1819
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heaveninawildflower: The insect quire (Summer version) by Masuyama Sessai (1754 - 1819). Edo period (19th century). Tokyo National Museum. Wikimedia
books0977: Polyhymnia (1869). Joseph Fagnani (Italian, 1819–1873). Oil on canvas. Met. The Muse of Heroic Hymn is seated in a meditative pose with a scroll in one hand. She is flanked by a lyre and a lighted lamp, representing knowledge. The model
rubenista: Detail of Pygmalion et Galatée by Anne-Louis Girodet de Roussy-Trioson (1819)
rubenista: Detail of The Poetess Sappho, attributed to the circle of Jacques-Louis David (1819)
clara–lux: JALABERT, Charles (1819–1901) Nymphs Listening to the Songs of Orpheus1853Oil on canvas, 111.8 x 91.8 cm Walters Art Museum
walksthroughthecenturies: Circle of Jacques-Louis David - The Poetess Sappho (Detail), 1819
greuze:Circle of Jacques-Louis David, The Poetess Sappho (Detail), 1819
overdose-art: William Turner • San Giorgio Maggiore in the Morning • 1819 ×
100artistsbook: Adonis. 1785. Barthelemy Blaise. French 1738-1819. marble. More male art at www.theartofman.net and www.vitruvianlens.com
ganymedesrocks: climbing-down-bokor: L'autoritratto di Giuseppe Tominz con il fratello Francesco, by Giuseppe Tominz, 1819 Giuseppe Tominz (1790 – 1866) was an Italian painter, who lived and worked in the Austrian Empire and in Italy. He was educated
sculppp: Théodore Chassériau (1819 – 1856) Father Dominique Lacordaire of the Dominican Order
hadrian6: The Childhood of Bacchus. 1863.Jean Joseph Perraud. French 1819-1876. marble.http://hadrian6.tumblr.com
ganymedesrocks: static-people: Le Désespoir - Musée d’Orsay Jean-Joseph Perraud According to Eaton, “During the Second Empire, no sculptor enjoyed a greater reputation” than Jean-Joseph Perraud (1819-1876), even if French academical style
peril: The torture of Prometheus (1819), oil on canvas, Musée Crozatier, France | artwork by Jean-Louis-Cesar Lair
kundst: Theodore Chasseriau (Dom/Fr. 1819-1856)Study of an African man (1838)
hadrian6: Le Desespoir - Despair. 1861. Jean Joseph Perraud. French 1819-1876. marble. http://hadrian6.tumblr.com
viktor-sbor: Thomas Benjamin Kennington (1856–1916)- Queen Victoria (1819–1901).Date 1898
hadrian6: Torso. 1819. Sebastian Norblin de la Gourdaine. Polish 1796-1884. oil/canvas. http;//hadrian6.tumblr.com
hadrian6: Male nude. 1819. Sebastien Louis Wilhelm Norblin. French. 1796-1884. oil on canvas. http://hadrian6.tumblr.com
somanyhumanbeings: Carl Joseph Begas, Self-Portrait (1819)
hadrian6: Despair. 1869. Jean Joseph Perraud. French 1819-1876. marble. Musee d’Orsay. http://hadrian6.tumblr.com
victorianink: details from Alexandre Denis Abel de Pujol’s oil on canvas paintings (top) ‘Ixion Enchained in Tartarus’ (1824) and (bottom) ‘Sisyphus Eternally Rolling the Rock’ (1819)
scopophiles: La torture de Promethée. Jean Louis César Lair, 1819.
k250966: David with the Head of Goliath. 1781. Jose Juan Camaron y Melia. Spanish 1760-1819.
hermesandmercury: Mercury 1859 Aimé Millet (1819–1891) Palais du Louvre ** My Other Blogs & Facebook Pages
ganymedesrocks: antinoo5: ganymedesrocks: The present figure, by Francesco Righetti, inscribed ‘FR.RIGHETTI. ET. ALOVS. FEC.ROM 1819.’ is better known as the Capitoline Antinous, modelled on the antique prototype which is housed in the Capitoline
ganymedesrocks: Francesco Righetti (1738* - 1819), Bacchus and Ampelos, circa 1782. Francesco Righetti, an Italian sculptor, silversmith and bronze-founder, senior part to a family of Bronze and Lead modelers and casters, was a pupil to the celebrated
ganymedesrocks: Francesco Righetti (1738/49 - 1819) - Ganymede and the Eagle, a 1782 lead cast.
