1822
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Pelo d’Autore n° 1822 Che Fica Pelosa matura da sogno… mytwife: http://mytwife.tumblr.com/
bellsofsaintclements:“Falling leaves” by French artist Hugues Merle (1822-1881).
darksilenceinsuburbia: Antonio Canova(1757-1822). Persée avec la tête de Méduse. 2.343 m. Etats-Unis, New-York, The Metropolitan Museum of Art.
mythologyofblue: George Julius Poulett Scrope, The Eruption of Vesuvius as seen from Naples, October 1822
aestheticlust: Théodore Géricault, Portrait of Kleptomaniac, 1822 (cleptomane e onanista, finirà i suoi giorni sulla zattera della Medusa)
transistoradio: William Etty (1787-1849), The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate (1822-32), oil on canvas, 127.8 x 101.9 cm. Collection of Manchester City Galleries, Manchester, UK. Via BBC.
hadrian6: Dancer with Finger on Chin. 1809-14.Antonio Canova. Italian 1757-1822. marble.http://hadrian6.tumblr.com
hadrian6: The Reaper. 1849. Eugene Guillaume. French 1822-1905. bronze. Musee d'Orsay. Paris. http://hadrian6.tumblr.com
ganymedesrocks: The Sleep of Endymion - Antonio Canova, marble, 1819 - 1822. In Greek mythology Endymion was a handsome shepherd boy of Asia Minor, the earthly lover of the moon goddess Selene, and each night he was kissed to sleep by her. She begged
italian-landscapes: Paolina Borghese come Venere (as Venus) Artista / Artist: Antonio Canova (1757 -1822) Data dell’opera / Date of the work: 1805-1808 Materiale / Material: marmo / Marble Collocazione / Location: Galleria Borghese, Roma (Borghese
oldbookillustrations: The three friends (dry point, third state. 1880). Marcellin Desboutin, from La curieuse vie de Marcellin Desboutin (The curious life of Marcellin Desboutin), by Noël Clément-Janin, Paris, 1822 1922. (Source: archive.org)
dynamicafrica: Arrival at Mora. The capital of Mandara. From Narrative of travels and discoveries in Northern and Central Africa, in the years 1822, 1823, and 1824. Vol I & II (published 1826). The Mandara Kingdom (sometimes called Wandala)
napolinostalgia: The Eruption of Vesuvius as seen from Naples, October 1822. Historical drawing from George Julius Poulett Scrope (Thanks to Stephen Ellcock)
loumargi:Antonio Canova (1757-1822) – Aphrodite et Adonis
hadrian6: Metellus Raising the Siege. 1805. Armand Charles Caraffe. French 1762-1822. oil /canvas. http://hadrian6.tumblr.com
Willem Roelofs (1822 Amsterdam - 1897 Berchem); Landscape in an approaching storm, 1850; oil on canvas, 140 x 90 cm; Rijksmuseum, Amsterdam
Antonio Canova (Possagno, Treviso, 1757 - Venezia 1822); Adone incoronato da Venere (Adonis crowned by Venus), 1789; plaster cast (detail); Gipsoteca Canoviana, Possagno
lyghtmylife: Raphaelle Peale [American Painter, 1774-1825]Venus Rising from the Sea—A Deception c. 1822 Oil on canvas 29 x 24 in The Nelson-Atkins Museum of Art, Kansas City, Missouri A painting which famously comments on the fact that depictions
climacus:Antonio Canova (Possagno, Treviso, 1757 - Venezia 1822); Adone incoronato da Venere (Adonis crowned by Venus), 1789; plaster cast (detail); Gipsoteca Canoviana, Possagno
art-of-swords: Yatagan Sword Dated: A.H. 1238/A.D. 1822 Culture: Anatolian or Balkan Medium: steel, silver, gold, coral Measurements: overall lenght 29 ¼ inches (74.3 cm); blae lenght 22 1/8 inches (56.2 cm) Inscription: inscribed with the date 1238
loumargi:Fritz Zuber Bühler🇨🇭(1822-1896)
Still Life with Strawberries and Ostrich Egg Cup Raphaelle Peale - 1822
Fritz Zuber-Buhler (1822 – 1896) ,La Reine Bacchanal,detail.
songesoleil: Sirène / Mermaid. Oil on Canvas. 29 x 54 cm. (11.41 x 21.25 in.) Art by Évariste Vital Luminais.(1822-1896).
homoaequoris: “Sisters Francisca and Maria of Our Perpetual Help attending the insolit birth of a miraculous creature that lived in the Convent of St Gregory from 1780 to 1822”
Episode eight, “Form and Void” — Entering CarcosaStanding in for Errol’s Lovecraftian labyrinth were the stone hallways of Fort Macomb, built in 1822. The overgrown entranceway of the crumbling structure provided Fukunaga and Arkapaw with their
hadrian6:Ajax of Oileus Shipwrecked. 1822.Francesco Hayez. Italian 1791-1881. oil/canvas.http;//hadrian6.tumblr.com
amnhnyc: Mon-Chonsia, Kansa ChiefMonchonsia, or White Plume, was chief of the Kansa tribe and among a delegation of Native Americans who visited Washington, D.C., in 1822. Artist Charles Bird King was hired to create portraits of the delegates. Those
wapiti3: Meroe trip at White River: beyond Fazoql in the south of the Kingdom of Sennar, has Syouah and five other oases, made in the years 1819, 1820, 1821 and 1822: accompanied by geographical maps, boards representing the monuments of these regions.
