1520s
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Pelo d’Autore n° 1520 Da divorare con tanto amore….
fetinavi-1-1520.jpg
23oct: Ottoman painting. (1520)
renaissance-art: Garofalo c. 1520-1525 Baptism of Christ (detail)
peira: scottbergeyart: # 1520 “Wasabi Up The Nose”(Sold) on Flickr.
in-quo-totum-continetur: Twenty-four hour clock, Chartres Cathedral, France, 1520.
greuze: Lorenzo Lotto, Venus and Cupid (Detail), 1520s
sashaforthewin: steveebuck: (1520) raphael, self portrait with a friend (2013) oscar isaac You guys need to stop outing immortals like this. They’ll admit it when they’re ready to
art-of-swords: Two-hand Sword for the Field Dated: partly circa 1520-30 Culture: German Measurements: overall length 180 cm. Blade length 132 cm The strong double-edged blade of flattened hexagonal section is cut with a shallow fuller at the forte
11867bbd.jpg (1520×1066)
ask-acepony: askpun: For some ponies the fourth wall is more of a curtain. You can see more of that barrier-busting pony and her friends over at Ask Ace Pony! Artwork by TailzkipScript #1520 Do your part to help keep Ask Pun alive! We don’t want
lyghtmylife: RAFFAELLO Sanzio [Italian High Renaissance Painter, 1483-1520] Portrait of a Youthc. 1509-11Oil on board, 59 x 75 cmCzartoryski Museum, Cracow
lyghtmylife: MORONI, Giovanni Battista [Italian Mannerist Painter, ca.1520-1578] The Tailorc. 1570Oil on canvas, 97 x 74 cmNational Gallery, London
masterpiecedaily: Andrea del Sarto Holy Family 1520
masterpiecedaily: Correggio Vision of St John on Patmos 1520-24 Cupola della Chiesa di San Giovanni Evangelista, Parma
Raffaello Sanzio (Urbino 1483 - Roma 1520); Trasfigurazione (Transfiguration), 1518 / 1520 (unfinished; probably completed by Giulio Romano before 1523); oil on wood, 405 x 278 cm; Pinacoteca Vaticana
renaissance-art: Francesco Melzi c. 1517-1520 Pomona and Vertumnus It was not until the 1990’s that this painting achieved any sort of recognition. It was in need of restoration of and no one could prove who the original artist was. An 18th century
renaissance-art: Raphael c. 1520-1524 Vision of the Cross Constantine Room
Pordenone (Giovanni Antonio de’ Sacchis called il Pordenone; 1484 Pordenone - 1539 Ferrara); Storie della Passione (Stories of the Passion of Christ), 1520-21, fresco; Duomo di Cremona
Raffaello Sanzio (Urbino 1483 - Roma 1520); Estasi di Santa Cecilia (The Ecstasy of Saint Cecilia), 1514; oil on panel transferred to canvas, 149 x 236 cm; Pinacoteca Nazionale di Bologna
kecobe: Martino Rota (Italian; ca. 1520–1583)Portrait of Emperor Rudolf II ca. late 1570s–before 1585Oil on canvas Palais Dorotheum, Vienna
Raffaello Sanzio (1483-1520), Madonna and Child with saint Giovannino (known as La belle Jardinière), 1507; oil on poplar wood, 122 x 80 cm; Louvre
arthistoryftw: Titian Man with a glove c. 1520 Musée du Louvre, Paris
kundst: mosertone: Marx Reichlich - The Jester. 1519 - 1520 Marx Reichlich (At 1460-1520) The Jester (c 1519) Hardly to believe this painting is not painted in the 20th cent.
lionofchaeronea:Saint Barbara, the Master of Frankfurt (fl. ca. 1480-1520)
vasilyt: meadowtea: ‘The Master of the Holy Blood, Lucrezia’, 1520 Holy blood
freystupid: Bust of a Youth in Cuirass. mid 16th.century.Domenico Poggini. Italian 1520-1590. marble. Sotheby’s July 2009. Domenico Poggini (1520–1590) was an Italian sculptor, engraver, medallist, bronze-caster, goldsmith, and poet, born in Florence.
magictransistor: Joachim Patinir. Landscape with the Destruction of Sodom and Gomorraht. 1520. missed op
The Master of the Holy Blood, Lucrezia, 1520
blackpaint20: Hanging of a farm woman declared by the Inquisition to be possessed by demons. From Rappresentatione della Passione, Florence, 1520.
infinity-imagined: A solar flare from active region 1520 on July 17th, 2012.
acrosscenturiesandgenerations:▪︎ Bust of Ariadne.Culture: MantuaDate: ca. 1520-1522Artist: Pier Jacopo Alari de Bonacolsi, called Antico (ca. 1460 Mantua - 1528 Gazzuolo)Medium: Bronze, partly gilded
historyarchaeologyartefacts: Figure of death with a bow, Germany 1520[1200x1800] Source: https://reddit.com/r/ArtefactPorn/comments/8tqxwy/figure_of_death_with_a_bow_germany_15201200x1800/
fakehistory: Spanish Conquest of the Aztec Empire c.1520
artmagnifique: PARMIGIANINO. Portrait of a Youth, 1520s, oil on wood. Mannerism.
vaxhuvuden: A flayed personification of Fury who rides a monster holding a skull aloft in his left hand above which is a serpent. Engraving made by the Italian print artist Jacopo Caraglio, probably between 1520 to 1539.
fuckyeahhistorycrushes: Man with a glove, Titian, c.1520, Musée du Louvre
indigodreams: Dosso Dossi. Portrait of a Young Man With a Dog and a Cat, c. 1520
Hans Holbein the Younger, The Body of the Dead Christ in the Tomb (detail), c. 1520-22
loverofbeauty: Andrea del Sarto. 1520 (detail)
flashandfootle: Portrait of a Man in a Large Black Hat Italian, North probably 1520s. National Gallery, London by renzodionigi on Flickr.
arthistoryftw: Titian Man with a Glove c. 1520 Musée du Louvre, Paris
sweater-monster: Titian, Saint Sebastian (from Polyptych of the Resurrection), 1520
lydianea: Titian, “Man with a Glove,” circa 1520
thisblueboy: Raphael Sanzio (1483-1520), Study of David after Michelangelo
thisblueboy: Andrea del Sarto, Study for the head of Julius Caesar, ca.1520-21, Metropolitan Museum of Art, New York
artqueer: Raphael Sanzio (1483-1520): Study of David after Michelangelo
Portrait of a man with a dog and a cat. 1520. Dosso Dossi. Italian. 1490-1542. oil on canvas.
Mercury and Minerva. 1560. Gaspar Becerra. Spanish.1520-1570.
Moretto da Brescia, Portrait of a Man, c. 1520
Andrea del Sarto. 1520 (detail)
Attributed to Giovanni Battista Moroni (1520/24 (?)-after 1578), Portrait of a young man, half length, holding a book. Oil on panel, 64.8 by 44.5 cm.
history-of-fashion: 1527 Hans Brosamer - Portrait of Wolff Fuerleger wearing an embroidered black outfit (Private collection)