711: Pierre Carrier-Belleuse(French, 1851 - 1933)
silenceformysoul: George von Hoesslin (1851-1923) - The Sirens Luring Odysseus onto the Rocks
jeanfivintage: .36 Colt model 1851 Navy From “Packing Iron” by Richard Rattenbury
thefishmann: maurocuervo: monsterousmotivation: tacticalhoneybadger: Colt 1851. Quite fond of old colts thanks Waaaaaant
paddyjohnson: Five Jobs: Steadfast EditionEmanuel Leutze, Washington Crossing the Delaware, 1851, © Metropolitan Museum Manager of…View Post
chaosophia218: Louis Agassiz - Earth’s Crust with the Evolutionary History of the Species, “Comparative Physiology”, 1851.This diagrammatic history of life, proposed by Swiss-American naturalist Louis Agassiz, is very different from Darwin’s.
thechapterfiveblog: Knud Andreassen Baade - 1851 - Kystlandskap i måneskinn (Coastal Landscape in Moonlight)
pre-raphaelisme: Convent Thoughts by Charles Allston Collins, 1850-1851
thefugitivesaint:Carl Gustaf Hellqvist (1851-1890), “Dödens Engel” by Johan Olof Wallin, 1917Source
thepolishstufflove: “Mountain goats” (c.1896) by Stanisław Witkiewicz (Polish;1851–1915), oil on canvas; National Museum in Gdansk
red-lipstick: Albert Aublet (French, 1851-1938) - Selene, 1880 Paintings: Oil on Canvas
cauldronandcross: The Angel of Death (detail) Horace Vernet 1851
chasseurseul: favorite artists: Joseph Mallord William Turner, “The painter of light” (1775-1851) “You should tell them that indistinctiveness is my forte” — Turner’s reply when hearing that collector James Lenox who purchased
fleurdulys: Coastal Landscape in Moonlight - Knud Baade 1851
curing: deathandmysticism: John Martin, The End of the World, The Great Day Of His Wrath, Tate Britain, London, 1851-53 =
deathandmysticism: John Martin, The End of the World, The Great Day Of His Wrath, Tate Britain, London, 1851-53
magictransistor: Asa Smith. Celestial Illustrations from Smith’s Illustrated Astronomy. 1851. Wood engravings with hand highlighting, written by the principal of Public School No. 12 in New York City with the goal “to present all the distinguishing
Reclining Nude and detail by Luis Ricardo Falero (1851-1896)
socialpsychopathblr: Asa Smith Celestial Illustrations from Smith’s Illustrated Astronomy, 1851
wonderwarhol:A Fairy Under Starry Skies, 19th century, by Luis Ricardo Falero (1851-1896)
silenceforthesoul:Thomas Wilmer Dewing (1851-1938) - Poppies and Italian Mignotte
nikolaeftimov-blog: Johann Ranzi, Franz Joseph I of Austria, 1851.Source: https://commons.wikimedia.org/wiki/File:Franz_Joseph_of_Austria_young.jpg
youlookgoodlikethat: Talia CW Talk not to me of blasphemy, man; I’d strike the sun if it insulted me. —Ahab, in Moby-Dick (1851) by Herman Melville
derekwoodsphotography: Verronica Divine. LA. 2014. Polaroid 1851. (Styled by: Julie) Derek Woods / Website / Instagram / Etsy
numanbaba: Portico of the Temple of Isis at Philae, David Roberts (1851)