loumargi: Psyche Revived by Cupid’s Kiss -Antonio CANOVA (1757 – 1822)
via-appia: Theseus defeats the Centaur, 1805-19 Antonio Canova (1757–1822) KHM Wien
hadrian6: Theseus and the Centaur. 1804. Antonio Canova. Italian 1757-1822. marble. http://hadrian6.tumblr.com Kunsthistorisches Museum, Wien
1822:It’s sunny!
1822: New icon
wonderwarhol:Psyche Revived by the Kiss of Love, 1793, by Antonio Canova 1757-1822)
grandegyptianmuseum: Colossal statue of Ramesses II at Abu Simbel, 1850 Maxime Du Camp (French, 1822-1894)
hadrian6:Bust of Peace. 1814. Antonio Canova. Italian 1757-1822. marble. Sotheby’s July 2018. http://hadrian6.tumblr.com
acrosscenturiesandgenerations:▪︎Hebe.Artist: Canova, Antonio (1757-1822)Place of origin: ItalyDate: between 1800 and 1805Medium: Marble
thewomenpainters: Rosa Bonheur (French, 1822 - 1899)
cmog: Leopold Blaschka was born on this day in 1822. He worked with his son, Rudolf, to create painstaking detail in lampworked glass. They made glass eyes, marine invertebrate models, and even flowers like these hyacinths in glass!
earlyfrost: The Funeral of Shelley [1822], 1889by Louis Édouard Fournier (via chrissybelle8)
Robert Stewart, Viscount Castlereagh, Marquis of Londonderry (1769-1822)
doloresdepalabra: Charles Willson Peale - The Artist in His Museum [1822]
doloresdepalabra: Artist (Self Portrait) Sir William Fettes Douglas (1822 - 1891) www.artinconnu.com
necspenecmetu: Robert-Jacques-Francois Faust Lefevre, Portrait of Jean-Baptiste-Claude Odiot, 1822
loquaciousconnoisseur: Jean-Baptiste Mauzaisse · Louvre · Ceiling of the Antique Glassware Room “Time showing the ruins that he causes and the works of art he brings to light” (1822)
kenhatter: Louis Gueymard (1822–1880) as Robert le Diable by Maulleigh on Flickr.
monsieurleprince: Victor Joseph Chavet (1822-1906) - The cello player
Robert Stewart, Viscount Castlereagh (18th June 1769 - 12th August 1822)
dassitright: Portrait of a Negro c 1822-1823 Théodore Géricault
thisblueboy: Joseph-Ferdinand Lancrenon (French, 1794-1874), Boreas abducting Oreithyia, 1822, oil on canvas
hadrian6: Portrait of Jean Baptiste Claude Odiot. 1822. French silversmith. Robert Lefevre. 1755-1830.
Joseph-Ferdinand Lancrenon: Boreas Abducting Oreithyia, 1822.
auriferis929: Joseph Ferdinand Lancernon (1794-1874) Boreas abducting Oreithyia 1822.Джозеф Фердинанд Лансернон (1794-1874) Борей похищает Орифию 1822
hadrian6: The Sleeping Endymion. 1822. Antonio Canova. Italian 1757-1822. plaster. http://hadrian6.tumblr.com
boysnmenart: 1822.jpg - 1822: Rudolph Tegner, 1873-1950: Heracles dancing with Omphale, 1927. Rudolph Tegners Museum
trnscndnt: xiuxiueig: Phyche Revived by Cupid Kiss Antonio Canova (1757-1822) Phyche Revived by Cupid Kiss Antonio Canova (1757-1822)
![lyghtmylife: Raphaelle Peale [American Painter, 1774-1825]Venus Rising from the Sea—A Deception c. 1822 Oil on canvas 29 x 24 in The Nelson-Atkins Museum of Art, Kansas City, Missouri A painting which famously comments on the fact that depictions](https://64.media.tumblr.com/e2b6db71e9b1cd21732c41936de6b80b/tumblr_mrqlu2BDIR1r29g9xo1_250.jpg)
![earlyfrost: The Funeral of Shelley [1822], 1889by Louis Édouard Fournier (via chrissybelle8)](https://64.media.tumblr.com/tumblr_llwtbeiauE1qkuobso1_250.jpg)
![doloresdepalabra: Charles Willson Peale - The Artist in His Museum [1822]](https://64.media.tumblr.com/tumblr_ls1qheCoil1r05oujo1_250.jpg)
