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necspenecmetu: Giulia Lama, Saturn Devouring His Children, c. 1735 la posa e il gesto, quella loro intrinseca dinamicità che conduce necessariamente all'istante successivo dell'azione è così drammaticamente, orribilmente reale da fare accapponare
hadrian6: The Fall of Phaeton. 17th.century. Jan Eyck. Flemish. 1612-1668. oil on canvas. Prado Museum. http://hadrian6.tumblr.com
hadrian6: Mars and Rhea Silva. 1616-17. Peter Paul Rubens. Flemish. 1577—1640. oil on canvas. http://hadrian6.tumblr.com
hadrian6: Mercury about to behead Argus. 1770-75. Ubaldo Gandolfi. Italian. 1728-1781. oil on canvas. http://hadrian6.tumblr.com
Dosso Dossi (Giovanni Luteri detto Dosso Dossi, c. 1490 - 1542); Giove, Mercurio e la Virtù (1523-24)
hadrian6: Aeneas and his father fleeing Troy. 1635. Simon Vouet. French. 1590-1649. oil on canvas. http://hadrian6.tumblr.com
hadrian6: Bacchus and Ariadne. 18th.century. Andrea Appiani. Italian. 1754-1817. oil on canvas. http://hadrian6.tumblr.com
artmastered: Diego Velázquez, Rokeby Venus, 1647-51, The National Gallery This is the only surviving example of a female nude by Velázquez. The subject was rare in Spain because it met with the disapproval of the Church. The Rokeby Venus was famously
loftcultural: Jacques- Louis David - The Pain of Andromache (1783)
ithinkiwasherebefore: The Way to Paradise - Dieric Bouts
Johann Liss (Oldenburg 1597 - Venezia 1630), Nymph and shepherd, 1625 c.
masterpiecedaily: Pietro Perugino Apollo and Marsyas 1495
renaissance-art: Tintoretto c. 1570 Origin of the Milky Way
drakontomalloi: Adam Elsheimer - The Burning of Troy. 1604
Giambattista Tiepolo (Venezia 1696 - Madrid 1770), The Olympus or The Triumph of Venus, 1761-1764, oil on canvas; Museo Nacional del Prado, Madrid
Dosso Dossi (Giovanni Luteri called Dosso Dossi; Tramuschio 1486 [?] - Ferrara 1542); Melissa (Circe), between 1518 and 1531; Galleria Borghese, Roma
François Boucher (Paris, 1703 - 1770); The Triumph of Venus, 1740
Vincent Sellaer (born ? - died 1589, Mechelen, Belgium); Leda with the Swan and her children, n/d; oil on panel, 43 cm x 35 cm
Carlo Maratti (or Maratta; b. 1625, Camerano - d. Roma, 1713); Il Bagno di Diana (Bath of Diana), 1684; oil on canvas, 49 x 65 cm; private collection
renaissance-art: Francesco Melzi c. 1517-1520 Pomona and Vertumnus It was not until the 1990’s that this painting achieved any sort of recognition. It was in need of restoration of and no one could prove who the original artist was. An 18th century
deadpaint: Titian, Rape of Europa (1559-62)
Pierre Subleyras (Saint-Gilles 1699 - Roma 1749); Diana and Endymion, c. 1740; oil on canvas, 73 x 99 cm; National Gallery, London
Cavalier d’Arpino (Giuseppe Cesari, 1568-1640), Perseus and Andromeda, 1592; oil on slate, 70x55 cm; Kunsthistorisches Museum, Vienna
Auguste Renoir (French, 1841-1919), Diana, 1867; oil on canvas, 200 x 130 cm; National Gallery of Art, Washington DC
![Dosso Dossi (Giovanni Luteri called Dosso Dossi; Tramuschio 1486 [?] - Ferrara 1542); Melissa (Circe), between 1518 and 1531; Galleria Borghese, Roma](https://64.media.tumblr.com/72174e4fbe350d857f40023dcdc3dea8/tumblr_mwizs4ge0q1qzxzwso1_250.jpg)
