1815
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Iconic historical stage designs for The Queen of the Night sequence from Mozart’s “Magic Flute” - the first image by Karl Friedrich Schinkel in 1815, the second by Simon Quaglio in 1818 (x)
design-is-fine: Josiah Wedgwood, Teapot with alligator, 1815. Etruria, England. Via Kunstmuseum Moritzburg, Halle. want
sp-arqtec: Decorado egipcio de Schinkel para la producción de 1815 de La flauta mágica en Berlin
hadrian6: French Empire Gilt Bronze Statuette of a Amazon in Battle with a Greek Warrior. 1815. http://hadrian6.tumblr.com
nanshe-of-nina: WOMEN’S HISTORY ✞ AUGUSTA ADA KING, COUNTESS OF LOVELACE (10 December 1815 – 27 November 1852) The only legitimate child of poet Lord Byron, Ada was an English mathematician and writer known for her work with Charles Babbage on
likeafieldmouse: Pelagio Palagi - Unfinished Portrait (1815)
loverofbeauty: Jean-Auguste Dominique Ingres: Portrait of Jean-Joseph Fournier (1815)
mobius1: (kyo18520.jpg (1280×1815)から)
viα likeafieldmouse: Caspar David Friedrich - Sailing Ship in the Fog (1815)
blakegopnik: For Cang Xin, Getting Naked Once Counted As Artistic Revolt THE DAILY PIC (#1815): Clichés, as I’ve written before, are the greatest enemies of art and criticism and creativity of all kinds. The cliché is to creation what carbon monoxide
blackgirlshit: girlebony: intersectionalism: Elizabeth Cady Stanton, 1815-1902 (Social activist, abolitionist, author) “What will we and our daughters suffer if these degraded black men are allowed to have the rights that would make them even worse
zora-zen: druganaut: blackgirlshit: girlebony: intersectionalism: Elizabeth Cady Stanton, 1815-1902 (Social activist, abolitionist, author) “What will we and our daughters suffer if these degraded black men are allowed to have the rights that
Portrait of Vasily A. Zhukovsky, Orest Adamovich Kiprensky, 1815
necspenecmetu: After Jacques-Louis David, Boy with a Bow, c. 1815
scudiero: The End of the Game of Cards - Jean-Louis-Ernest Meissionier (French, 1815-1891)
fuckyeahhistorycrushes: Joachim-Napoléon Murat (born Joachim Murat; 25 March 1767 – 13 October 1815)
blastedheath: Rik Wouters (Belgian, 1882-1916) Self-Portrait 1815. Oil on canvas. Royal Museum of Fine Arts, Antwerp.
wycherley: John Singleton Copley (1737-1815), Portrait of Gulian Verplanck (detail), 1771
necspenecmetu: Antoine-Jean Gros, Portrait of Count Honore de La Riboisiere, 1815
blastedheath: poboh Adolf von Menzel (German, 1815-1905), Studio Interior with Casts, 1852. Oil on paper mounted on board. Alte Nationalgalerie, Berlin.
blastedheath: Isidore Pils (French, 1813/1815-1875), Head of an Arab in a Fez, c. 1854-57. Oil on canvas, 35.2 x 27.5 cm. The Bowes Museum, Barnard Castle, County Durham.
blastedheath: Isidore Pils (French, 1813/1815-1875), Study for the Head of a Young Arab, c. 186-62. Oil on canvas, 33 x 24 cm. The Fitzwilliam Museum, Cambridge.
monsieurleprince: Jean-Louis Ernest Meissonier (1815 - 1891) - Sur l’escalier, the Venetians, 1879
blastedheath: beardbriarandrose Thomas Couture (French, 1815-1879), Damoclès, 1866. Oil on canvas, 205 x 155 cm. Musée des Beaux-Arts de Caen, France.
hadrian6: Detail: The crossing of the Red Sea. 1815. C.W. Eckersberg.
antonio-m: William Etty (English, 1787-1849), Seated male nude, head resting against hand, left foot resting on block, 1815-45. Oil on millboard, 68.3 x 49.7 cm. The Courtauld Gallery, London.
hadrian6: Detail: Napoleon I. 1815. Emile Jean Horace Vernet. French. 1789-1863.
