1630s
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alwaysbewoke: Shit has been happening since American police force was put together in 1630 when it was mostly slave patrolmen. SMFH. White ignorance is a bitch.
parkstone-international: The detail and expression of that look… Rembrandt, “An old man in military costume”. 1630
The Raising of Lazarus by Rembrandt Harmenszoon van Rijn, 1630.
ri-science: On the 15 November 1630, German astronomer Johannes Kepler died aged 58. Kepler formulated three major laws of planetary motion which enabled Isaac Newton to devise his 3rd Law - For every action, there is an equal and opposite reaction.
te-kallistei: detail of Bernini’s Medusa, c. 1630.
cmog:Object of the Week: Beaker with Whistle, probably Low Countries (mount), perhaps Amsterdam, Netherlands, probably Venice, Italy (glass), perhaps Antwerp, Belgium, beaker made about 1630, mount 1673. 51.3.280. his goblet is a variation of windmill
centuriespast: Francisco de Zurbarán (Spanish, 1598–1664)Saint Francis of Assisi in His Tomb, 1630/34Oil on canvas Milwaukee Art Museum
oldpaintings: The Grand Column by François de Nomé, called Monsù Desiderio (French, c.1593–after 1630)
koredzas:Artemisia Gentileschi - Venus and Cupid, Sleeping Venus. 1625 - 1630
saturnsdaughter: Pieter Claesz, Vanitas, 1630 From Rino Stefano Tagliafierro’s short video, B E A U T Y
wonderwarhol: Vanitas Still Life, 1630, by Pieter Claesz (c. 1597-1660)
gwengold: detail Medusa - Gian Lorenzo Bernini, 1630s
charlesreeza: The Medici Fountain in the Luxembourg Gardens, ParisAround 1630, Marie de’ Medici, the widow of Henry IV and mother and regent of King Louis XIII of France, had this fountain built to complement her new palace on the left bank of the
baroqueart: Saint Cecilia by Charles Hoyau Date: 1630
lionofchaeronea:The Annunciation, Giovanni Lanfranco, between 1610 and 1630
v-ersacrum: Erasmus Quellinus II, The Death of Eurydice, 1630
moerae: A Cup of Water and a Rose (ca.1630, detail) Francisco de Zurbarán
calellon: Still Life with Books, Jan Davidsz. de Heem, 1625 - 1630 (detail)
sinuata: classic-art: Shepherd Boy Pointing at Tobias and the Angel Abraham Bloemaert, c. 1625-1630
hadrian6: David with the Head of Goliath. 1630s.Michele Desubleo. Flemish 1602-1676. oil/canvas.http://hadrian6.tumblr.com
maertyrer: Gerard SeghersSaint Sebastian comforted by an Angel c. 1630
spanishbaroqueart: Jusepe de Ribera Archimedes (ca. 1630) Museo del Prado, Madrid, Spain
king-without-a-castle: Georges de La Tour - The Fortune Teller, circa 1630.
hadrian6: Hercules and Antaeus. 17th.century.Filippo Parodi. Italian 1630-1702. marble.http://hadrian6.tumblr.com
v-ersacrum: Erasmus Quellinus II, The Persecution of the Harpies, 1630
somanyhumanbeings: Jan van Bijlert, Jeune violoniste (c. 1630s)
stonemen: Gerard Seghers. Saint Sebastian comforted by an angel. Circa 1630. National Trust collections. Petworth House. UK
hadrian6: Detail : Euclid. 1630-35. Jusepe de Ribera. Spanish 1591-1652. oil/canvas. http://hadrian6.tumblr.com
faux-fuyants: Velázquez, La Fragua de Vulcano (Museo del Prado, 1630). Détail
falsefangs: Hyacinth & Venus by Filippo Parodi (1630-1702)
aphroditepandemos: Orazio Riminaldi Italian painter (b. 1593, Pisa, d. 1630, Pisa)Victorious Cupid1624-25
akaixab: Fragua de Vulcano (1630) Diego Velázquez
baroque-art-appreciation: Portrait of Samuel Ampzing, 1630, Frans HalsMedium: oil, copper
somanyhumanbeings: Diego Rodríguez de Silva y Velázquez, Portrait of a Man (c. 1630-1635)
monsieurlabette: St. Sebastians Martyr (detail) by Jacob Matham, c. 1620-1630.
baroque-art-appreciation: An Old Man in Military Costume (formerly called Portrait of Rembrandt’s Father), 1630, Rembrandt Van RijnSize: 51x65 cmMedium: oil, board
history-of-fashion: 1630 Paulus Moreelse - Portrait of a man
renaissance-art:Guido Reni c. 1620-1630s and 1625, Saint Sebastian (details)
hadrian6:Detail : The Forge of Vulcan. 1630. Diego Velazquez. Spanish 1599-1660. oil/canvas. http://hadrian6.tumblr.com
hadrian6: A Study for St.Sebastian. 1616-21. Marc Antonio Bassetti. Italian 1586-1630. oil/canvas. http://hadrian6.tumblr.com
maertyrer: School of BolognaSt. Sebastian ca. 1630
arterialtrees: Nicolas Régnier: Saint Sebastian tended by the Holy Irene and her Servant, 1626-1630 (details)
hadrian6: Saint Sebastian. 1630. Ferdinand Murmann. German 1604-1675. ivory. http://hadrian6.tumblr.com
hadrian6: Saint Sebastian. 1650. Antonio de Bellis. Italian 1630-1656. oil/canvas. http://hadrian6.tumblr.com
ars-videndi:Erasmus Quellinus II (Flemish, Antwerp 1607–1678) - Amor Asleep, 1630, oil on canvas, 81 × 98 cm, Prado Museum
themacabrenbold:A recently discovered Artemisia Gentileschi #painting went on view in #London. David and Goliath (late 1630s), a painting newly attributed to Artemisia Gentileschi. Photo courtesy Simon Gillespie Studio.
history-of-fashion: 1632 Sir Anthony van Dyck - Philip, Lord Wharton (National Gallery of Art, Washington)
beyond-the-pale: Simon Vouet, Study for a figure of Endymion, c. 1630
antonio-m: Erasmus Quellinus II, El Amor dormido (Amor Asleep), 1630 Museo del Prado
sculppp: Marcantonio Bassetti, (1588-1630), St Sebastian. (1620).
cma-european-art: Samson, Valentin de Boulogne , c. 1630, Cleveland Museum of Art: European Painting and SculptureThe Old Testament hero Samson rests his head on his hand in a pensive, even melancholic pose. Objects on the table recall two of his heroic
ganymedesrocks: antonio-m:“Amor Asleep”, c.1630 by Erasmus Quellinus II (1607–1678). Flemish painter. oil on canvas “Amor Asleep”, c.1625, Netherlandish oil on canvasGood Night!
zeusammon: Hans Ludwig Kienle (German) Horse and Rider 1630
sculppp: Tanzio da Varallo (1575-1633)Saint Sebastian, c. 1620-1630, detail.
luz-sonriente: The Sun Dog Painting 1630s by Jacob Heinrich Elbfas after a lost painting of the same name by Urban Målare or Urban Larsson
art-of-swords: Swept-hilt Rapier Dated: circa 1600-1630 Culture: German Measurements: overall length 111.5 cm. Blade length 91.5 cm The hilt is basically a classic Norman type 58, but with recurved quillons with disc finials, constructed of flattened
art-of-swords: European Rapier Dated: circa 1600-1630 Culture: German Measurements: overall length 108 cm (3-½ ft.) The sword has twisted iron filigree fuse, terminating with braided rings at two ends. The chiseled wrought-iron mount, pommel,