ganymedesrocks:Francesco Righetti (1738/1749 - 1819 - Castor and Pollux, Italian, a late 18th century pair of bronzes after the Antique - Courtesy of Tomasso Bros, NY
hildegardavon: Attributed to Francesco Righetti, 1749-1819 The three Graces, n/d, bronze, 84x40x40 cm Museo del Prado (Madrid), Inv. E000423
greekromangods: Bacchus and Ampelos 1782 Francesco Righetti (1749–1819) Lead Rijksmuseum ** Visit my Links page for my other blogs & Facebook Pages Keep reading
peaceinthestorm: Attributed to Gustave Courbet (1819-1877) ~ Study of a Nude Man, early 1840s [Source : metmuseuom.org]
antonio-m: ‘Study of a Nude Man’, 1840 by Gustave Courbet (1819–1877). French artist. Metropolitan Museum of Art, NY. oil on canvas
thomas-lawrence-art: John Arthur Douglas Bloomfield, 2nd Baron Bloomfield, 1819, Thomas Lawrence
life-imitates-art-far-more: Attributed to Francesco Righetti (1749-1819)“Apollino of the Villa Medici”Bronze and marbleLocated in the National Gallery of Art, Washington DC, United States
life-imitates-art-far-more: Jean-Joseph Perraud (1819-1876) “Despair” (1869) Marble Located in the Musée d'Orsay, Paris, France
antonio-m: ‘Mars Restrained by Cupid, c.1819 by John Gibson (1786–1866, Welsh). Hugely successful Neoclassical sculptor who studied under Antonio Canova and worked most of his life in Italy. Chatsworth House Trust, Derbyshire, UK. marble
gayartists:Drawing of figure, bottom right of The Raft of the Medusa (Le Radeau de la Méduse) (1819), Théodore Géricault
hadrian6: Study of a Male Nude. early 1840s. attributed to Gustave Courbet. French 1819-1877. oil/canvas. http://hadrian6.tumblr.com
ganymedesrocks: Achilles, 1821, A gilt bronze Bust, after the Antique, 1821 - Luigi Righetti (1780 - 1852). Francesco Righetti (1738-1819) and his son, Luigi (1780-1852), were among the foremost bronze casters, from their foundry in Rome in the late
moritzfer: das wusste Johann Wolfgang Goethe bereits 1819
tormented-spirituality: Head of a Drowned Man - Theodore Gericault, c.1819
16chakras: Ludwig Löffler (German, 1819 - 1876)
peril: The Raft of the Medusa (1818–1819), oil on canvas, Louvre, Paris | artwork by Jean Louis Théodore Géricault
theoddmentemporium: The Real Moby Dick In August 1819 the whaleship Essex set sail from Nantucket heading for whaling areas in the South Pacific Ocean. With a history of successful and profitable voyages behind it, Essex had gained a reputation for being
leprincelointain: Gustave Courbet (1819-1877), La Vague - 1869
cherry-colored-funk: “I have so much of you in my heart.” — John Keats, “Letter to Fanny Browne,” 8 July 1819 (via wordsnquotes)
hellonheelz93: Francisco Goya 1812-1819
dappledwithshadow: Martin Johnson Heade (American, 1819 - 1904)
fakehistory:while everyone else was in 1819, he was in 2019
hadrian6: The generosity of Alexander. 1819. Jerome Martin Langlois. French. 1799-1838. oil on canvas. http://hadrian6.tumblr.com
a-l-ancien-regime: Boudoir from the Hotel de Crillon Pierre-Adrien Paris (1747–1819) Date: ca. 1777–80
ironliar: Various artworks inspired from John Keats’ ballad La Belle Dame sans Merci (1819). ‘La Belle Dame sans Merci’, Sir Frank Dicksee 'La Belle Dame sans Merci’, Arthur Hughes 'La Belle Dame sans Merci’, Walter Crane
julietjardin: William Turner 1819 “San Giorgio Maggiore in the Morning” Watercolor
arsantiquis: Mary Moser (1744-1819), detail of Vase of Flowers.
templeofapelles: BEST OF THE PRADO 27 Goya Saturn Devouring His Children (The Black Paintings series) 1819 - 1823 Museo del Prado, Madrid
loumargi: Théodore Chassériau (1819 - 1856)Baigneuse endormie détail.1850,
![peaceinthestorm: Attributed to Gustave Courbet (1819-1877) ~ Study of a Nude Man, early 1840s [Source : metmuseuom.org]](https://64.media.tumblr.com/ed68f49d3731277a8d547d43d240b327/aca1cd57c2825c20-69/s500x750/f903659fa2784f61f3cdbfad7848f36101ec2230.jpg)