Christoffer Wilhelm Eckersberg, Roman Beggar, 1815.Oil on canvas, 29 × 21 cm (115/ 8 × 8¼ in). Thorvaldsens Museum, Copenhagen.
After Jacques-Louis David, Boy with a Bow, c. 1815
1855 - Jean-Louis Ernest Meissonier (21 February 1815 – 31 January 1891)
Thomas Couture (French, 1815-1879), A Volunteer, c.1848. Oil on canvas, 66.7 x 56.5 cm. The Burrell Collection, Glasgow.
Samson breaking his bands. 1799. engraving after Jean Francois Rigaud’s Samson and Delilah. Francesco Bartolozzi. Italian. 1725-1815.
Carl von Blaas (Austrian, 1815-1894), Portrait of a Gentleman, the Roman Campagna in the background, Rome, 1846. Oil on canvas, 90 x 69.5 cm.
Arthur Schopenhauer as a young man (1815) by Ludwig Sigismund Ruhl.
The Player of Cormeuse. 1877. Thomas Couture. French. 1815-1879. oil on canvas.
Jean Louis Ernest Meissonier (1815-1891), Young Man with a Book
Adolph Menzel (German, 1815-1905) ‘Who goes there?’, gouache and gum arabic on paper, 23,4 x 14,9 cm. 1876
Thomas Couture (1815 - 1879) - Damocles
Adolph von Menzel (1815-1905) Portrait of the painter Alexander Friedrich (Fritz) Werner. Pastel and charcoal on paper, 41 x 31,5 cm.
Detail : The Centaur Nessus, Hercules and Deianira. 1763. after Laurent Pecheux. French 1729-1821. engraving by Francesco Bartolozzi. Italian 1725-1815.
George Jones. Detail from Study for ‘The Battle of Waterloo’, 1815.
George Jones. A Highlander, Black Watch attending a General of Hussars, possibly Lord Uxbridge, Study for The Battle of Waterloo, 1815.
Polish Uhlans from Duchy of Warsaw 1807-1815 January Suchodolski (date unknown), He was also an army officer.
Francesco Bartolozzi (1727-1815) - Bacchus and Mars, mixed media, each 26,5 x 21 cm.
Narcissus. 1815. Christoffer Wilhelm Eckersberg. Danish 1783-1853
art-and-things-of-beauty: Thomas Couture (1815-1879) - The bagpipe player. 1877.
Jean-Louis Ernest Meissonier (1815-1991), Bacchus, 1872
artisticinsight: Self-Portrait, by John Singleton Copley (1738-1815)
mrdirtybear:‘Sketch for The Portrait of General Winterfield’, as drawn in 1856 by German artist Adolph von Menzel (1815-1905).
alanspazzaliartist:Pêcheur Endormi (Sleeping Fisherman) by Alexandre Lafond (1815-1901)
tierradentro:Detail from “The Forge”, c.1815-20, Francisco Goya.
newloverofbeauty: Hans Jørgen Hammer (Denmark 1815 - 1882) Modelstudie af en ung mand med en gren i hånden (1843) Detail
velvetant: A Principal in 1815, condemning the limitations of ‘modern technology
lilit69: Roman orgy by the French painter Thomas Couture 1815-1879
cemeterytales: Anita Lopez wife of Frank Genovar Born Mar. 19, 1815 Died Feb. 26, 1883 Mission of Nombre de Dios, St. Augustine, Florida Photo Credit: Moultrie Creek via Flickr.
eastmanhouse: Julia Margaret Cameron (English, 1815-1879) Ophelia Study No. 2, 1867, albumen print, Gift of Eastman Kodak; ex collection of Gabriel Cromer, George Eastman House After receiving a camera as a gift from her daughter, Julia Margaret Cameron