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archatlas: escher x nendo | between two worldsPopularly known as the NGV, the National Gallery of Victoria in Melbourne presents a groundbreaking exhibition that features the work of Dutch artist MC Escher in dialogue with the work of acclaimed Japanese

archatlas: escher x nendo | between two worldsPopularly known as the NGV, the National Gallery of Victoria in Melbourne presents a groundbreaking exhibition that features the work of Dutch artist MC Escher in dialogue with the work of acclaimed Japanese

John Linnell (Bloomsbury, London, 1792 - Redhill, Surrey, 1882); Wheat, 1860; oil on canvas, 140 x 94 cm; National Gallery of Victoria, Melbourne

John Linnell (Bloomsbury, London, 1792 - Redhill, Surrey, 1882); Wheat, 1860; oil on canvas, 140 x 94 cm; National Gallery of Victoria, Melbourne

artmastered: Rembrandt, Two Scholars Disputing, 1628, oil on panel, 72 x 60 cm, National Gallery of Victoria, Melbourne. Source This is believed to be a representation of Saints Peter and Paul, though they are not depicted with any of their recognisable

artmastered: Rembrandt, Two Scholars Disputing, 1628, oil on panel, 72 x 60 cm, National Gallery of Victoria, Melbourne. Source This is believed to be a representation of Saints Peter and Paul, though they are not depicted with any of their recognisable

blastedheath: Glynn Philpot (British, 1884-1937) Study for La Zaragoza c. 1910. Oil on canvas. National Gallery of Victoria, Melbourne

blastedheath: Glynn Philpot (British, 1884-1937) Study for La Zaragoza c. 1910. Oil on canvas. National Gallery of Victoria, Melbourne

blastedheath: George Lambert (Australian, 1873-1930), William Alison Russell Esq. 1910. Oil on canvas, 127.7 x 102.2 cm. National Gallery of Victoria, Melbourne.

blastedheath: George Lambert (Australian, 1873-1930), William Alison Russell Esq. 1910. Oil on canvas, 127.7 x 102.2 cm. National Gallery of Victoria, Melbourne.

thisblueboy: Johan Zoffany (German, 1733-1810), Self-portrait as David with the Head of Goliath, 1756, National Gallery of Victoria, Melbourne

thisblueboy: Johan Zoffany (German, 1733-1810), Self-portrait as David with the Head of Goliath, 1756, National Gallery of Victoria, Melbourne

design-is-fine: Margaret Preston, Wheel Flower – Stenocarpus, 1929. Hand-coloured woodcut. National Gallery of Victoria, Melbourne. © Margaret Preston / Licensed by VISCOPY, SydneyPreston was a prominent and vocal figure within the contemporary art

design-is-fine: Margaret Preston, Wheel Flower – Stenocarpus, 1929. Hand-coloured woodcut. National Gallery of Victoria, Melbourne. © Margaret Preston / Licensed by VISCOPY, SydneyPreston was a prominent and vocal figure within the contemporary art

andrejapejicpage: Andreja Pejic at the National Gallery of Victoria in Melbourne http://www.dailymail.co.uk/tvshowbiz/article-2795127/model-andreja-pejic-cuddles-jean-paul-gaultier-new-exhibition-public-appearance-transitioning-woman.html Photos: Daily

andrejapejicpage: Andreja Pejic at the National Gallery of Victoria in Melbourne http://www.dailymail.co.uk/tvshowbiz/article-2795127/model-andreja-pejic-cuddles-jean-paul-gaultier-new-exhibition-public-appearance-transitioning-woman.html Photos: Daily

My Valentine’s day with mon soleil, ma lune et toutes mes étoiles.@slendershadow1 Thank you for spending the day letting me fawn over century old paintings. It was beautiful, just like you. 💖

My Valentine’s day with mon soleil, ma lune et toutes mes étoiles.@slendershadow1 Thank you for spending the day letting me fawn over century old paintings. It was beautiful, just like you. 💖

books0977: Woman Reading (c.1915). Agnes Goodsir (Australian, 1865-1939). Oil on canvas. National Gallery of Victoria, Melbourne. Cherry Dunn, an American friend, became Agnes’ artist’s model, lover and the dominant subject of later works. Cherry

books0977: Woman Reading (c.1915). Agnes Goodsir (Australian, 1865-1939). Oil on canvas. National Gallery of Victoria, Melbourne. Cherry Dunn, an American friend, became Agnes’ artist’s model, lover and the dominant subject of later works. Cherry

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